this is really amazing, she did that again 

40 minutes ago, Cryptique said:

She killed Taylor with this song 

A SMASHA through and through

It Taylor and Olivia  / Haylie Williams and Olivia / Jack Antonoff   and Olivia really have a bad feud behind the scenes and is not conspiracy but a real thing
This would be such an evisceration
Imagine someone calling you a vampire-bloodsucker-famefucker  what a clapback 
you only come out at night. In the midnights









But of course the song is not ....Is only about her creepy old boyfriend   

 

Edited June 30, 20233 yr by AvadaKedavra

Love this, I like that she took me by surprise. The opening made me think she was going to try to replicate drivers license with another sad ballad but I'm glad she baited and switched me. The second half really gives me 90/00s alt singer-songwriter vibes and I think that's a great natural progression for her and I think it'll be smart in the long run to start emphasizing that side of her.

this is her best song and im not joking

This is so good, wow. Impressive.

Omg I love it

Oh wow Olivia come through girl, she gave us everything we wanted and more with this track. The GP better not let this flop.

6 minutes ago, Jaimon said:

Exactly! Those belts! 

yes exactly!!! godddd she's so refreshing as a new MPG, we truly have no choice but to stan

well, after almost one hour of looping and I’m done with this song

I fell in love with it instantly but after like 15 times listen it started to get annoying and I think this is because of the noisy production and repetitive melody
DL is much better at keeping fresh

Impressive. This is great, it’s powerful, it’s risky somehow as a lead single and vocally speaking it’s gorgeous.

Edited June 30, 20233 yr by Tyrion_LMG

This song is honestly my new favorite by her

I don't believe the Taylor allegations but the chorus and verses do seem like they could be about different things

Wait why are people mentioning Taylor

 

This is very obviously about that older guy she dated 

Great song. The sound is similar to the SOUR era, but not too similar. She once again gave us great melodies and good vocals. The only part I'm not too fond about is the stronger instrumentation in some parts.

 

I can see it doing great numbers. Good luck miss Olivia.

Hmm, "famef*cker" is so cringe in the explicit version. But the clean "like a (pause)damn vampire" ruins the flow

Other than that, great song

1 minute ago, Raspberries said:

Wait why are people mentioning Taylor

 

This is very obviously about that older guy she dated 

Because some people want people to attack Taylor really really badly. 

OMG such a grower! I love it! I need the album now ASAP. Time for “Midnights”, “Subtract” and “Renaissance” to rest in my CD shelf for now. 

11 minutes ago, kyliefever2002 said:

this is her best song and im not joking

I agree. I did not like any of Sour, but this is so good. 

 

Annie is preparing another New York Remix to clapback!

The mixing is great on headphones. 

It's decent upon first listen. I like it but I'll see if I love it the second time around.

Loving the song. At first it sounded like just a rehash of drivers license, but then the drums kicked in. Really love how cathartic the ending is.

4 minutes ago, Raspberries said:

Wait why are people mentioning Taylor

 

This is very obviously about that older guy she dated 

Just trolling and to trigger swifties 

The video surpassed 300k likes on Youtube... which equals around 1M views so far right?

I think this is the perfect lead single for her second album. It showcases growth, but still sounds familiar enough with the music from the previous era.

Honestly had low expectations for this (was semi-expecting a Drivers License rehash), but this was a fantastic output from Ms. Rodrigo.