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The New Releases 💿

K-Pop Thread 2025

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  • Sailor Moon
    Sailor Moon

    nnn the popup message nnn.. thought i was getting banned for a sec 

  • I'm going to eat the spaghetti today while reading all the meltdowns. I'm still not going to stream Spaghetti though but I will choose to stream this instead     After all the

  • aespa didn't chart but guess what, we're STILL not streaming Stray Kids  

 

all of GOT7 isn't done their military service yet????

 

they've been intermittently active for years, why wouldn't they just get it over with???

 

96aETkS.gif

 

2 minutes ago, Save-Me-Oprah said:

that hair colour looks like shit

 

96aETkS.gif

G1Cu5wlXEAAnivD?format=jpg&name=large

 

definitely not my favorite color on him, but he looks cute with it here

 

96aETkS.gif

 

Kind of amazing how my first ever k-pop album is still my favourite :jonny5: even the weakest links on it are 11/10 BOPS. 

the way this has been in my head all day I've been humming it :jamming:

 

 

Edited by VelvetCrush

Kakao/Heehee check is clear now.

 

The way this is so ridiculous but so many people trust this. Like do they have brain? Go drag SM for not letting Singsing Houston slay and made they girls performed on GMA without a proper rest. 

42 minutes ago, fais_2311 said:

Kakao/Heehee check is clear now.

 

The way this is so ridiculous but so many people trust this. Like do they have brain? Go drag SM for not letting Singsing Houston slay and made they girls performed on GMA without a proper rest. 

The performance obviously sucked but the reactions have been way too extreme and protracted. It's embarrassing, jobless behaviour. It's probably a combination of Hybe controlling parts of the media + antis constantly lying in wait with nothing better to do. 

2 hours ago, IamCY said:

 

Kind of amazing how my first ever k-pop album is still my favourite :jonny5: even the weakest links on it are 11/10 BOPS. 

YO Megaphone GIFs | TenorARE YOU A GOOD ONE? YO Megaphone GIFs | TenorARE YOU A BAD ONE?Man Megaphone GIFs | Tenor

Can we remove the Tate McRae performance vid from homepage (which I'm pretty sure is blocked due to copyright for basically everybody outside of the US) and put Body by Dayoung instead :cupid:

Edited by playboi

5 minutes ago, playboi said:

Can we remove the Tate McRae performance vid from homepage (which I'm pretty sure is blocked due to copyright for basically everybody outside of the US) and put Body by Dayoung instead :cupid:

No

Getting high, putting on a sheet mask, and playing my BLACKPINK playlist very loud after a long day :alexz3: The background vocals underneath Jisoo and Rosé's choruses in DDDD genuinely sounds so otherworldly in these moments

On 9/17/2025 at 10:50 AM, Pluto6 said:

The way I completely overlooked this. You literally stan Britney, so let's not even start the whole "S-tier vocalist" debate or whether that makes someone a good performer :rip: 

 

 

 

I also stan Taeyeon, Aretha Franklin, Mariah Carey and Ariana Grande. Britney is not an amazing vocalist, but she has one of the best, most-recognizable tones in pop music ever. Don't try to downplay her to hype up some interchangeable boys :skull: 

On 9/17/2025 at 7:17 AM, Pluto6 said:

JYPE sucks at marketing, media play, and payola wbk, which is exactly why people feel so comfortable discrediting their groups. In reality, TWICE and SKZ are literally the biggest K-pop acts after BP and BTS globally. JYP Entertainment just doesn't care about chasing headlines, and that's why many people fail to realize this. As long as JYPE knows their groups are successful and pulling in more profit than almost everyone else, they don't really care, which is a horrible marketing strategy.mp3. What a useless company that don't know how to promote their groups :rip: TWICE and SKZ deserve better

This person spilled 

JYPE also never managed to build loyal company stans that will defend their groups to the end outside of their own fanbases, like SM, YG and HYBE stans:

 

 

I think everyone was aware how successful TWICE and Wonder Girls were at their peak. The problem is that they both fell off commercially. TWICE's downfall was padded by global market conditions increasing so much that their weakened success still looks huge whereas WG didn't have the same benefit that artists today get with streaming and bulk sales. Unfortunately for TWICE, their image took a hit with the GP from poor vocals and a huge decline in their musical quality so they're not being properly recognized for their iconic status yet. They just need a musical comeback and they'll get their flowers.

On 9/17/2025 at 6:59 AM, Pluto6 said:

It takes about 2 seconds to realize that Going Dumb is a collab between DJ Alesso and SKZ - it's not SKZ's song, since they're only featured. And even if it were, SKZ have over 200 songs in their discography. If just 1–3 of those were Western demo-style singles, it still wouldn't change anything in the bigger picture.

 

Also, trying to credit SNSD for SKZ's global touring power is wild, considering SNSD themselves never even toured outside of Asia :rip:

 

When we talk about K-pop's global success today, it's clear that SKZ and the other 4th gen groups are benefitting from the foundation BTS and BP built on a worldwide scale - not from that 1 David Letterman performance by SNSD :rip: And if you really want to credit a 2nd gen act for "paving the way," at least acknowledge Wonder Girls, who were the first K-pop act in history to chart on the Hot 100 - almost a full decade before the next group managed to do it.

 

It's not about what YOU see - there's a whole world outside of your bubble. Calling their music "bad" is purely subjective, not objective, when millions of people worldwide are listening to and loving it. And if you actually knew a bit more about SKZ, you'd know their music is literally created and meant for live performances and big stages :rip:

 

SKZ consistently receive praise for their performances from both critics and general audiences, and I could easily drop multiple clips to prove the point :celestial5:

 

Also, let's not ignore the fact that they just wrapped a 54-date stadium tour - with 0 clips floating around of them being lazy, out of sync, or underwhelming. And that's while they were simultaneously working on their album. The way they still devoured every stage says it all. Honestly, their work ethic is kinda unmatched

That's still an English demo. Your faves would not be able to attempt American success or English collabs if it wasn't for SNSD. 
 

I literally went to the first major Korean concert at Madison Square Garden. I met the girls at the Best Buy Theater and Sunny waved to me at GMA. I was literally one of the fans proving that America was a viable touring market. How are you going to tell me that SNSD never toured America like I didn't pay $2,000 to go see them?

 

I followed K-pop starting with BoA. There was almost no noise. The first big moment here in America was "Gee," which went viral thanks to the saying "good game," or "gg," on World of Warcraft. 2NE1, BB, WG, KARA and 4Minute all had bases here, but SNSD were the biggest. They were the first group to experience buying power here (thank you, Soshified) and we made YesAsia a huge success, which lead to artists getting global distribution. Every leg up that third gen had can be traced back to second gen breaking through.

 

Also, BP wouldn't exist without Girls' Generation. YG was known for ugly-dols and completely changed his model to capitalize off Soshi. You never thought it was weird that Jennie = CL, Rose = Bom, Lisa = Minzy but Jisoo = Seohyun? They didn't even bother to recreate Dara.

 

As far as SKZ, good for their fans for genuinely believing that. But when the music's bad and nobody's singing, they're just energetic dancers. And that's so common and easy for male artists that it's not anything impressive. K-pop is so overrun with dancers who can't sing right now so they don't stand out.

18 minutes ago, Rhyme said:

Getting high, putting on a sheet mask, and playing my BLACKPINK playlist very loud after a long day :alexz3: The background vocals underneath Jisoo and Rosé's choruses in DDDD genuinely sounds so otherworldly in these moments

Please let their new mini be good (and real) :jonny5: 

55 minutes ago, elevate said:

The performance obviously sucked but the reactions have been way too extreme and protracted. It's embarrassing, jobless behaviour. It's probably a combination of Hybe controlling parts of the media + antis constantly lying in wait with nothing better to do. 

It's ironic because Pannchoa gets paid by HYBE, too. It felt like MYs and Fearnots had just stopped fighting and LSF was rebounding in SK. I hope this doesn't torpedo things.

3 hours ago, IamCY said:

 

Kind of amazing how my first ever k-pop album is still my favourite :jonny5: even the weakest links on it are 11/10 BOPS. 

My favorite K-pop album ever :jonny5: 

3 hours ago, GloryDays said:

i didn't know this group but they chewed here 

The 5th gen group with the most potential, imo :jonny5: 

55 minutes ago, Eternium said:

 

I think everyone was aware how successful TWICE and Wonder Girls were at their peak. The problem is that they both fell off commercially. TWICE's downfall was padded by global market conditions increasing so much that their weakened success still looks huge whereas WG didn't have the same benefit that artists today get with streaming and bulk sales. Unfortunately for TWICE, their image took a hit with the GP from poor vocals and a huge decline in their musical quality so they're not being properly recognized for their iconic status yet. They just need a musical comeback and they'll get their flowers.

 

 

I dont know why some of you are just so confident in saying these kinda statements where it's so hard for you to recognize that Twice is on a league of its own at this point and they're beyond Melon charts now. I mean yeah it would have been nice to still have that domestic charting power they used to have, but they've traded all that with an increase in touring power and consistency in terms of releases and global reach. And that's the kind of stability that any kpop act would dream of after a decade of activity. Like they've already won. Yeah they might not be widely recognized yet for their iconic status in general spaces in the western media but they're not completely obscure either. The highly successful Lollapalooza set and the kpop demon hunters soundtrack only helped them, and the ongoing massive world tour is taking them even further.  They might be "declining" or slowing down for you in a traditional sense where they're not the nation's gg anymore, but they're not slowing down in the slightest overall. Also let's stop with this narrative of "huge musical decline" or "poor vocals" when it comes to Twice. They've had some of the best Bsides and albums after 2021 exactly when people are claiming they had their "downfall". Plus their live vocals are only getting better with time. I'm sick of the whole group catching flack from these people for "poor vocals" because of 1-2 bad apples. 

Edited by Witnessed ET

Starting soon...

 

  • MuBank.EP1265: SOORIN, YOUNGBIN, Dahye, DAYOUNG, PRIMROSE, BADVILLAIN, YUQI, AxMxP, CORTIS, IDID, JUNG DAE HYUN, HAECHAN, ALL(H)OURS, CIX, LUN8, JUNHEE, LIM YOUNG WOONG, Jang Wooyoung

And the rest of the weekend...

  • MuCore.EP917: Chae EunJung x Haeun, YOUNGBIN, BADVILLAIN, PRIMROSE, DAYOUNG, YUQI, CORTIS, AxMxP, IDID, CIX, KIM HEEJAE, PLAVE, LUN8, ALL(H)OURS, TREASURE, Jang Wooyoung, HAECHAN, JUNHEE
  • inkigayo.e1283: Yuqi, Primrose, Badvillain, Yun Seyeon, Soorin, Youngbin, Dayoung, Jang Wooyoung (ft. Damini), Lun8, Junhee, Idid, Haechan, Treasure, CIX, Cortis, All(H)ours, AxMxP

I'll be opening a market on kalshi on whether Soorin weighs more or less than 36kg.  Stay tuned for further details.

 

:cm:

4 hours ago, Eternium said:

That's still an English demo. Your faves would not be able to attempt American success or English collabs if it wasn't for SNSD.

 You're acting like SKZ's 2nd-gen labelmates, Wonder Girls, didn't try to break into the US - and even managed to chart on the Hot 100 - long before SNSD attempted with their David Letterman performance.

4 hours ago, Eternium said:

I literally went to the first major Korean concert at Madison Square Garden. I met the girls at the Best Buy Theater and Sunny waved to me at GMA. I was literally one of the fans proving that America was a viable touring market. How are you going to tell me that SNSD never toured America like I didn't pay $2,000 to go see them?

You guys keep clinging to that 'mAdiSOn sQUarE gArdEn' performance for your dear lives, when in reality it was just a joint SMTown concert, not a standalone SNSD show. And even if it had been, there are at least four K-pop acts today who can sell out actual stadiums in the US - completely dwarfing Madison Square Garden, which you all hold onto so much.

 

4 hours ago, Eternium said:

I followed K-pop starting with BoA. There was almost no noise. The first big moment here in America was "Gee," which went viral thanks to the saying "good game," or "gg," on World of Warcraft. 2NE1, BB, WG, KARA and 4Minute all had bases here, but SNSD were the biggest. They were the first group to experience buying power here (thank you, Soshified) and we made YesAsia a huge success, which lead to artists getting global distribution. Every leg up that third gen had can be traced back to second gen breaking through.

If you're going to credit 2nd gen for the global popularity that 4th gen is benefiting from, then you'd have to credit 1st gen too - since they laid the foundation for 2nd gen in the first place. But when it comes to true global impact, 3rd gen completely overshadowed 2nd gen, bringing in a wave of K-pop fans on a scale never seen before, which 4th gen now benefits from. I'm sorry, but we can't erase the achievements of BTS and BLACKPINK and hand that credit to SNSD, as if SNSD reached even 10% of their success globally. That's just not realistic - it's pure nostalgia talking.

 

4 hours ago, Eternium said:

As far as SKZ, good for their fans for genuinely believing that. But when the music's bad and nobody's singing, they're just energetic dancers. And that's so common and easy for male artists that it's not anything impressive. K-pop is so overrun with dancers who can't sing right now so they don't stand out.

Imagine saying "nobody's singing" when SKZ has more people worldwide singing along to their songs than SNSD ever did. SNSD could only dream of having this kind of global audience, be serious :rip: 

Bestie, there's a whole world outside your little bubble. But sure, keep clutching onto that joint SMTOWN concert at Madison Square Garden or that one David Letterman performance I guess :rip:

 

 

Edited by Pluto6

XG really deserve the same hype as Katseye, but I feel like they don't have a label or support in America.

They have such a strong identity, and it feels like they'd have to be reformatted into something more accessible to get big success… which I'm not really into.

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