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Fall Emoji Return!
The New Releases 💿

The J-Pop Discussion Thread

Featured Replies

I'm sad i couldn't get my ballot in but i will be watching these results

So far so good.. :squirrel:

  • Replies 2.9k
  • Views 84k
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  • A big hank you to everyone who participated and joined the reveals! The second part of the rate was always going to be an uphill battle, and I wonder if something else could've been done to encourage

  • BEST OF 2025 (mini-rate) It's 2025. I believe we haven't done the best of j-pop since... 2015, so it's been a decade. In some way, it's symbolic, as the 'diva' era ended around that time, too. While

  • The Kumi Koda Singles Rate, Pt. 2 ~Budget Edition~   After rating what many consider to be Kumiko's better part of her career, we're entering the 10s, which started off well but some c

Ugh I couldn't be here for the reveals but lemme say y'all did Miss Yuki wrong and I am kinda surprised those Chisato songs are out already. And why is WAKU WAKU still in? :fountain:

 

Hopefully y'all had mercy on my fave song, but from the looks of it my taste is a bit mixed given the results already so lemme prepare for the worst. :biblio:

Edited by AMIT

7 hours ago, Suilen said:

Kyle-x: Pleasant enough.
AMIT: Catchy I suppose.

@AMIT

 

Bust Out Laughing GIFs | Tenor

7 hours ago, Suilen said:

58. Seiko Matsuda - 赤いスイートピー (Red Sweet Pea)

 

243230035_pic1_full.png

 

6.32

 

Akai no Sweet Pie is Seiko Matsuda's 8th single and one of her signature/most well-known songs in Japan, having been officially covered dozens of times. It was released in 1982 and quickly hit no. 1 on the Oricon chart. The song was written by Takashi Matsumoto, one of Japan's most prolific songwriters and Seiko's frequent collabotator, and co-produced by Yumi Matsutoya (under a pen name) and her husband. The song contributed to Seiko's success among women... and to red sweet pea becoming a thing, as Japan only grew white and pink ones. Yuming requested a pen name to be used as she wanted people to connect to the song regardless of who wrote it, and she knew that her name would've been a draw. Citron contains the sequel to the song, while SEIKO MATSUDA 2020 has the English version.

 

Admirers: pearlmercury (10)
Antis: Curaga (3)

 

Kyle-x: One of the songs I knew prior to the rate. Undeniably a classic! The chorus sticks like grits.
AMIT: Again whatever, lacking a bit of a punch.
Suilen: Utterly terrible. 

Abby Lee Miller GIFs | Tenor

7 hours ago, Suilen said:

55. Akina Nakamori - FIXER -WHILE THE WOMEN ARE SLEEPING-

 

a82_2.png

 

6.54

 

FIXER -WHILE THE WOMEN ARE SLEEPING- is Akina Nakamori's song from her 24th album FIXER and her late-career entry. It was also released as her 51st single and reached no. 32 on the weekly Oricon chart. Akina participated in writing and producing the song under her Miran moniker. The album version has a slightly different arrangement from the single one. It was used as the theme song for movie 'Onna ga Neru Toki' (literally While The Women Are Sleeping).

 

Least favorite of: Meloetta Carey, Maresia

 

Admirers: Britneyfan09 (10)
Antis: Meloetta Carey, Maresia (1)

 

Kyle-x:  I mean, of course I absolutely love this. 
Maresia: suilen pander
Suilen: It appears that a Suilen pander > a Maresia pander. Anyway, it isn't even my favorite song off the album, which is todoketai, but you lot couldn't even let its sister song reach top 10 in the Kumiko rate, so I had to come up with something else. The hate is giving ageism.

Why are y'all gagging the live like this

 

abby lee miller dance moms gif | WiffleGif

7 hours ago, Suilen said:

53. Chisato Moritaka - A Biant

 

1200x630bf-60.png

 

6.64

 

A Biant is an album track from Chisato Moritaka's 12th album Kotoshi no Natsu wa More Better (This Summer Will Be More Better). It was written by Chisato herself and produced by Miharu Koshi, mostly renowned for her 1984 album Parallelisme. Miharu was raised on French chanson, and a lot of her music has French influences, which transmitted to Chisato's song. 

 

Least favorite of: Curaga, Britneyfan09

 

Admirers: Kyle-x (10)
Antis: Curaga, Britneyfan09 (1)

 

Curaga: Unique! (derogatory)
Kyle-x: omg this Swan Lake serve
Meloetta Carey: the japanese babooshka! oh chisate bushitaka
AMIT: This was the last song I rated due to the album not being available on AM. Sort of fitting for the most left-field song in the entire rate? (Tied with Marionette ofc.)
Maresia: not entirely sure what to make of this
Suilen: to be fair, you need to have a very high iq in order to understand Miharu Koshi's songwriting

OMG. Well I knew it was going to tank anyway she was in her experimental bag!

10 minutes ago, AMIT said:

Ugh I couldn't be here for the reveals but lemme say y'all did Miss Yuki wrong and I am kinda surprised those Chisato songs are out already. And why is WAKU WAKU still in? :fountain:

 

Hopefully y'all had mercy on my fave song, but from the looks of it my taste is a bit mixed given the results already so lemme prepare for the worst. :biblio:

Miss Miho has suffered enough, I think.

 

TJGE8xH.jpg

4 hours ago, Bewitched said:


 

Their album was cute... Hope they can stick together and give us another Underground!

f5ve management told me that if everybody comes and partakes in this rate, then they'll renew the girls contract!! :heart2:

45. Seiko Matsuda - Back for More

 

ab67616d0000b273a13bd7dae7bbcb282a0b93fd

 

7.3

 

Back for More is the first track on Seiko Matsuda's 24th album, Glorious Revolution. It was written by Seiko and co-produced by her and Ryo Ogura, who was one of her main collaborators in the 90s. Despite not being a single, it received a video and was featured on several compilation albums along with singles, which solidified its status as a beloved deep cut.

 

Admirers: romiskes, Britneyfan09 (10)
Antis: D.D.D. (4)

 

Kyle-x: She was getting sassy.
Meloetta Carey: i'm obsessed with the '90s business ***** cover for this song's album. anyway, great song.
AMIT: She was a grown, confident woman now. Assure of what she likes and wants. And at that day she decided to hop into the booth and give us this bop and we thank her for that.
Suilen: I definitely won't be back for more, but it was a surprisingly nice tune.

wasn't too keen on this one when i first heard it, but it grew on me

 

TJGE8xH.jpg

1 minute ago, Curaga said:

The concept of having a 24th album :deadbanana: 

That's not even the craziest number today...

2 minutes ago, Curaga said:

The concept of having a 24th album :deadbanana: 

That's just reality for Kumi stans.

44. Chisato Moritaka - NEW SEASON

 

19870525-newseason.png

 

7.32

 

NEW SEASON is Chisato Moritaka's debut single. Released in 1987, it reached no. 23 on the charts and only sold 44k copies. It was written by HIRO, who also worked with Misato Watanabe and SPEED, and produced by Hideo Saito, Chisato's long-time collaborator. Although Chisato's first written song was ミーハー from her second album, she's credited with a keyboard solo for the single.

 

Admirers: OrbitNumber1 (10), AMIT (9.5)
Antis: D.D.D. (5); Graves (5.5)

 

Curaga: This has a real nostalgic feel to it to me, like a movie theme.
Kyle-x: The instrumental break was a fun touch!
AMIT: She really had me right off the bat with how great this song sounds.
Suilen: Feel pretty ambivalent about this one. 

OMG, loving NEW SEASON on a relisten... I should've made my 9 a 10

its cute Baby, Make Love Tonight is better tho hope that one sticks a little longer

43. Shizuka Kudo - "Shuuten" ("Grief.")

 

251009201.png

 

7.34

 

Shuuten is the last track on Shizuka Kudo's 6th album, mind Universe. While its title literally means "Grief.", it's a homonym of 終点, which means 'last stop'. The song is written by Shizuka herself under her pen name Aeri and produced by Tsugutoshi Goto, who had worked with her since the Onyanko Club days. Shizuka tended to write the last songs for her albums for quite some time, although the tradition stopped at Trinity (she wrote the fifth song there).

 

Admirers: OrbitNumber1, AMIT (10)
Antis: D.D.D. (5), Graves (5.5)

 

Kyle-x: Love the drama.
AMIT: I love the vibe. The production is amazing and she portrays the vulnerable + confident duality so well. 
Suilen: She probably had better choices when it comes to album tracks, but I liked the 'lore' behind this one, and I appreciate her gradual evolution as an artist. 

agree with miss curaga's comment, i can hear this being played during the credits of an 80s coming-of-age movie :clap3:

finally a shizuka song. probably my least favorite out her selection too

 

TJGE8xH.jpg

  • Author

Love your new avi @Maresia

 

Back For More is out wayy too early :chick3:

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