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Beyoncé

This is part 1 of the Beyoncé discussion.

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I know Grammys don't matter but interesting now that she'll definitely be eligible for dance nominations!

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    I know this award is a joke but the point is, she has cemented herself in history with the likes of Whitney and Lauryn. And on top of that she won an award for a genre that completely ridiculed and ex

  • Potentially #1 in the US, UK and Canada in the same week   

6 minutes ago, PrudenceHCharmed said:

Looks like radio is on our side this era. She didn't have any #1 hit on urban radio during Lem right? I remember Love On Top was a smash and Drunk In Love too

Sorry peaked at #2 on Urban radio and #3 on R&B/Hip Hop Airplay 

2 minutes ago, swissman said:

I know Grammys don't matter but interesting now that she'll definitely be eligible for dance nominations!

Watch them keeping her in the urban/r&b categories
 

drunk-dancing.gif

 

Edited by KingB®

I know I’m extremely biased but if you’re not a fan of Beyoncé your taste is immediately bad because who’s better than her when it comes to vocal layering, delivery, and versatility?

31 minutes ago, Mitsouko said:

the "Off past five" takes me out every time idk :toofunny3:

Me too :skull: 

51 minutes ago, Cbreezy said:

Guys, when I tell you I am elated at the response (hope Spotify numbers pull through)

 

Don't even want to sound preachy, but it really shows the value of a great SINGLE. It truly is the vehicle for a really strong and mass reaching era. 

 

I have admired and rarely questioned the slower, grittier, and more critically-acclaimed Bey of the last decade (with ST and Lemonade etc). It's literally what's given her the legend status she has now. 

 

However, as someone who has literally followed her from DC to now, it's rewarding seeing her get her dues commercially again with a song specifically. 

 

During the "no-promo", no f**ks era, so many great songs flew under the radar because of the (necessary) brand shift she was actualizing (art not charts). I got it and it's clear she's playing the long game, but this proves that no matter how you look at it, it's impossible to go wrong with a well-handled lead. 

What’s crazy is that when she stopped getting “hits” is when she got even bigger and is now a stadium artist:jonny5:

23 minutes ago, PrudenceHCharmed said:

Looks like radio is on our side this era. She didn't have any #1 hit on urban radio during Lem right? I remember Love On Top was a smash and Drunk In Love too

I think Urban was rooting for Sorry hard and kept it afloat for a while. I remember it charted in top 10 iTunes for like 3 months something thanks to radio :skull:

Guys I’m over being upset about the sample. Im listening to BMS and I feel so happy I could cry.

 

 

 

Really? of her career?  I guess her radio days were before the modern "radio deal".

Well, this is a great sign!!!!

They are playing it in the 2nd biggest radio station in my country right now

 

drunk-dancing.gif

25 minutes ago, Armani? said:

Sorry peaked at #2 on Urban radio and #3 on R&B/Hip Hop Airplay 

Wasn't LOT number one for 12 weeks? And DrIL was a smash too. Sorry wasn't that big compared to those, plus it was the only hit from Lem I think. 

25 minutes ago, Wizard said:

spotify wyd 

What happen? I know everyone is waiting 

1 minute ago, PrudenceHCharmed said:

What happen? I know everyone is waiting 

Just like Billboard they love to keep fanbases waiting that have typically a bigger reach

lknsdflka

 

Edited by Space&Time
Incorrect information

 

 

:jonny6:

Edited by Space&Time
Incorrect Information

Just now, ShouldersSideways said:

I think that’s a troll account…

My BAD if it is... sorry.

Just now, Space&Time said:

My BAD if it is... sorry.

 

 

 

BAN

  • ATRL Moderator

I hope its not a troll account. :toofunny3:
Usually Spotify stats update around this time.

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