MonsterNavy

the basic white payola'd fraudulent botted pop girlies sabrina carpenter, tate mcrae, adela, camila cabello, meghan trainor etc

i'm shook by the fact that both are shitty unlistenable full of filler albums atleast showgirl wasn't produced by dr r4pe I guess

2014-2021 selena was arguably bigger than miley selena's stats aren't that far ahead from miley's spotify: selena (+ the scene) - 30B miley (+ hannah montana) - 26B demi - 17B youtube: selena -14B miley - 11B demi - 7B top 10 hits: miley - 13 selena - 9 demi - 4 #1 albums: miley - 6 selena - 3 demi - 1

the deluxe wasnt needed

the video made me appreciate the song but I dont think it has grown on me

he co-write every single song from both albums?

I genuinely loved reputation and dare I say its top 5 in her discography I don't know the joe alwyn lore for folklore and evermore I wasnt paying attention to her personal life since like after 1989. did joe help write folklore and evermore?

all these lashings made me revisit folklore and evermore and wow she really did that on both those albums. everything felt so effortless from the lyrics, melodies, production, features this cant be the same person. this is artistic regression at its worst she's really artistically bankrupt I also cant believe taylor swift of all people would be the person rivalling 143's critically panned crown jesus what is happening

this is lowkey true skskfsj this smash

this. she obviously enjoys the success, sales, streams, numbers, attention and spotlight way too damn much. she just doesnt have anything new or interesting to say lyrically and sonically cause she's been talking about the same old things she's been singing about since she was a teenager. she's creatively bankrupt. maybe having a kid and being a mother will finally be the album where she can redeem herself cause right now its looking like she has no new or interesting experiences in life other than having way too much money + success and getting dicked down by the love of her life

there's no debate she IS an amazing lyricist and she's made some of the catchiest melodies in pop music history from her debut album all the way through folklore from evermore to showgirl deluxe she obviously lost the catchy melodies that used to come out of her so effortlessly and her lyricism has been so-so too. it also doesn't help that she's in her 12th album and pushing 40 - not to be misogynistic and ageist- but the albums she makes these days sound like the kind of albums she was making as a teenager especially showgirl when you're pushing 40 and your sound and lyricism feel like they haven't evolved much from your teenage years, people are naturally going to get tired. and it also doesn't help that she's literally the biggest artist in the world so the expectations surrounding her are through the roof

Beyoncé and Gaga WILL ALWAYS serve and will always be the coolest and most innovative + always doing something different millenial popstars whether yall like their outputs or not the other girlies have always been chopped and a hopeless case

who is racist in adp omg

after 2nd full listen the production is so bad and cheap skskjdkd is this even really max martin??? I refuse to believe💀 she lost her melodic power too. the melodies on these songs are so awkward and forced

all 4 songs are very nothing burger and the same old same old but then again its just the deluxe of showgirl again, I wish she just left this album and era as it is. she had nothing new or interesting to say lyrically, melodically etc this deluxe wasnt needed at all

School ft. LISA remix is coming

when we get School ft. LISA then WHAT?

remove DWAS and Gaga still has a long, iconic, legendary and complete career DWAS was a nice addition to cement her legacy and longevity as a pop artist 100% but it was not needed in her discography other than for numbers and streams. i'll give bruno credits for giving gaga the most basic and vanilla song in her discography though and for the massive atlantic records radio payola skskfskfks

massive label funded PR, payola, spotify bots and fraudulence. it happened with camila cabello, ava max, tate mcrae, sabrina carpenter, meghan trainor, carly rae jepsen etc she's not special

I wish she just left this album as it is tbh

lol nope. just another camila cabello, meghan trainor, tate mcrae, sabrina carpenter type of white girl filling the hole while the real main pop girls are not releasing anything. she'll have a few payola'd botted fraudulent hits like sabrina and then gone in 2-3 years

she will always be the odd (and basic) one

Just Dance Poker Face Paparazzi Bad Romance Telephone Alejandro Born This Way Judas Bloody Mary Applause Million Reasons Shallow Always Remember Us This Way Die With A Smile Abracadabra her iconic global mega smash hits and her "normal" hits The Edge of Glory Rain On Me Love Game I'll Never Love Again she has atleast 1 hit each album lol

and yes **** them too!

Lose You To Love Me (1 song) - 1.5B streams Addison Rae's flop try hard unlistenable discography (20 songs) - 2B streams