Swiftienator13

Tate actually has lyrical depth compared to yer ancestors of the hot dance pop route. Housewife tackles the concept of being a girlboss and being ok with being on your own while still knowing you lust after and can still want to have a man beside you. Most songs either go for one or the other but Tate has nuance, love that. Popgirls have entered their manifestation era songs

It gets to a point… Will this save the kids bombed in Gaza now? Will this finally stop Israel's terror? Will canceling McKenna Grace who historically has shown ZERO affiliation to Israel and was a few years ago just a child star, just because shes doing a martial arts technique from the IDF? I hate the IDF and f*ck that country to hell and back and may they burn in hell for their sins of genocide but be f*cking for real? you ppl r so annoying, go start a heart chain on tiktok maybe you might actually help a starving family in gaza

Unironically one of the greatest modern records of all time. It encapsulates how diverse the new generation of female artists are while also keeping in line with Taylor Swift at her core: a singer songwriter with insanely strong melodies. Its so sonically incoherent but thats the entire ethos of the record and she swings her hardest This was Taylor across the board at her best. evermore was her strongest lyrically, 1989 production wise, RED combines both.

yeah this was awful lmao but who cares well just sweep it off the rug next era

yap yap yap lmao normani is the worst example u couldve given. her race has no bearing on her rollouts being ass and doing little to no promo when the industry was entirely banking on her

This is actually smashing omg This is the era of manifestation bops. You should know I need someone to hold me close deeper than I've ever known Every single night I pray that my **** r sitting right I just wanna make a lot of money be my own housewifeeee I can already see the 'HDD: Anatomy of a Popstar 350k' headlines RAHHHH

Ok biggest female solo hit of the 2020s!!!

She needs one more sellout era PLEASE! We need you to do Tate McSmash levels of success!!!

With Housewife shaping up to be a big solo hit moment for miss Tati and is rising way too quickly for it to be mainly GP driven which indicates she has a solid core audience listening to this bop, do you think TM4 has what it takes to serve numbers at par with the Billies, Olivias and Sabrinas of the industry? i say yes!

I just realized that if this era is actually THE ANATOMY OF A POPSTAR type sh*t then Housewife might just be the perfect lead. Talking about the price of fame and the struggles of a growing woman. Being cvnty (2nd single), heartbroken, etc. shes gonna serve this era I fear!!!

Its such a strut worthy song I know the gays are gonna live for the bass boosted version of this its so cvnt

the hard hitting banger will be received as 2nd single im predicting! this'll be rising on radio by the time 2nd single drops, it'll be a sports car level serve and it forces her 2 singles back into the top 3/5? she knows the people love her middle-lower register with strong beat drops, i think this was a great choice for a lead. the chorus is chanty without being too rappy and it absolutey tiktok worthy without sounding trashy or a sellout.

I think it sets the sonic landscape of the era very well. Its clear shes running with the T4T sound this time.

all in all, the midnight sun era did what it needed to do: build zara up as a presence and celebrity in pop culture. midnight sun can stay in the top 15 of the hot 100, its a smash lead single! blue moon is continuing in building her aesthetic and brand as a popstar, the next era is crucial, it HAS to hit because now all eyes are on her. she and her team need to bring it their all. loved this! hopefully it'll tide out her fans till the next era!

Its inarguable that Madonna is owed basically the concept/visual experience we get to enjoy in today's pop music ecosystem. But what about the soundscape? Who is the most impactful? I'd like to think its Mariah given basically every pop female (and we all know females really run pop music) is in some way shape or form derivative of her, whether its her vocal stacking that we've seen through the decades from Brandy to Christina to Ariana, melismas, the staccato interspersed with big vocals (Beyonce does this all the time), or her very inspired hip-hop slash pop production which we find in so many r&b girls and Fantasy ft. ODB basically giving birth to Rihanna, Dua, Ariana, etc.'s biggest hits.