Veckatimest

feel like pure **** just want them back x

Call Me is a horrible example, Blondie had had a #1 before and after it and it perfectly encapsulated the post-punk trend that every artist was trying to hop on in 1980. Made perfect sense as a #1 to me, and was in fact the year-end #1 as well

She's unlikely to get it anytime soon given that she already got the Tricon, but I still have hope they'll come around and give it to her anyways in a few eras

Miley is the most likely here, it would align almost perfectly with Bass Persuades promo Taylor seems like the only other true possibility if she actually decides to attend, unless they decide to do their big one and give Madonna a second Vanguard

Ophelia already outcharted EOM in the UK and is still charting, so I don't see how one can be an organic smash while the other isn't

We won't be able to make a full judgment on TLOAS for a few more years, but I would probably say 30 out of these. BTW's resurgence and (relative) longevity on streaming has been pretty impressive, it's doing 2x 30's streams daily despite being years older

I would rather have Sam and Olivia #1 for 40 weeks than for Stella to even get close to the Top 5, feel like pure **** just want them back x

Taylord needs to release that 70s pop rock opus promised by the Midnights visuals ASAP, the GP has spoken and rightfully prefers Folkmore Taylor over Synthpoplor Guts is an incredible album that got an unfair shake here due to following the monster that was Sour, glad it's getting the last laugh

The way that the GP completely ignored that footballer admitting that it was her team's fault and not primarily hers, I feel sick. CR2 is coming to end everyone, The Subway ROTY, etc etc

Actually gonna vote TTPD for both since I'm not huge on ICDIWABH or Petal and I prefer Fortnight to HTIMYLM, but both are great albums

This is definitely engineered ragebait for engagement since they saw the discourse about Inde being overexposed too quickly mainstream online journalism is dead dead atp

I've been an OSLH since day 1 but both songs have chord progressions and melodies that are so omnipresent in today's Nashville slop machine that I wouldn't really call this plagiarism, lack of creativity and corporate writer camps is more likely the culprit However the Stick Season rip-off was definitely specific enough to drag her for, especially with her having covered the song multiple times