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Lorde - "Hammer"

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Anyone with a snake tongue I show em the chambers of my.................... HEART

 

:jonny5:

1 hour ago, Kayseri Mantisi said:

1. What Was That

1. Hammer

1. Man Of The Year

not you hating on MOTY im speechless! 

Just now, Kimi said:

not you hating on MOTY im speechless! 

let's check the numbers again bestie :heart:

21 minutes ago, twinflame said:

ive sent you a postcard from the edge 
the edge
oh
oh oh
oh

spacer.png

Not her explicitly talking about her Lordussy!

 

Virgin WHERE :clack:

3 minutes ago, Miss Anthropocene said:

Did it chicken? How yall listening

it's a local midnight release

3 minutes ago, Miss Anthropocene said:

Did it chicken? How yall listening

it comes out at midnight wherever you are. its out in half of the world already

Why do they all feel so shortttt :chick3:

 

I liked it though, just think it deserved a bit more of everything!

Oh this is her best opener since GL

Edited by BlackJesus

I absolutely love the melodies and production on first listen and there's a few lyrical highlights, she's 3/3 to me and I can't to listen to Virgin next week :WAP:

I jusr can't connect with anything from this album, it all feels like she's trying too hard to be "cool". I might cancel my pre order.

 

3 minutes ago, RaFanatic said:

I jusr can't connect with anything from this album, it all feels like she's trying too hard to be "cool". I might cancel my pre order.

 

baby let's not get ahead of ourselves now cos we need the sales

 :suburban:

Ok, this song (the best one she released from Virgin so far) confirms my main issues with this era: first, it feels like she's trying too hard in recreating a vibe and a sound that clearly doesn't belong to her anymore (as if Lana tried to remake Born to Die); secondly, I feel like her and the producer are almost competing with themselves to outshine the other. The production makes it hard to understand what's going on melodically, and I feel like the final result make it seems like she wrote the lyrics and melodies having no idea what the actual song would have sounded like.

Edited by TrueBlood

6 minutes ago, TrueBlood said:

Ok, this song (the best one she released from Virgin so far) confirms my main issues with this era: first, it feels like she's trying too hard in recreating a vibe and a sound that clearly doesn't belong to her anymore (as if Lana tried to remake Born to Die); secondly, I feel like her and the producer are almost competing with themselves to outshine the other. The production makes it hard to understand what's going on melodically, and I feel like the final result make it seems like he wrote her lyrics and melodies having no idea what the actual song would have sounded like.

you nailed it

I like it, but just like MOTY, the song feels unresolved.
 

Charli had short songs on BRAT, but none of them feel incomplete. 

 

Hoping things will make more sense once full album is out. 

I think I am a lorde stan because I love every album and I've loved every song from virgin so far 

 

idk I just feel like she makes music without really giving af what anyone else is making, what will do well or what is popular 

 

she just delivers work that feels very true to her at that time in her life 

 

I always just listen to her as if I'm listening to a diary

lyrics are fantastic. she's one of the best writers in pop 

It feels like the song is building up to something, but it never quite gets there. About halfway through, I was expecting a powerful climax, but it never came. I agree that it sounds incomplete.
 

Worried for Virgin, since none of the singles have really clicked with me right away :dancehall:

4 hours until it's released here. Oh, Ella, when I catch you. :clack:

another 10 aneurism is 10/10 and 100% serve album of the year coming next week 

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