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Tori Amos

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1 hour ago, Démodé said:

Screenshot-2026-03-12-11-43-57-331-com-s

Yeap that's about it, a shame cause I wanted to like it but it feels way too uninspired at times. 16 Shades, Selkie, Oyster, Weatherman are gorgeous tho

No it's true it's true, although I don't mind Invisible Boy.

I feel like there's potential in Maids Of Elfen-Mere but it gets corny fast. A LOT of Unrepentant Geraldines feels like her first proper 'motherhood' album even though Tash was already 13 when she was making those songs. I have a sneaking suspicion they came to her earlier but obviously didn't fit the other albums, cause so much of UG feels like coping with menopause and also singing lullabies / children's book style imagery and narratives.

Giant's Rolling Pin & White Telephone To God are just embarrassing I'm sorry.

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    Okay so here are some of my loosely organised thoughts on the show I saw last night in Bristol. As excited as I was for Fire To Your Plain, Iieee is obviously the superior song and opener. I knew we w

  • Kinda random place to start, but @blade bird suggested I listen to Scarlet's Hidden Treasures right away, so I did! Loved it! I just left some quick comments, not a full blown analysis or anything. M

yas now you get to experience Reindeer King and Wildwood jonny and Swim to New York State and 29 Years.

I adore the title track, but Tori singing about religion is catnip to me so.

6 minutes ago, HonourableVomit said:

yas now you get to experience Reindeer King and Wildwood jonny and Swim to New York State and 29 Years.

Reindeer King, Up the Creek, Wildwood, Bang, Climb, Mary's Eyes ... so good (though the Diving Deep version of Climb has become the main version for me).

Nnn, just remembered when I was climbing to the highest point of Hydra with a friend of mine and she absolutely had it with me constantly singing "it's a long, long climb, going back in time".

1 hour ago, Haze said:

I adore the title track, but Tori singing about religion is catnip to me so.

Reindeer King, Up the Creek, Wildwood, Bang, Climb, Mary's Eyes ... so good (though the Diving Deep version of Climb has become the main version for me).

Nnn, just remembered when I was climbing to the highest point of Hydra with a friend of mine and she absolutely had it with me constantly singing "it's a long, long climb, going back in time".

you went to mount eros?

1 hour ago, HonourableVomit said:

No it's true it's true, although I don't mind Invisible Boy.

I feel like there's potential in Maids Of Elfen-Mere but it gets corny fast. A LOT of Unrepentant Geraldines feels like her first proper 'motherhood' album even though Tash was already 13 when she was making those songs. I have a sneaking suspicion they came to her earlier but obviously didn't fit the other albums, cause so much of UG feels like coping with menopause and also singing lullabies / children's book style imagery and narratives.

Giant's Rolling Pin & White Telephone To God are just embarrassing I'm sorry.

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my thoughts exactly.

White Telephone could be a masterpiece but she ruined it with those lyrics

1 hour ago, Démodé said:

you went to mount eros?

Yes. We thought that would be a nice little walk.

suburban

I though I had made it when we reached the monastry and we weren't even halfway yet.

suburban

Beautiful sights though.

3 minutes ago, Haze said:

Yes. We thought that would be a nice little walk.

suburban

I though I had made it when we reached the monastry and we weren't even halfway yet.

suburban

Beautiful sights though.

you need to come back for higher climbs

sabrina

One thing 2000s Tori Amos will do is absolutely serve on some random radio station that you've never heard of

off the back of that I'm randomly having an American Doll Posse moment for the first time in like 10 years coffee2 this lady is my heroin

If you end the album at Beauty of Speed it comes in under one hour and is incredibly strong (except for Secret Spell and Programmable Soda)

Almost Rosey and after are not bad songs, and could exist on a bonus disc or something, but it gets exhausting after that.

Just a few tiny changes and maybe a different mix where the vocals aren't so far back and we wouldn't be talking about "Post Scarlet albums" the way we do.

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20 hours ago, HonourableVomit said:

If you end the album at Beauty of Speed it comes in under one hour and is incredibly strong (except for Secret Spell and Programmable Soda)

Dark Side Of The Sun and Smokey Joe are better than everything between Boucing and Girl Disappearing though

rogue2

I do agree with the general thesis though, there is definitely enough excellent material on ADP for it to be considered one of her great albums (if you ignore the filler)

The album desperately needs a remaster. It all sounds so annoyingly thin, which is a shame as I agree the highs are great. I have my issues with the production on nearly every Tori album since Scarlet, but I think it's most egregious on ADP, it's so compressed.

I've been going through bootleg recordings of her shows (there's a recording of nearly every gig she's ever done, it's insane) and it's mostly making me appreciate the songs on ADP much more.

(Also, the fact that her husband is sitting on professional recordings of all the shows she does is one of the reason I don't sleep well at night. Somebody crack the code to the vault)

2 hours ago, John Slayne said:

(if you ignore the filler)

looks like we disagree on which songs that applies to

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1 hour ago, Haze said:

The album desperately needs a remaster. It all sounds so annoyingly thin, which is a shame as I agree the highs are great. I have my issues with the production on nearly every Tori album since Scarlet, but I think it's most egregious on ADP, it's so compressed.

I've been going through bootleg recordings of her shows (there's a recording of nearly every gig she's ever done, it's insane) and it's mostly making me appreciate the songs on ADP much more.

(Also, the fact that her husband is sitting on professional recordings of all the shows she does is one of the reason I don't sleep well at night. Somebody crack the code to the vault)

I've only watched video versions of the ADP tour shows and not added any of the bootlegs to my library yet (I regularly listen to the officially released Original Sinsuality tour ones though, that synth organ >>>>) do you have any recommendations of highlights from Legs & Boots?

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you can't just put on some wings and be sufjan stevens

2 minutes ago, HonourableVomit said:

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you can't just put on some wings and be sufjan stevens

she was pregnant with Delta here

https://www.youtube.com/watch?v=goz7JDYRspA

8 hours ago, HonourableVomit said:

I've only watched video versions of the ADP tour shows and not added any of the bootlegs to my library yet (I regularly listen to the officially released Original Sinsuality tour ones though, that synth organ >>>>) do you have any recommendations of highlights from Legs & Boots?

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this post made me DL a few of them, starting with Chicago November 6 2007

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Cruel is a fantastic opener and the rockier version with the electric guitar taking the lead is interesting.

I forgot she was doing the iconic remix of Professional Widow live (but as a rock version) and it's.. interesting. I like it.

Big Wheel is an absolute barn burner and the crowd sounds amazing lmao the stomping and clapping and then she lets them yell the "don't you forget!" during the bridge

Waitress is a bit of an anemic attempt compared to the 90s versions with that "hang ten" bridge falling flat

Sugar goes quite hard and sounds great.

Liquid Diamonds is one of her worst lives, I don't like the way she chose to sing it this time and the band sounds quite lifeless.

@HonourableVomit I cannot help you (yet): the goal is to compile my favourite version of each song but it's a gargantuan task. But the guy of yessaid does mark his favourites with a star, and I've found that the quality of those recordings is at least really good!

I've been listening to a few recordings of the Night of Hunters tour with the string quartet and I like those renditions. Something different.

1 minute ago, Haze said:

@HonourableVomit I cannot help you (yet): the goal is to compile my favourite version of each song but it's a gargantuan task. But the guy of yessaid does mark his favourites with a star, and I've found that the quality of those recordings is at least really good!

I've been listening to a few recordings of the Night of Hunters tour with the string quartet and I like those renditions. Something different.

Night of Hunters tour was amazing

Night of Hunters itself...... well

I do really like Carry a lot though!

1 minute ago, HonourableVomit said:

Night of Hunters tour was amazing

Night of Hunters itself...... well

I do really like Carry a lot though!

It's a lovely sunny morning here so I'm gonna let that comment slide khalyan2

10 minutes ago, HonourableVomit said:

Night of Hunters tour was amazing

Night of Hunters itself...... well

I do really like Carry a lot though!

This will not be my blood on the bedroom floor

On 3/15/2026 at 8:24 PM, HonourableVomit said:

I do really like Carry a lot though!

I have learned on my bootleg journey that this is one of her best live songs ever, it completely shimmers compared to the studio version, even the ones with just her solo and the piano have me in TEARS

1 hour ago, Haze said:

Lmao I love you deadbanana

I believe I will need a couple more listens of UG to let in sink in, and maybe appreciate some other track too (?)

But my thoughts are she will be listened by this time next week

I need to relisten to UG too, although I don't think it'll change my opinion on most tracks. Native Invader and Acclaim To Acclaim are much more fun to revisit

also the Trouble's Lament MV... Tash saw Gaga's Telephone and wanted some of those nachos for Tori rip I know she doesn't have budget for videos these days but she could still do something simple yet classy, like PJ Harvey's music videos for Let England Shake. any kind of visual would be nice

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