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is Taylor a risk taker?

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lets settle this once for all.

you can say her music is safe + vanilla. she doesnt take risks and thats ok. 

but you also can say reputation, folkrore + evermore were risky too.

me! as a lead certainly was

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No. Folklore/Evermore weren’t risky especially since fans have been begging for a folk sound from her since 2011’s Safe & Sound.

No, her pivot to pop was extensively foreshadowed and folklevermore was also had a poppy sheen to it. Her music has very few sonic left turns or large risks that aren’t telegraphed for years prior. 

Kinda? Like the music itself isn’t that crazy but going from country to pure pop is a risk.  There’s no guarantee it would work. 

1 minute ago, Helios said:

Kinda? Like the music itself isn’t that crazy but going from country to pure pop is a risk.  There’s no guarantee it would work. 

Was it though? Her music was already pop, with only her debut being a definitive country album, which even had pop versions of singles. 

Musically? No, not really. But she has taken some risks with her image. 

 

Deciding to come back after what happened with Kim and Kanye with an album, era, and message that was so brazenly unapologetic about anything could've backfired on her. Yes, she had proven their narrative was false, but people still hated her en masse. She was risking further agitating an already loud group of people who disliked her by not only addressing the issue, but addressing it in a way that was absolutely devoid of any sort of remorse was an open invitation for more hatred to come her way. 

 

Even Madonna backed off a bit with what happened after Erotica, so for Taylor Swift of all people to come out swinging like that was ballsier than people seem to want to give her credit for. 

Yes, people said otherwise because she excels it. In contrast, Chromatica, ARTPOP, Born This Way, Jopanne are generic safe music but Liddos think all these are risky because the music flopped :gaycat6:

Will ATRL ever stop creating some delusional thread to cry about Taylor's power every other month?

1. Jump from country to pop
2. Removing her catalog from Spotify
3. folklore/evermore
4. Re-Recordings

All these are probably a bigger risk than whatever your basic favs have ever done but don't worry you can keep crying I guess is hard for OTHs in times like this:coffee2:
 

No. It seems to work for her tho. 

 

Maybe katy should've done the same tbh

Nah, she always plans ahead so there are no risks involved, her peers should learn from her a few things :swan:

 

There's nothing risky about reputation, she was venturing into trap/hip-hop influenced music so she was into 'new' territory, but yet it was released in the middle of the dominance of that kind of music so I wouldn't call it a 'risk', it was more trend chasing than other thing. The album still had plenty of safe pop songs and even a Blank Space 2.0

 

Folklore and Evermore were not risky at all. That kind of music was expected from an artist like her and her long time fans were begging for something like that. Also Folklore was released in the middle of the pandemic, so she basically had nothing to lose, if it remotely failed (which it didn't had a chance), she could have easily gotten back to the Lover/Reputation/1989 sphere once the pandemic finished, and call Folklore a 'gift for the fans' 

Yes, it was very risky to write and record very risky songs such as stay stay stay, bad blood, and you need to calm down. The last one certainly removed any of her remaining anti-lgbtq fanbase. 

1 minute ago, BrokenMachine said:

Nah, she always plans ahead so there are no risks involved, her peers should learn from her a few things :swan:

 

There's nothing risky about reputation, she was venturing into trap/hip-hop influenced music so she was into 'new' territory, but yet it was released in the middle of the dominance of that kind of music so I wouldn't call it a 'risk', it was more trend chasing than other thing. The album still had plenty of safe pop songs and even a Blank Space 2.0

 

Folklore and Evermore were not risky at all. That kind of music was expected from an artist like her and her long time fans were begging for something like that. Also Folklore was released in the middle of the pandemic, so she basically had nothing to lose, if it remotely failed (which it didn't had a chance), she could have easily gotten back to the Lover/Reputation/1989 sphere once the pandemic finished, and call Folklore a 'gift for the fans' 

Just because her plans are successful doesn't mean there is no risk :rip:

 

You guys don't even know basic principles of planning ahead anymore

9 minutes ago, Cloröx said:

Yes, people said otherwise because she excels it. In contrast, Chromatica, ARTPOP, Born This Way, Jopanne are generic safe music but Liddos think all these are risky because the music flopped :gaycat6:

:hoetenks:

Even welcome to New York is a scary thought. I can’t imagine the fear she experienced waiting for the reactions as her fans heard that line

1 minute ago, FolkLover1989 said:

Just because her plans are successful doesn't mean there is no risk :rip:

 

You guys don't even know basic principles of planning ahead anymore

Exactly.

There is one thing ATRL has never managed to exmplain me after all the cries of basicness & simpleness taylor has. Why has no one else did something like her? It must be so easy I would assume someone should be close to her but that person seems to be nowhere to be found

2 minutes ago, FolkLover1989 said:

Just because her plans are successful doesn't mean there is no risk :rip:

 

You guys don't even know basic principles of planning ahead anymore

I just don't see any risk taken from her, musically speaking. She always takes the safest road, and it has paid off, there's nothing wrong with that

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