8 minutes ago, kimberly said:

the failed mute challenge in Salvador even haunts me from second hand embarrassment 

she's never going back after that

 

She is lowkey terrified by how loud they are being 

1 minute ago, chaeyonce said:

She is lowkey terrified by how loud they are being 

she was getting flashbacks

Just now, Joaco95 said:

she was getting flashbacks

38 minutes ago, Pepo said:

There were far less vocal moments compared to the rest of her tours.

 

I don't necessarily agree with your post, TBE and MCSWT were her peaks in terms of vocals, and I do believe FWT was over-choreographed, just like Coachella. Songs like Daddy Lessons didn't need to be choreographed, I'm sorry.

 

There was no horn section, the live instruments were barely audible, the arrangements felt dry af. The were indeed a few duds here and there.

Hm that's an interesting take. Why would you say that is? Do you mean it as in she sang the most or she was sining the best? Because I think by 2016 her technique had developed for the better, she had much better control of her voice, and her belts and upper register in particular sounded fuller and more resonant. And she has admirably maintained that to this day, almost 10 years later (which is not very common).

 

There were less vocal moments yeah, but the ones that were there were outstandingly good, which is the point I was trying to get across.

 

The FWT is definitely her most dance-focused leaning show, and it's great that that exists too. That's the beauty of it, that there's been variety across her shows throughout the years for all tastes. 

 

But objectively speaking I think that tour was her at the peak of her performing abilities all things considered. Not necessarily the best show, that's a matter of preference, but the best she has ever performed. 

her not taking Cowboy Carter Tour to Nashville is such a statement by the way...

 

she said "y'all can keep your CMAs or whateva, I'm good"

 

13 minutes ago, Joaco95 said:

she was getting flashbacks

the real reason she's not touring Brazil

Did Bey really pull up to Brazil that one time last year like, "Alright y'all, this is your one allotted glimpse of me," then vanish into the night like a glittery superhero?? That was the whole Latin American tour??? A single appearance, then poof—gone?? Poor Brazil and Australia hive, all those stadiums confirming and nothing. 

Mrs Carter Show is really the PEAK balance of those wanting big dance numbers, production & vocals

 

she did more technical choreography than TBE & IAWT, production was increased, but she didn't skip out on vocals...it was a perfectly balanced show

 

now THAT's the DVD we were robbed of...but i love to watch this fanmade edit. the only thing i hate is that they didn't include her "Flaws & All" performances

 

 

 

6 minutes ago, sillycilla said:

Did Bey really pull up to Brazil that one time last year like, "Alright y'all, this is your one allotted glimpse of me," then vanish into the night like a glittery superhero?? That was the whole Latin American tour??? A single appearance, then poof—gone?? Poor Brazil and Australia hive, all those stadiums confirming and nothing. 

She really could've performed at least a single song lol 

2 hours ago, Devin said:

omg where have u been? 

I browse every now and then but had to step in when ren tour got disrespected 

Her not touring Brazil is criminal. It's not bc of crazy fans bc that's everywhere 

No one was making "where's the Mrs. Carter world tour" tshirts.

 

BRING!! BACK!! EGO!!

Suga mama and work it out. On the next tour the vocals 

 

17 minutes ago, giRLbye. said:

Mrs Carter Show is really the PEAK balance of those wanting big dance numbers, production & vocals

 

she did more technical choreography than TBE & IAWT, production was increased, but she didn't skip out on vocals...it was a perfectly balanced show

 

now THAT's the DVD we were robbed of...but i love to watch this fanmade edit. the only thing i hate is that they didn't include her "Flaws & All" performances

 

 

 

Now with this I agree! MCSWT is truly the best of both worlds and generally I think this is arguably her most underrated tour. The 2014 version specifically. I hardly see anyone name it their favorite show. I'm slightly biased towards it 'cause it was the first time I saw her live but I genuinely think it has some of her best ever tour performances to this day. 

Get y'all's bank accounts in order NEOW bc I'm almost positive the act iii is going worldwide

 

I, for one, won't be caught slipping when it comes to those Rio dates. Idgaf how much those tickets cost 

1 hour ago, kimberly said:

her not taking Cowboy Carter Tour to Nashville is such a statement by the way...

 

she said "y'all can keep your CMAs or whateva, I'm good"

 

Looks like a statement but she's just doing the cities the that made her the most money last time, literally.

 

2 minutes ago, Draper. said:

Looks like a statement but she's just doing the cities the that made her the most money last time, literally.

 

Environtmental Queen! 

 

 

11 minutes ago, Draper. said:

Looks like a statement but she's just doing the cities the that made her the most money last time, literally.

 

I said it's a statement...

 

 

could be a bank statement

 

I'm really hoping she gives us a serious ROTY/SOTY contender for act iii - please be a pop-rock anthem like "Simply the Best" 

 

 

I'd love a big campy all-out song like Holding Out for a Hero tbh 

2 hours ago, AxelFox said:

Hm that's an interesting take. Why would you say that is? Do you mean it as in she sang the most or she was sining the best? Because I think by 2016 her technique had developed for the better, she had much better control of her voice, and her belts and upper register in particular sounded fuller and more resonant. And she has admirably maintained that to this day, almost 10 years later (which is not very common).

 

There were less vocal moments yeah, but the ones that were there were outstandingly good, which is the point I was trying to get across.

 

The FWT is definitely her most dance-focused leaning show, and it's great that that exists too. That's the beauty of it, that there's been variety across her shows throughout the years for all tastes. 

 

But objectively speaking I think that tour was her at the peak of her performing abilities all things considered. Not necessarily the best show, that's a matter of preference, but the best she has ever performed. 

I'm a nerd, so be prepared. I love to dive deep into technical stuff.

 

She was doing everything and anything on those tours. It likely had to do with her age and the state of her voice during those times I guess, I'm not an expert. I need to ask the good sisters @Bmezy or Ryan from the Bey discord, all I know is that she was giving her all.

 

She did some feats on The Beyoncé Experience that she never replicated ever again.

 

Firstly, the longest F5 of her career was during her show in Barcelona, 8 seconds. From the first minute of this video:

 

 

She was truly playing with her voice. Imagine going from an operatic A5, down to a Bb2, and ending with a sustained F5 and vibrato 

 

 

Her longest note was held in Oslo during Flaws And All, 14 seconds, if I'm not mistaken. Unfortunately her team took down most of her tour footage.

 

She also delivered many messa di voce, which is the hardest feat from a technical standpoint (she belongs in the in the same league as Whitney, Pavarotti, Lisa Fischer). She also did some on the US leg of the RWT btw.

 

 

The MSCWT was also insane. Even when she suffered from severe tonsillitis she was still delivering A+ plus live vocals, to the point of combining both versions of CIL 

 

 

WDYLM was the craziest thing she has ever done to this day. The mamas were shook

 

 

1+1 aka the beauty of Bey's voice in a nutshell 

 

 

And these were just some examples, I could have added many more. Sorry but FWT can hardly compete.

Edited February 18, 20251 yr by Pepo

12 minutes ago, Pepo said:

I'm a nerd, so be prepared. I love to dive deep into technical stuff.

 

She was doing everything and anything on those tours. It likely had to do with her age and the state of her voice during those times I guess, I'm not an expert. I need to ask the good sisters @Bmezy or Ryan from the Bey discord, all I know is that she was giving her all.

 

She did some feats on The Beyoncé Experience that she never replicated ever again.

 

Firstly, the longest F5 of her career was during her show in Barcelona, 8 seconds. From the first minute of this video:

 

 

She was truly playing with her voice. Imagine going from an operatic A5, down to a Bb2, and ending with a sustained F5 and vibrato 

 

 

Her longest note was held in Oslo during Flaws And All, 14 seconds, if I'm not mistaken. Unfortunately her team took down most of her tour footage.

 

She also delivered many messa di voce, which is the hardest feat from a technical standpoint (she belongs in the in the same league as Whitney, Pavarotti, Lisa Fischer). She also did some on the US leg of the RWT btw.

 

 

The MSCWT was also insane. Even when she suffered from severe tonsillitis she was still delivering A+ plus live vocals, to the point of combining both versions of CIL 

 

 

WDYLM was the craziest thing she has ever done to this day. The mamas were shook

 

 

1+1 aka the beauty of Bey's voice in a nutshell 

 

 

And these were just some examples, I could have added many more. Sorry but FWT can hardly compete.

 

 

OMG...endless vocals...I'm going to go crash out

 

 

SN: Beyonce winning Best Country album was truly the gag of the night...i really didn't think Country was going to support her over Chris, Kacey, Lainey, or even Post Malone

 

Post Malone had EVERYBODY in country as a feature on his album and did all of the Nashville protocol that Beyonce ignored

 

 

 

Edited February 18, 20251 yr by giRLbye.

if act iii tour doesn't give us a cute edge of seventeen / bootylicious moment