alejandreaux

The College Dropout > Late Registration > Graduation (Kanye West) is probably the most acclaimed, popular, and influential debut 3 album run of the century if we're considering all genres here these also deserve a mention: LP1 > MAGDALENE > EUSEXUA (FKA twigs) Vampire Weekend > Contra > Modern Vampires of the City (Vampire Weekend) The Archandroid > The Electric Lady > Dirty Computer (Janelle Monáe) Olivia's run definitely sits among these though

Song: POM > HN > Petal > LWYMMD Video: LWYMMD > HN > POM > Petal

this is more like "a list of 30 great pop songs" rather than "the top 30 greatest pop songs ever"

radio airplay can be so fraudulent in general. the fact that there's multiple songs in the top 10 who's airplay % outweighs their sales and streams % combined is just egregious.

ok i'm neutral on Taylor Swift but this actually is kinda wild is this normal for a lot of huge songs that spend weeks the top 5 on the Hot 100?

it did respectable numbers for normal pop star standards, but it was a sizable step down from her astronomical standards, so i understand why it's considered a flop. she was also coming off of one of the most successful/impactful pop star rollouts in history with her first 3 projects. its all about expectations and how the album is received. ARTPOP had a mixed reception and was her overexposure/backlash era on top of not performing as well, so that feeds into the "flop" narrative even though it did decent numbers.

is anyone denying or pushing back against the fact that it probably would've been top 10 with YouTube data counted? i didn't see the outcome of the other threads, but is it really this big controversial topic that needs so much re-iteration?

Blame it on the Rain stays being one of my go-to 90s pop songs. i NEVER gaf

it's really not that hard to understand. in conversations about industry achievements, TF/M is treated as one project because they were technically packaged together as a deluxe. the industry abides by technicalities like that. in conversations about artistic achievement, they are treated as two separate projects because they had two distinct eras/identities attached to them in the cultural memory. it's not some "coup" devised by little monsters to be able to pick and choose when to apply bragging rights, the fans didn't choose for it to be released this way it's a genuine anomaly that applies to this album and very few others that have deluxe editions that serve as their own mini-era.

Abracadabra being above 4 Hot 100 #1 songs, and yet it's the only song out of those people would argue with you that it's not a hit

Top 5 released in 2026: you seem pretty sad for a girl so in love - Olivia Rodrigo Confessions II - Madonna Sexistential - Robyn MAYHEM Requiem - Lady Gaga Iceman - Drake Olivia's is the only one to really click with me so far this year, and Madonna's is getting there. NEEEEED Bey or Lana to drop this year so i can have my true 2026 blockbuster moment Top 5 overall: you seem pretty sad for a girl so in love - Olivia Rodrigo Court and Spark - Joni Mitchell MAYHEM - Lady Gaga SOS/LANA - SZA EUSEXUA Afterglow - FKA twigs

i think them naming Whitney as the definitive version and then saying "followed closely" by Gaga and Chris specifically is what makes it seem like they are singling those 2 out as the next best ones following Whitney.

Imagine having Oppenheimer, The Dark Night, Inception, Interstellar and now THIS in your filmography

out of her top 10 most daily streamed, 4 are from post-2009 mind you, including the #1 most streamed

to be fair, Spotify's user base has basically doubled since 2020. but on top of that, ROM was more of an "event hit" while Abracadabra was an actual hit with more sustained longevity on streaming and charts.