Skip to content
View in the app

A better way to browse. Learn more.

ATRL

A full-screen app on your home screen with push notifications, badges and more.

To install this app on iOS and iPadOS
  1. Tap the Share icon in Safari
  2. Scroll the menu and tap Add to Home Screen.
  3. Tap Add in the top-right corner.
To install this app on Android
  1. Tap the 3-dot menu (⋮) in the top-right corner of the browser.
  2. Tap Add to Home screen or Install app.
  3. Confirm by tapping Install.
Login issues

Beyoncé

This is part 1 of the Beyoncé discussion.

Featured Replies

  • Replies 143.5k
  • Views 7.1m
  • Created
  • Last Reply

Topics in this Discussion

Top Posters In This Topic

Most Popular Posts

  • It was the best concert of my life, bar none. Idc!    It was extraordinary, it was ineffable.  I knew I loved it based on the videos but I... Hey I don't know.    Best moment

  • SashaDevachelli
    SashaDevachelli

    I know this award is a joke but the point is, she has cemented herself in history with the likes of Whitney and Lauryn. And on top of that she won an award for a genre that completely ridiculed and ex

  • Potentially #1 in the US, UK and Canada in the same week   

23 minutes ago, Starshine said:

I can tell she was kind of vocally fatigued during DIL at one of my shows, no wonder she doesn't do more than 50 dates anymore if she has to sing for 3 hrs. :emofish:

 

Rennie was my fav tour because it felt like a celebration, but FWT was technically better. 

The way she sang live the entire rennie show :jonny: i'm pretty sure its her tour with the most live vocals 

3 minutes ago, ShouldersSideways said:

There's only one other co-writer and if you listen to her work it's lyrically quite similar so she probably wrote most if not all of it. 


That said, she worked on this during the pandemic. I think the song is about coming to terms with your mortality and you could even interpret it as a song about how she's slowing her career down to enjoy her loved ones while she and they are still around. 

 

I personally don't think it has anything to do with her struggling with drugs or alcohol. You never know, but I don't see it. 

pretty much this. :clap3: 

 

I also want to believe (as weird as it sounds, yes) during the pandemic she made an effort to be more in touch with her family and really connect with them. I could be wrong but I also think she was finally starting to process the loss of her Uncle Johnny, and the RENAISSANCE album really brought it to the forefront. 

11 minutes ago, imason said:

Opening up for Taylor on the Eras Tour was such a good idea, her team gained major strategies.   This era has been so iconic, the single choices have really given the 1-2-3 punch.   From Espresso (which should've peaked #1), PPP and now Taste.   Great single choices!! The #1 album position is now secured.   Guys let's get Taste to DEBUT #1 ON HOT 100 IMAGINE SABRINA DEBUTING #1 ALBUM AND A 3RD SINGLE DEBUTING #1!

I've been saying this :clap3: Beyoncé Carpenter we never doubted you 

31 minutes ago, imason said:

Opening up for Taylor on the Eras Tour was such a good idea, her team gained major strategies.   This era has been so iconic, the single choices have really given the 1-2-3 punch.   From Espresso (which should've peaked #1), PPP and now Taste.   Great single choices!! The #1 album position is now secured.   Guys let's get Taste to DEBUT #1 ON HOT 100 IMAGINE SABRINA DEBUTING #1 ALBUM AND A 3RD SINGLE DEBUTING #1!

I was just gonna say Beyoncé is the absolute BEST when it comes to choosing singles :clap3: 

9 hours ago, ShouldersSideways said:

If she redeems herself with the final rollout I'll bite the bullet but if act iii comes and goes the same way I'm good

you make it sound like there's a slight possibility it won't come and go 

 

s5wIb8M.gif

10 hours ago, mons†er said:

What is that? What is going on? 

:suburban:

What did I miss?  Nothing is showing up anywhere :rip:

 

 

Beyoncé Experience to me is still Beyoncé (or Sasha) in the works, she was still working on her performance skills. Thru my stan lens she was already a brilliant performer but watching in retrospect it's evident how much she evolved over the years. One thing that kinda puts me off about that tour and her overall style at that time is the over the top-ness, from wardrobe choices to some loosy movements/choreo. I can see that she probably had to "contain" herself more in this way to deliver a more polished performances and the peak of that would be the Coachella, hands down. Besides that triumphant band in the back she didn't need much to do an amazing show, it was all so simple and yet breathtaking.

Never thought I would skew negative nancy, but this nothingness of CC "era" is so...ewww lol.

 

I'm not nor have I been holistically "doom and gloom" about ish because Bey still tick-boxes the things "I" want/need as Chart Hive. Even with CC. Like, #1 album, big opening week sales, chart-topping and top 10 singles etc. Plus, it was actually a fantastic body of work. 

 

But, as a bit of a branding/marketing geek, I'm particularly annoyed because it now makes so much of the CC launch and "era" feel like a bit of a waste. 

 

She will spin it as having birthed a Black Country renaissance (with Shaboozey, Tanner etc), but it doesn't feel like "she" has benefitted much beyond it being a (at least for now) "a quick lil successful Pop girl transformation before moving onto the next thing".

 

Almost certain the album is now languishing nearer the bottom of the charts with low/no streams (and definitely not where Rennie was in its lifecycle at this time comparably). None of the songs lasted the distance either.  

 

So, all of the things we are clamoring for e.g. a tour, visuals etc are likely to have next to no effect on reviving the album commercially or culturally. Again, a waste.

 

At this point, I don't even think it's worth wasting those pillars on an album cycle that has all but wrapped. Use it for Act III. 

 

The slight upside is that Act III will almost certainly arrive alongside the visuals (for everything), thus will benefit most from that as a promotional vehicle. Maybe it will stick more as a result. And who knows, maybe she will again play the game with the features to ensure high charting singles and a certain amount of easy streams.

 

All that said, it's just annoying because the three-act thing had so much potential. Instead, it's a head-f**ck of highs (great material, great sales, great tour) and lows (almost zero push). The irony being, and this has happened with Bey multiple times, she will pioneer a concept only for her lesser talented peers to perfect it and reap better rewards. Sometimes, it's not "what" you do, it's "how your work it".

 

Manifesting some kind of something to make us all eat humble pie...soon. Because this ain't it.

Never thought I would skew negative nancy, but this nothingness of CC "era" is so...ewww lol.

 

I'm not nor have I been holistically "doom and gloom" about ish because Bey still tick-boxes the things "I" want/need as Chart Hive. Even with CC. Like, #1 album, big opening week sales, chart-topping and top 10 singles etc. Plus, it was actually a fantastic body of work. 

 

But, as a bit of a branding/marketing geek, I'm particularly annoyed because it now makes so much of the CC launch and "era" feel like a bit of a waste. 

 

She will spin it as having birthed a Black Country renaissance (with Shaboozey, Tanner etc), but it doesn't feel like "she" has benefitted much beyond it being a (at least for now) "a quick lil successful Pop girl transformation before moving onto the next thing".

 

Almost certain the album is now languishing nearer the bottom of the charts with low/no streams (and definitely not where Rennie was in its lifecycle at this time comparably). None of the songs lasted the distance either.  

 

So, all of the things we are clamoring for e.g. a tour, visuals etc are likely to have next to no effect on reviving the album commercially or culturally. Again, a waste.

 

At this point, I don't even think it's worth wasting those pillars on an album cycle that has all but wrapped. Use it for Act III. 

 

The slight upside is that Act III will almost certainly arrive alongside the visuals (for everything), thus will benefit most from that as a promotional vehicle. Maybe it will stick more as a result. And who knows, maybe she will again play the game with the features to ensure high charting singles and a certain amount of easy streams.

 

All that said, it's just annoying because the three-act thing had/has so much potential. Instead, it's a head-f**ck of highs (great material, great sales, great tour) and lows (almost zero push). The irony being, and this has happened with Bey multiple times, she will pioneer a concept only for her lesser talented peers to perfect it and reap better rewards. Sometimes, it's not "what" you do, it's "how you work it".

 

Manifesting some kind of something to make us all eat humble pie...soon. Because this ain't it.

Edited by Cbreezy


She really, really played us starting the era with this. So nasty.

IT'S A LITTLE TOO LATE FOR YOUUU TO KÜMMMMM BACK SAY IT'S JUST A MISTAKE LIKE I'D FORGIVE YOU LIKE THAT IF YOU THOUGHT I WOULD WAIT FOR YOU, YOU THOT WROOOOOOOONGGGG

spacer.png


…I… want, you to know… that I'm, heading for you

 

DID YOU FORGET ABOUT ME, MR DUPLICITY

spacer.png

Kinda experienced Bey in a stadium again tonight 

 

Went to Coldplay and HFTW with Bey's outro was a moment. ***** needs to come back here. It's been too long. 

2 hours ago, Burn said:

Don't **** this up, Parkwood.

 

:gayoncecat3:

I think the most complicated decision is where to place the album. 

21 hours ago, Starshine said:

I can tell she was kind of vocally fatigued during DIL at one of my shows, no wonder she doesn't do more than 50 dates anymore if she has to sing for 3 hrs. :emofish:

 

Rennie was my fav tour because it felt like a celebration, but FWT was technically better. 

but she lips most of the show tho 

:giraffe:

21 hours ago, Starshine said:

I can tell she was kind of vocally fatigued during DIL at one of my shows, no wonder she doesn't do more than 50 dates anymore if she has to sing for 3 hrs. :emofish:

 

Rennie was my fav tour because it felt like a celebration, but FWT was technically better. 

she messed up during "I Care" at one of my shows, one of the last ones left after her LA shows. she recovered really quickly after coughing it out and skipping the hook to get it together for the bridge. them vocal cords were TIREDT by the end of the tour.

 

she was wearing this, btw:

1212.thumb.gif.2f5bdb29934acc7cf95932042 

15 minutes ago, Chris said:

No visuals = No AOTY

To be honest, if she really wanted it, she could release the visuals for CC during the campaign period, with a big rollout, and it would be her best shot she's had 

1 hour ago, Draper. said:

I think the most complicated decision is where to place the album. 

I just thought about this and I got confused as to what she can submit her album or songs for outside of AOTY and Best Country Album. 

1 hour ago, Shelter said:

Kinda experienced Bey in a stadium again tonight 

 

Went to Coldplay and HFTW with Bey's outro was a moment. ***** needs to come back here. It's been too long. 

I need her to perform it live with them. I was waiting for that during the Super Bowl. Hell even one performance at at either of their shows. 

Guest
This topic is now closed to further replies.

Account

Navigation

Configure browser push notifications

Chrome (Android)
  1. Tap the lock icon next to the address bar.
  2. Tap Permissions → Notifications.
  3. Adjust your preference.
Chrome (Desktop)
  1. Click the padlock icon in the address bar.
  2. Select Site settings.
  3. Find Notifications and adjust your preference.