1 minute ago, Shone Ai said:

I used the fuller version as the album cover 

not you sending Reneigh to the glue factory

 

That new poster is everything. 

On beyoncefilm.com, there is a download link for the new poster and the jpg file name is "mansion"

 

 

 

2 minutes ago, Mitsouko said:

On beyoncefilm.com, there is a download link for the new poster and the jpg file name is "mansion"

 

 

 

hopefully it means the film will fund a demolition of her airport

 

Omg cmon promo, now I can’t even be mad at the parfum video she is making sure EVERYTHING is getting promoted this week. We love her again (for now)

 

tbh I kind of think releasing the visuals before the film isn't as good an idea as releasing them right after.

 

imo there needs to be a new energy about them before they are released, so releasing them the week after the film is out would get people hyped for them again since undoubtedly the film will make people crave the visuals as well and the people who enjoy Beyoncé but not enough to go to the theatres for her would have the Beyoncé brand activated and on-topic already.

If they are released a week or so before the film, they may get overshadowed or at least have their impact shared with reaction the film. Though the visuals might also advertise the album and get people interested in seeing the tour film, to me it makes more sense to cap the era with the long-awaited visuals, not launch them literally right before an already publicized and promoted event.

 

 

Edited October 26, 20232 yr by swissman

The film description makes me excited, it seems like it will go into the inception of the the show and Bey’s involvement, I’m ready to feel motivated and productive

 

Thique was amazing live (before she shortened it AFTER Stockholm though).

 

 

The intro with End of Time Interpolations.

 

 

The robotic Beyonce backdrop that had her head turning around like The Exorcist.

 

 

The way she bent over showcasing her thickness .

 

 

The chest pumping dance break.

 

 

The Toxic sample.

 

 

 

I am thinking the film will be released on streaming platforms (most likely netflix) after it stops showing in theatres......so Idk when or if the visuals will ever see the light of day in this specific timeframe.

Edited October 26, 20232 yr by Redporus

What's funny is that, if the visuals are released TODAY.......we WILL gag and love the album all over again 

1 hour ago, cloudbusting said:

not you sending Reneigh to the glue factory

 

It was so basic. It was either this or the Reneigh pic with the hat and the red curtains 

One of her photographers 

 

The visuals should’ve been out. But we all know this. The RWT film would’ve been a nice way to wrap up the era. But now she just made it more confusing. I also feel she should’ve called the film “Renaissance World Tour” and not “Renaissance Film” that title should’ve been reserved for the actual visuals and not a tour doc. But oh well…
 

Happy she’s promoting the film at least.

 

 

1 minute ago, Shone Ai said:

One of her photographers 

 

Globally? 

7 minutes ago, Redporus said:

What's funny is that, if the visuals are released TODAY.......we WILL gag and love the album all over again 

wdym all over again, we never stopped

 

https://www.reddit.com/r/beyonce/s/4D5nrrDViV
On Facebook too

15 minutes ago, Shone Ai said:

One of her photographers 

 

this is me nitpicking but she could’ve lifted her left hand a little and do the Ren pose correctly  

 

cmon Bey work those brittle fingers 

2 hours ago, Cbreezy said:

I'd love this, but I think that would be oversaturation. 

 

At the moment, her attention and resources should be exclusively funneled into making the film a "hit" (aka recouping and turning a big profit).

 

Dropping the visuals on a streamer, which in turn would require promo and social push, distracts/confuses the messaging. Does she want the masses to see the film OR the concert?

She won't want to split her views across different projects. 

 

That said, I am very here for a visual streaming drop once the tour film is out of theaters. 

 

Literally a: "see the Renaissance tour film exclusively streaming now on Netflix/Prime AND watch the long-awaited Renaissance visuals along with it exclusively here too". 

 

Outside of that, if the visuals are indeed scrapped (a reality I still don't see as the case), she could just pull her usual antics and give us ONE video (whichever she's most satisfied with) on YouTube day of the film for the cross=promotion and let us finally put a pin in this Renaissance era with the tour film. 

Fair, great take.

 

12/31 Release of the visuals then, or NOTHING! 

her calling this Renaissance Film instead of just Renaissance World Tour kinda gives scrapped visuals so we recycled the name  

 

except if she has a better name for the actual visuals but who knows atp…

32 minutes ago, suneclipse121 said:

The visuals should’ve been out. But we all know this. The RWT film would’ve been a nice way to wrap up the era. But now she just made it more confusing. I also feel she should’ve called the film “Renaissance World Tour” and not “Renaissance Film” that title should’ve been reserved for the actual visuals and not a tour doc. But oh well…
 

Happy she’s promoting the film at least.

 

Have you considered this is a sign there is no Renaissance visual besides the tour film?

 

Stiff//TW

🧐

Hmmmm

if she really scrapped them and doesn’t even give us a single music video that would be pure insanity 

 

not liking them and changing your mind sure you do you but not liking at least 2-3 mvs enough to let us see them ? or shooting one over the last year and releasing it ? but then again making us wait 2 years for a music video is ALSO  insane 

 

i can’t find a logical way for her to spin this whole visuals thing without it looking insane like 

Not you completely ignoring the post about Taylor, which could be a clue as to why the visuals haven’t been released (yet) 

17 minutes ago, Shone Ai said:

Stiff//TW

🧐

This is interesting but confusing as wasn't the tea that the streamers weren't giving Taylor the coins she wanted so she ventured to AMC?

 

The essentially confirmed narrative is that her dad took all the meetings with the streamers and was dissatisfied with the offers. And Bey basically had the same issue and resolution?

 

Context: all the streamers seem to not be doing those big deals anymore and are even actively dissolving a lot of their expensive partnerships with comedians, artists etc as a cost-cutting exercise.

 

I don't listen to Taylor at all, but appreciate her market savvy. But at the same time, it feels they (either her team or the media who will always prop up a TS over a Bey) are really pushing this game-changer narrative. Maybe I'm being biased or a hater, but it feels a little...overdone.

 

Relating SAG thing back to Bey, in one regard it makes me wonder if the visuals (with actor cameos, extras, etc) has been tied up in the strike. Definitely not as "the" main hold-up overall (as we for sure know about reshoots and other mess), but it may explain the latest delay and pivot to the tour film (which presumably is easier get across the line as a "live music performance").

 

As excited as I am or the tour film, I still find it a slightly random venture given the whole wait has been for the "visuals". This may explain it?