I remember during MCSWT (pre ST) there was a rumour that back stage at the London shows she had broke down and cried and thanked executives and others for their support and said this would be her last tour.

 

Fans have said she's about to retire every single era since IASF. And she's still here. 
 

I know we complain about how private and cut off she is, but if that means she can keep her passion alive for her art. For making music and connecting with fans on stage, then it's for the best. As long as she has that she'll keep going. 

4 hours ago, Fleahive said:

Oh get ready for another mega conspiracy/illuminati train. This sounds real to me and fits what she's been accused of since '08 even though Sasha was a thing before that. How do we save her? 
 

 

The way she's only saying 'help' and 'let me out of here' (same as in Move). Have we not established this literal years ago?

By the way, the outfits New York got >>

 

 

 

 

she ate those outfits 

By the way, my expected synopsis of the first part of the visuals:

 

In Cowboy Carter, an album very much tied to her roots and past, she is being chased/hunted by people who want to confine her (the red cowboys, perhaps), but she continues to express herself. Of course, a metaphor for the album's thesis statement. The lyrics already make this chase clear, for example:

 

"Know the lawman watchin' me every time I move
Bounty on my head, can't go west, they on my shoes"

 

"Shoot up the bar, tell the law we don't remember nothin' after that
Scot-free (scot-free), whole city after me
Have you seen her? 5'9", thick and fine, what a tragedy"

 

Then Renaissance may be her eventually having been caught by the red cowboys, perhaps put in the red house. She's been confined and makes the exact opposite of what Cowboy Carter sounds like, Renaissance. It's a different version of her.

 

Maybe Act III will have her blow up the house and freed from any confinement. This fits in with the idea of revolution and the way the trilogy is a criticism of how genres are a code word to keep artists in their places, when they are much more multifaceted than that, at least she is. It of course also is a reteaching of an inclusive and accurate history of the genres she touches in the trilogy.

Edited May 30, 20251 yr by beyonceparkwood

So many insane sections like that's my goat  

6 hours ago, Fleahive said:

Oh get ready for another mega conspiracy/illuminati train. This sounds real to me and fits what she's been accused of since '08 even though Sasha was a thing before that. How do we save her? 
 

 

The conspiracies have already started. People saying "Why should we care if she wants to get out? She got herself into this. What about all the people who wanted to get out of Diddy parties?" 

 

People are taking it way too literal and don't get she is doing one big concept album. It's fictional…

I would love to go to the London shows but I'll be busy with work. F#ck

Speaking of Bey x Twin Peaks, I realised she used the red curtain way back at the beginning of Lemonade (Pray You Catch Me MV). Granted the red curtain is a common motif in entertainment and can't be solely credited to Lynch, but maybe it's connected? Like the inspo has been there since 2016. I think that's around about the time the final season of TP was airing or was about to air.

 

She also references The Holy Mountain in Black Is King, and Metropolis in IASF and Renaissance eras. I say this to say that the Echoville film may be a vague, non-linear, abstract film like these films she references and will be open to interpretation, but the Hive who understand the whole Beyoncé context and lore will get it. The conspiracy theorists will dissect it and make the narrative fit that Beyoncé is evil, especially since TP and The Holy Mountain deal with Pagan and Occult themes. However, I think she is doing this purposefully as a cheeky nod to all the rumours and theories, and the red cowboys represent these theorists who a lot of the time have another agenda - they don't respect BW, and tell blatant lies that Bey has no talent.

 

Another reason why I feel like she added a "YT" clone of herself is a nod to the Anne Marie Lastrassi theory  She literally sings in Italian on CC as well 

For anyone who didn't watch Miley's interview with Zane Lowe, Easy Lover (the new single from Miley Cyrus) was written for Beyonce's Cowboy Carter project in 2021. Miley explained that the adlib 'Tell 'em, Bey!' can be heard in the back of one of the choruses, which is a remnant of their recording sessions. Ultimately, Bey chose Shotgun Rider (which she renamed to II Most Wanted because she joked that her and Miley were hot) and Miley reworked Easy Lover for her new album, adding guitar elements from Brittany Howard and using the original adlib to introduce a guitar solo (Bey became B[rittany]).

 

 

I love smiley but I'm glad B didn't choose this one

 

38 minutes ago, alien superstore said:

For anyone who didn't watch Miley's interview with Zane Lowe, Easy Lover (the new single from Miley Cyrus) was written for Beyonce's Cowboy Carter project in 2021. Miley explained that the adlib 'Tell 'em, Bey!' can be heard in the back of one of the choruses, which is a remnant of their recording sessions. Ultimately, Bey chose Shotgun Rider (which she renamed to II Most Wanted because she joked that her and Miley were hot) and Miley reworked Easy Lover for her new album, adding guitar elements from Brittany Howard and using the original adlib to introduce a guitar solo (Bey became B[rittany]).

 

 

The song is alright. It misses a distinct climax. Maybe we get a remix down the line tho, I can see Bey jumping on the track and creating some magic around it

2 minutes ago, Kristie Kuwa said:

The song is alright. It misses a distinct climax. Maybe we get a remix down the line tho, I can see Bey jumping on the track and creating some magic around it

Agreed - if the song becomes a huge viral hit like Savage I could easily see Miley reaching out and Bey feeling tempted to get another bonafide country hit before act 3

10 hours ago, Starshine said:

I've actually seen some around Shibuya. The locals don't seem fond of it, but they're cute to video record.

 

Listen. I'm a Mario kart and super smash bros junkie so I'm planning on it. How safe does it look?

 

OT: Beyoncé 

16 minutes ago, king_queen said:

Listen. I'm a Mario kart and super smash bros junkie so I'm planning on it. How safe does it look?

 

OT: Beyoncé 

From what I saw they all followed a leader and you drive amongst cars prob going 20mph but like the cars here are tiny. I'm gay so I'd crash, try at your own risk. 

 

 

13 hours ago, Shelter said:

 

 

Oh my favorite album did that!!! 

What a masterpiece. Despite the abuse, extraordinarily good music will always prevail!

59 minutes ago, alien superstore said:

Agreed - if the song becomes a huge viral hit like Savage I could easily see Miley reaching out and Bey feeling tempted to get another bonafide country hit before act 3

Sis.... lol

 

 

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I will say, I do like the song, I LOVE the 70s Fleetwood Mac vibe, and I wish she would've kept it, she would've elevated it

Edited May 30, 20251 yr by Lose My Breath

I'm a bit sad the tour is so short. It's so enjoyable so far for me. 

It's also helping her catalog. Imagine if we had this type of boost when TH'E was still #1, this album might have come close to IASF. 

 

Also I hope she keeps the new outfits for the rest of the tour or at least Paris 19th and 21st.

4 minutes ago, BnPac said:

I'm a bit sad the tour is so short. It's so enjoyable so far for me. 

It's also helping her catalog. Imagine if we had this type of boost when TH'E was still #1, this album might have come close to IASF. 

 

Also I hope she keeps the new outfits for the rest of the tour or at least Paris 19th and 21st.

 

Really, all she needs is a live performance.  If they would've performed IIMW on release, the trajectory would've probably been much different 

Tour books supposedly start shipping today?

1 hour ago, BnPac said:

I'm a bit sad the tour is so short. It's so enjoyable so far for me. 

It's also helping her catalog. Imagine if we had this type of boost when TH'E was still #1, this album might have come close to IASF. 

 

Also I hope she keeps the new outfits for the rest of the tour or at least Paris 19th and 21st.

You know Paris will probably have her best outfits? She LOVES Stade De France and always makes the shows extra special. The creole blood in ha cant help it

1 hour ago, Lose My Breath said:

 

Really, all she needs is a live performance.  If they would've performed IIMW on release, the trajectory would've probably been much different 

Like imagine the slayage if Miley really performs it with her and then Bey puts the performance on YouTube like she did with the Flawless Remix performance 

3 hours ago, YUNGKALIMXEL said:

The conspiracies have already started. People saying "Why should we care if she wants to get out? She got herself into this. What about all the people who wanted to get out of Diddy parties?" 

 

People are taking it way too literal and don't get she is doing one big concept album. It's fictional…

She's not saying anything of those things they claim. I don't see where people get those things from. 

And she's certainly not asking any of  those losers on the internet for their help or their "care" so they can keep their opinions. 

Edited May 30, 20251 yr by BnPac

1 hour ago, Lose My Breath said:

Sis.... lol

 

 

______________

 

 

I will say, I do like the song, I LOVE the 70s Fleetwood Mac vibe, and I wish she would've kept it, she would've elevated it

flowers is mid and still went crazy. so was die with a smile. u literally never kno