So Sam Smith is the last person on the Barbie soundtrack and not Ga Ga?

 

25 minutes ago, Smarticle said:

So Sam Smith is the last person on the Barbie soundtrack and not Ga Ga?

 

Ga Ga did the Oppenheimer Theme Song 

 

Banned for 3 months and the coronica ball dvd remains in narnia 

 

It's always fun to look at how Million Reasons, a supposed bomb, compares to a fair number of other hits/smashes from 2016/2017 that were seen as leagues bigger at the time.

 

Daily Spotify Streams

It Ain't Me: 393K

Side to Side: 390K

Feel It Still: 382K

Pillowtalk: 367K

Work: 356K

Cold Water: 335K

Wild Thoughts: 332K

Million Reasons: 311K

My, Myself & I: 272K

Work From Home: 265K

Stay: 240K

1-800-273-8255: 233K

Black Beatles: 224K

Bad and Boujee: 195K

Sorry Not Sorry: 192K

Don't Wanna Know: 190K

I'm the One: 179K

Panda: 174K

Bodak Yellow: 168K

Hands to Myself: 137K

I rihfuse to believe Mark was talking about Sam Smith.

 

5 hours ago, The Witch said:

 

THE collapse when Ga Ga announce she's finishing her recidency in this place 

I hope

10 minutes ago, NicoleAMatty said:

I rihfuse to believe Mark was talking about Sam Smith.

 

I-

 

1 hour ago, Pop Art said:

It's always fun to look at how Million Reasons, a supposed bomb, compares to a fair number of other hits/smashes from 2016/2017 that were seen as leagues bigger at the time.

 

Daily Spotify Streams

It Ain't Me: 393K

Side to Side: 390K

Feel It Still: 382K

Pillowtalk: 367K

Work: 356K

Cold Water: 335K

Wild Thoughts: 332K

Million Reasons: 311K

My, Myself & I: 272K

Work From Home: 265K

Stay: 240K

1-800-273-8255: 233K

Black Beatles: 224K

Bad and Boujee: 195K

Sorry Not Sorry: 192K

Don't Wanna Know: 190K

I'm the One: 179K

Panda: 174K

Bodak Yellow: 168K

Hands to Myself: 137K

Million Reasons is arguably her most "relatable" single (in addition to having a more timeless sound). It lowkey makes a lot of sense why it's done so relatively well on streaming years later.

12 hours ago, hausofdave said:

Hold My Oscar stable across all platforms after more than one year of release unlike all her last album's singles, why?

 

 

Mama, it's been just over a year and its trudging along in the 300ks. It could be worse, as in like abysmal, but Excrete My Glands is still a flop despite being attached to the biggest film of the year. If it's doing these numbers in another year or so, when it's in its proper recurrent phase, we can talk. 

3 minutes ago, EnigmaticAndroid said:

Mama, it's been just over a year and its trudging along in the 300ks. It could be worse, as in like abysmal, but Excrete My Glands is still a flop despite being attached to the biggest film of the year. If it's doing these numbers in another year or so, when it's in its proper recurrent phase, we can talk. 

**second biggest film of the year and for a song that peaked at a measly ~1M+ streams, its holding way better than SL & ROM, the latter that featured one of the biggest streaming artists, which still didn’t help at all as both songs were collapsing like no tomorrow around the same timeframe  the fact 3 years later and its still struggling to reach 1B+ is honestly pathetic  

14 minutes ago, hausofdave said:

**second biggest film of the year and for a song that peaked at a measly ~1M+ streams, its holding way better than SL & ROM, the latter that featured one of the biggest streaming artists, which still didn’t help at all as both songs were collapsing like no tomorrow around the same timeframe  the fact 3 years later and its still struggling to reach 1B+ is honestly pathetic  

ROM was still pulling more daily streams and will actually hit 1B, which is obviously a major achievement. Hold My Panned bombing and having a slow downward spiral to its deathbed isn't impressive. The fact that it's been a year and it's gasping for air to hit a measly 300M is pitiful.  

"Her next solo #1"

"1B Spotify streams"

"Makeup Oscar win locked"

"The GP is dying for a power ballad"

"It's Top Gun so the song has to smash"

 

What happened Little Handsters? 

5 minutes ago, EnigmaticAndroid said:

ROM was still pulling more daily streams and will actually hit 1B, which is obviously a major achievement. Hold My Panned bombing and having a slow downward spiral to its deathbed isn't impressive. The fact that it's been a year and it's gasping for air to hit a measly 300M is pitiful.  

6M+ debut -> ~900k

900k debut -> ~300k 

 

ah yes ROM the so called major hit that was originally suppose to hit 1B+ back by its first anniversary until it suddenly dropped to the edge of no tomorrow, now 3 years later, pathetically crawling its way to the benchmark when other major female collabs have already reach past the threshold, lets not even talk about its abominable YT recurrent streams unlike Hold My Oscar steadily decline that’s pale in comparison 

“another incoming 1B+ YT views”

”SOTY & ROTY Grammy noms locked”

”programmers will go hard for this song, #1 on Pop radio confirmed”

“It’s ft. Ariana Grande, so the song is guaranteed to be a monster streaming hit”

 

What happened fellow liddos? 

Just now, hausofdave said:

6M+ debut -> ~900k

900k debut -> ~300k 

 

ah yes ROM the so called major hit that was originally suppose to hit 1B+ back by its first anniversary until it suddenly dropped to the edge of no tomorrow, now 3 years later, pathetically crawling its way to the benchmark when other major female collabs have already reach past the threshold, lets not even talk about its abominable YT recurrent streams unlike Hold My Oscar steadily decline that’s pale in comparison 

Girl, you can keep comparing the 2, one is obviously a significantly bigger hit than the other. Nor is going marginally under 1M daily (a year out) that abnormal for hits. Being unable to peak above 1M daily, plummeting to 300k within a year, and struggling to hit 300M stream within a year is abnormal for hits. It's almost like they aren't ones at all! 

1 minute ago, hausofdave said:

“another incoming 1B+ YT views”

”SOTY & ROTY Grammy noms locked”

”programmers will go hard for this song, #1 on Pop radio confirmed”

“It’s ft. Ariana Grande, so the song is guaranteed to be a monster streaming hit”

 

What happened fellow liddos? 

It went multiplat, smashed globally, won a Grammy, was one of the most acclaimed songs of the year and is approaching 1B streams 

 

Compared to a Billboard Bottom 60 flop, Grammy and Oscar loser that is struggling to outstream Sour Candy, Stupid Love, and The Cure. 

stream this OST HYMN for clear skin, a tight bussy, and good credit 

Edited July 9, 20233 yr by EnigmaticAndroid

9 minutes ago, EnigmaticAndroid said:

"Her next solo #1"

"1B Spotify streams"

"Makeup Oscar win locked"

"The GP is dying for a power ballad"

"It's Top Gun so the song has to smash"

 

What happened Little Handsters? 

To be fair, there was no real effort that went into promoting the song properly. We could’ve had a few television appearances / mini campaign in the autumn for HMH to reach a wider audience. It had the potential to do quite well, but it sure needed a bit more more promo from Gaga’s side. At least its recurrent streams are decent and it’s becoming somewhat of a talent show staple / karaoke classic.

1 minute ago, EnigmaticAndroid said:

Girl, you can keep comparing the 2, one is obviously a significantly bigger hit than the other. Nor is going marginally under 1M daily (a year out) that abnormal for hits. Being unable to peak above 1M daily, plummeting to 300k within a year, and struggling to hit 300M stream within a year is abnormal for hits. It's almost like they aren't ones at all! 

it actually did peak above 1M+ daily if you did your research correctly. and for a supposed recent major gut, struggling to even hold its own against a so called flop soundtrack single is abnormal, bleeding even below her “flop 2011 single”, getting outviewed by audio tracks, how sad!  

49 minutes ago, hausofdave said:

**second biggest film of the year and for a song that peaked at a measly ~1M+ streams, its holding way better than SL & ROM, the latter that featured one of the biggest streaming artists, which still didn’t help at all as both songs were collapsing like no tomorrow around the same timeframe  the fact 3 years later and its still struggling to reach 1B+ is honestly pathetic  

How does it compare to that OneRepublic song 

 

Why there's always needs to trash another song or project in order to highlight another? Especially when they're two totally different songs and situations, HMH is holding well all considered and ROM did what it had to do when it came out, there's really no sense or point to compare them, 2 totally different songs and situations.

 

Not sure why people are still hoping for the Barbie soundtrack, she was never going to be on another soundtrack when she is coming from a soundtrack song and she has another whole coming next year, be real.

1 minute ago, EnigmaticAndroid said:

It went multiplat, smashed globally, won a Grammy, was one of the most acclaimed songs of the year and is approaching 1B streams 

 

Compared to a Billboard Bottom 60 flop, Grammy and Oscar loser that is struggling to outstream Sour Candy, Stupid Love, and The Cure. 

for a song that “smashed globally”, how come it still hasn’t hit 1B+ streams more than 3 years later when other actual global smashes from 2020 have past way its marked already  a frontloaded inorganic so called hit thats struggling to past its supposed origin benchmark long ago now struggling and barely getting enough streams and views on par with so called flop single 

4 minutes ago, Smarticle said:

How does it compare to that  OneRepublic song 

a smash i fear 

24 minutes ago, EnigmaticAndroid said:

"Her next solo #1"

"1B Spotify streams"

"Makeup Oscar win locked"

"The GP is dying for a power ballad"

"It's Top Gun so the song has to smash"

 

What happened Little Handsters? 

The lack of content, music and zero communication from Gaga pushed them over the edge. She's really quiet and is rightfully resting and enjoying life

 

5 minutes ago, hausofdave said:

for a song that “smashed globally”, how come it still hasn’t hit 1B+ streams more than 3 years later when other actual global smashes from 2020 have past way its marked already  a frontloaded inorganic so called hit thats struggling to past its supposed origin benchmark long ago now struggling and barely getting enough streams and views on par with so called flop single 

It's literally certified in 16 countries, double Hold My Hand. And its getting the streams it's getting 3 years after its release, not 1. One song has been in the recurrent phase for like 2 years, the other is just starting it. You're not making sense. 

 

Even if we want to consider Hold My Hand a moderate success, there's literally no logical argument that it's more of a success than Rain On Me.