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The New Releases 💿

K-Pop Thread 2025

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9 minutes ago, Adama said:

So far both the BP girls and CL never let Teddy be part of their music once they left YG. I like how they didn't rely on him for their solo career. 

right, CL and the pinks respect and love what teddy does for their groups 2NE1 and BLACKPINK but wont let him near their solo works :deadbanana: I wonder why

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15 minutes ago, MonsterNavy said:

right, CL and the pinks respect and love what teddy does for their groups 2NE1 and BLACKPINK but wont let him near their solo works :deadbanana: I wonder why

Idk but I like that they don't rely on him and his team music. Meanwhile 2 BIG BANG members still work with Teddy and co.

K-Pop tunes I heard in Tokyo:

the Plave propaganda worked on me in the end, the song is a bop :suburban: the Korean BBQ was playing hella Twice and fromis9 too~

 

I streamed this more than 10x but its really just not clicking with me. i'm sorry rosé unnie I hope this flops so you never make a turd song like this again :weeps:

 

 

Rescene is back with their followup to "Glow Up."

 

 

And also, Ichillin' released an audio file to youtube.

 

 

I think it's on Melon, too.  Apparently the album will be released soon.  They said.

 

:cm:

Why is everyone so surprised with the soundtrack of Kpop Demon Hunters smashing? It has catchy songs with majority of english lyrics sung by animated characters so locals can't be racist about them 

 

jungwon-jungwon-gif.gif

9 minutes ago, Darkling said:

Why is everyone so surprised with the soundtrack of Kpop Demon Hunters smashing? It has catchy songs with majority of english lyrics sung by animated characters so locals can't be racist about them 

 

jungwon-jungwon-gif.gif

The songs sound kinda dated though



 

IMG_1136.png?ex=686658d4&is=68650754&hm=e770ecb2ff7177e111e58a42e7c54a060377b3a24de446059e4776dcd7ce2dc9& 

 

 

 

4 hours ago, Witnessed ET said:

@Green Tea Is Green omg sis what's happening why are we being fed so well in Twiceland? :superman:

I've been so out of the kpop world I haven't really kept up with their stuff either :monkey: I did see they had some songs on that kpop movie though :coffee2: as for the comeback since its a full album I'm hoping it'll live up to FoL :WAP:

29 minutes ago, harrythevifan said:

Rescene is back with their followup to "Glow 

 

This is really good

18 minutes ago, The Prophecy said:

 

The songs sound kinda dated though



 

IMG_1136.png?ex=686658d4&is=68650754&hm=e770ecb2ff7177e111e58a42e7c54a060377b3a24de446059e4776dcd7ce2dc9& 

 

 

 

Are we surprised tho? Teddy has credits in most of them

 

jungwon-jungwon-gif.gif

I was not expecting KARD to serve this much [censored] and S*X in the song/MV :omg:

 

And the kiss! :clap3:

 

Edited by Zack

13 hours ago, Sheep said:

Just speculating but I don't think YG wanted to risk an aging star who wasn't traditionally pretty fumbling their carefully constructed narrative that kpop was the next big thing in the west. 2NE1's global appeal was always being used to prop up other acts, even before they disbanded CL was being taken out of the dungeon to promote Psy and G-Dragon. YG's real return on investment into CL and 2NE1's scrapped American projects was the business connections they made to immediately open the way for BP, and I think that was more or less always the plan. CL wasn't actually allowed to release a single on iTunes and promote it until Lifted, a week after BPs first streaming farm check cleared. Hello ******* was a free soundcloud drop and a performance video with no MV. It wasn't actually added to iTunes until way later.

 

Even 2NE1's 3rd album was just a black pink songwriting camp but with guide vocals sung by a-list celebrities.

I think there are some valid points over her but, if we try to compare CL's trajectory in the west vs BoA's (for example, and I LOVE BoA), CL definitely had better cards in her hands.

 

Despite providing a quite cohesive and solid album, BoA had basically zero support from the rest of the (western) industry, didn't have a proper international deal, radio refused to play her music, K-Pop was still quite niche during her American album rollout and there was an overall lack of Asian representation in media. All these worked against BoA's album success, which ended up selling 8k.

 

CL created connections with Hollywood and celebrities around the world, had an American deal + management, had a cool image, even if not mainstream K-Pop was properly on to the map.

 

I do believe YG was scared of CL's possible failure, but truth is that they didn't even try to give her a real chance after LIFTED (which was a quite forgettable single choice imo) underperformed.

HOT SAUCE is so...bad :rip: 

 

Not as bad as HOT, Come Over etc obviously but still... :deadbanana2:

2 hours ago, starstruckaj said:

K-Pop tunes I heard in Tokyo:

the Plave propaganda worked on me in the end, the song is a bop :suburban: the Korean BBQ was playing hella Twice and fromis9 too~

You'll hear the worst payolad kpop music you've ever heard in harajuku.

:suburban:

3 hours ago, The Prophecy said:

 

 

:katie2: 

 
 

 

the strained vocals in the chorus :rip:

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