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Jack antonoff can't stop winning. Why?.

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Two songs were in the top 10 of the year biggest: cruel Summer and Anti Hero 

 

The most acclaimed Song of the year: A&W

 

Both songs could won SOTY Or ROTY at the grammys and 2 albums nominated for SOTY.

 

 

 

 

Should your faves use the biggest producer in the world too?

 

Discuss

 

 

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  • He made Lana become boring and Midnights was mid. Hope they'll both move on!

  • atrl hates to see it. jack is the new max martin

  • This one trick pony is the reason music isn't evolving    Also his production is not what elevates those songs on most cases. Lana, Taylor and Lorde are great without him.  You're givin

I don’t like him, his minimalist production style worked on NFR and nothing else.

You mean TAYLOR? I only know this person because he makes Taylor's songs.

He made Lana become boring and Midnights was mid. Hope they'll both move on!

9 minutes ago, vale9001 said:

Should your faves use the biggest producer in the world too?

No.

 

No one should use him anymore, we're almost in 2024. Ever since Melodrama and Norman ******* Rockwell!, he's addicted to recycling and has a fetish for making music that sounds like certain period of time. With same melodies and vocal effects etc too. Those two were his last actually good works. I'm glad Lorde moved on from him and is the first alt girl to ditch his ass for the next era. 

Because ATRL can’t stop losing. 
 

They’re two sides of the same coin.  

the atrl hate campaign against him while he keeps bagging critically acclaimed projects is so funny  :rip: 

 

 

the man who's worked on NFR!, folklore, melodrama, and dance fever should never lose. 

He's hella talented but wish Lana and Taylor work with other people and keep the Jack thing at minimum.

Sexy and winning at life of course the basement dwelling uglees on ATRL will be mad :ryan3:

1 hour ago, Kayseri Mantisi said:

No.

 

No one should use him anymore, we're almost in 2024. Ever since Melodrama and Norman ******* Rockwell!, he's addicted to recycling and has a fetish for making music that sounds like certain period of time. With same melodies and vocal effects etc too. Those two were his last actually good works. I'm glad Lorde moved on from him and is the first alt girl to ditch his ass for the next era. 

This just isn’t really accurate tbh. across his work with Lorde, Taylor, Florence, Lana and The 1975 across the last few years he has been probably the most musically diverse major producer out there, covering everywhere from electronic to synth pop to bedroom pop to straight up folk tunes. Jack’s strength is that he is able to tap into the visions of the artists he works with to execute on them flawlessly. There’s rarely production flaws in Jack Antonoff records that weren’t there by design of the releasing artist. Case in point Lorde releasing that snore of an album recently, which Jack caught a lot of flack for, even though a sleepy, beachy bare bones record was exactly what she wanted and based her entire imagery around.

He's a hit and miss but when he hits he hits that g-spot hard stephm.png

This one trick pony is the reason music isn't evolving 

 

Also his production is not what elevates those songs on most cases. Lana, Taylor and Lorde are great without him. 

You're giving too much credit to a man. 

Edited by Digitalism

They tried to throw him under the bus because of that Solar Power trash but he can't stop winning :clap3:

Chris Rowe has out-won him this year with Speak Now and 1989! :clap3:

Why do y'all love to act like the acclaim & success these projects are getting is because of him and not because of the artists themselves

Solar Power is proof he (and Lorde) isn't exactly above having commercially & critically panned albums

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