I'm really intrigued with how act 3 is going to sound. I know it's going to be rock with fusions of different sounds but I'm wondering if she is going to talk her **** on it.

i need attitude for act iii.

give us DHY, Bow Down, Heated energy.

7 minutes ago, futuresuperstar2023 said:

I'm really intrigued with how act 3 is going to sound. I know it's going to be rock with fusions of different sounds but I'm wondering if she is going to talk her **** on it.

she better cause i need her to scalp the ex-queen of rap(e)

With Harry coming supposedly really soon, 05/29 as a date for act III seems ever more plausible. Lead single around mid April, album preorder up right around the MET Gala.

I notice people who hate her always say they miss her when she was in DC. I'm sorry but Bey was always talented and a clear standout but she is so much better as a solo artist. Baby bey was cool but I prefer Grown woman Bey!

9 hours ago, ScorpiosGroove said:

what happened to the Copacabana thing ? cause they still haven't announced the performer and i remember people saying bey wouldn't do it because it's the day after the Met. but i've just checked and they haven't even announced an official date. Nose was heavily rumored by Reuters in november 2024 and officially announced in december. it's almost january and still nothing…

i don't think she'd do it because she's boring and wants money, not free fan love, but i don't really see anyone else do it either. Hunchback doesn't do free concerts, Adele seems like a pretty boring choice for this type of event, Rih's lazy and retired, Britney is… lol and i don't see Brazilians go up for Coldplay or U2 the same way they'd do for a pop girl. + the mayor of brazil did scout bey's tour this summer so i don't think it's totally out of the question yet

Things are strangely quiet compared to both Madonna/GaGa years indeed. A website (linked to the government) "confirmed" U2 but the page was taken down hours after. It's either that this year contract is more strict or there's problems with negotations. Beside U2 i see Adele name mentioned often.

I don't think MET is an obstacle for Beyoncé but I don't see her doing it in 2026, now all this silence is very in line with her, she probably would want to announce it like a bomb not letting any info be shared until a set date.

I could've sworn there was leaks of her doing a cover for Wade in the Water, but now she's nowhere… Beyonka when I catch you…

In a beautiful world where Tate Mcrae doesn't exist, for Act 3 we get:

-Met Gala Appearance ft an actually good outfit

-Single/Album title announcement

-Lead single promoted in GTA 6

-Copacabana

-Feature length film that encapsulates all three acts

-Permanently on streaming

-Everybody loves her again

-Jay Z mysteriously vanishes Amelia Earhart style and she's a fresh widow milf

-Blue announces her single

-Bey finally retires and transfers her soul into Blue

3 hours ago, trainsskyscrapers said:

I appreciate that the streams don't generate much revenue for the artists, but for someone of Beyoncé's wealth level, why is that the focus? Why isn't her focus on making sure that her music is reaching as many demographics and regions as possible? Keeping it in the zeitgeist and cultural conversation.

The music is on the platform either way. Just give it a bit of support through playlisting, etc. and continue to solidify that musical legacy.

I think Bey got to curse out the media before she retires. Because them going around and saying she killed Tupac is crazy knowing she was like 14 or 15. Bey have to roast them one good time. It's only right lmfao. I also need her to make Gen Z CRY because they are nothing but weak wannabe bully *******

16 minutes ago, Lovett said:

I appreciate that the streams don't generate much revenue for the artists, but for someone of Beyoncé's wealth level, why is that the focus? Why isn't her focus on making sure that her music is reaching as many demographics and regions as possible? Keeping it in the zeitgeist and cultural conversation.

The music is on the platform either way. Just give it a bit of support through playlisting, etc. and continue to solidify that musical legacy.

The thing is she already solidified her musical legacy. Anything she does now is a bonus. She is stamped sealed and iconic. Her focus is on actual cash..how much will she earn if she is going to leave her house. I don't blame her.

Just now, Kingdom said:

The thing is she already solidified her musical legacy. Anything she does now is a bonus. She is stamped sealed and iconic. Her focus is on actual cash..how much will she earn if she is going to leave her house. I don't blame her.

But we no longer live in a monoculture world. There are so many artists out there nowadays, so her music will only get less and less listened to. With very minimal effort, she can get her music playlisted better and continue to be heard by many more people. Adding more money to hers and Jay-Z's billions is wholly unnecessary. Several generations of her family will never have to work a day in their lives, if they don't want to.

3 hours ago, TipToe said:

Things are strangely quiet compared to both Madonna/GaGa years indeed. A website (linked to the government) "confirmed" U2 but the page was taken down hours after. It's either that this year contract is more strict or there's problems with negotations. Beside U2 i see Adele name mentioned often.

I don't think MET is an obstacle for Beyoncé but I don't see her doing it in 2026, now all this silence is very in line with her, she probably would want to announce it like a bomb not letting any info be shared until a set date.

mte ! i don't think she'd do it next year either but their silence after all the public figures in brazil rallied to get her to come is a little

Copacabana or not she needs at least 1 big performance this era that isn't tied to a tour or hotel opening

i also think now that she finally got her aoty she might give them a performance again. after all she's going back to the MET of all things so she does still feel generous from time to time

POP culture feels dead without Beyonce.

animals always see the talent in ppl.

Oh Beyonce, you will always be famous!

I'm watching Simon Cowell's cringe boyband show, "The Next Act", and the queen and Jay Z were name dropped. No other celeb has been mentioned beside Liam Payne, popular boy bands, spice girls, and some Bri'ish male singer. I promise her name is always brought up on every show I watch. Can't say the same for nose and even the Swiffer mop.

Edited December 28, 2025Dec 28 by Fleahive

I've officially entered beyhydration and I'm starting to feel nasty and rude… I've consumed too many old performances and now I miss her, let's get this rock thing going chop chop

Not "my Fans are the award"

12 hours ago, Lovett said:

I appreciate that the streams don't generate much revenue for the artists, but for someone of Beyoncé's wealth level, why is that the focus? Why isn't her focus on making sure that her music is reaching as many demographics and regions as possible? Keeping it in the zeitgeist and cultural conversation.

The music is on the platform either way. Just give it a bit of support through playlisting, etc. and continue to solidify that musical legacy.

I know people go on about her focus on money, and I agree that she's obviously money motivated, but I think she reinvests A LOT of her money into creating and presenting her art. For instance, this film I'm sure is incredibly expensive, with filming extending over half a decade (more than likely, and maybe even longer), and I'm sure that she has probably used some of this touring money to assist with it. Look at the incredible quality of the tour interludes, both the sets as well as the technology. I can only imagine the cost of these visuals. Look at the production of both of the recent tours compared with the production of some of the other big tours recently, there is a large gap, even with one that supposedly grossed billions....

Both of the tours had props and staging being worked on well before maybe even Renaissance was released, and I'm sure that was incredibly expensive, and obviously creating of the albums I'm sure have a high price tag.

So while she obviously earns a lot of money, it is very apparent she spends a lot of money, probably a lot more than her peers on the actual product. No one else really puts out the quality that she does. She doesn't seem to invest a lot of money into things like playlisting, or spotify payloa, look at how unaffected she was when they started monitoring fraudulent streams.

I can only assume her lack of care for it's because her focus is more on the quality, and her return isn't as great if spent in places like playlisting, and to move money from places like filming, or the technology she experiments with to places like Spotify doesn't align with her goal.

1 hour ago, Lose My Breath said:

I know people go on about her focus on money, and I agree that she's obviously money motivated, but I think she reinvests A LOT of her money into creating and presenting her art. For instance, this film I'm sure is incredibly expensive, with filming extending over half a decade (more than likely, and maybe even longer), and I'm sure that she has probably used some of this touring money to assist with it. Look at the incredible quality of the tour interludes, both the sets as well as the technology. I can only imagine the cost of these visuals. Look at the production of both of the recent tours compared with the production of some of the other big tours recently, there is a large gap, even with one that supposedly grossed billions....

Both of the tours had props and staging being worked on well before maybe even Renaissance was released, and I'm sure that was incredibly expensive, and obviously creating of the albums I'm sure have a high price tag.

So while she obviously earns a lot of money, it is very apparent she spends a lot of money, probably a lot more than her peers on the actual product. No one else really puts out the quality that she does. She doesn't seem to invest a lot of money into things like playlisting, or spotify payloa, look at how unaffected she was when they started monitoring fraudulent streams.

I can only assume her lack of care for it's because her focus is more on the quality, and her return isn't as great if spent in places like playlisting, and to move money from places like filming, or the technology she experiments with to places like Spotify doesn't align with her goal.

You hit the nail on the head AGAIN....Come get your baddie chain boo

9 hours ago, Lose My Breath said:

Look at the production of both of the recent tours compared with the production of some of the other big tours recently, there is a large gap, even with one that supposedly grossed billions....

this was so stark to me. I went to that tour and had floor seats. had a good time but was so appalled by the lack of quality in production and how terribly she made use of her gargantuan stage.

RWT had its issues with stage use, but was far more advanced. CCT really took it to the next level and solved all the production issues RWT had.

favé's dedication to keep learning, growing, bettering her craft is so admirable to me.

9 hours ago, Lose My Breath said:

I know people go on about her focus on money, and I agree that she's obviously money motivated, but I think she reinvests A LOT of her money into creating and presenting her art. For instance, this film I'm sure is incredibly expensive, with filming extending over half a decade (more than likely, and maybe even longer), and I'm sure that she has probably used some of this touring money to assist with it. Look at the incredible quality of the tour interludes, both the sets as well as the technology. I can only imagine the cost of these visuals. Look at the production of both of the recent tours compared with the production of some of the other big tours recently, there is a large gap, even with one that supposedly grossed billions....

Both of the tours had props and staging being worked on well before maybe even Renaissance was released, and I'm sure that was incredibly expensive, and obviously creating of the albums I'm sure have a high price tag.

So while she obviously earns a lot of money, it is very apparent she spends a lot of money, probably a lot more than her peers on the actual product. No one else really puts out the quality that she does. She doesn't seem to invest a lot of money into things like playlisting, or spotify payloa, look at how unaffected she was when they started monitoring fraudulent streams.

I can only assume her lack of care for it's because her focus is more on the quality, and her return isn't as great if spent in places like playlisting, and to move money from places like filming, or the technology she experiments with to places like Spotify doesn't align with her goal.

Focused on quality and the music videos MIA, vinyls incomplete, merch tacky, tour tickets dynamically priced, most expensive stage seats worst view

Yvette wrote this I'm sure