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Beyoncé

This is part 2 of the Beyoncé discussion.

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  • Lose My Breath
    Lose My Breath

    My mom passed away last week. I know I mentioned her wanting to hear a Beyonce rock album as she has anticipated it for years, and I'm so sad she didn't get to hear it before she passed (if that's wha

  • Lose My Breath
    Lose My Breath

    I really hope we get it soon. My mom loves Beyonce, and her favorite genre is rock, she is SO excited. She just got diagnosed with terminal cancer, and I really hope she gets to hear the album while

  • @ScorpiosGroove @Fleahive @Teezy always ranting slams Bey a lil too hard french awful takes hates Bey lowkey forgot to take meds downvote central doesn't contribute to discussion could be yv

Does anyone else think she relies way too much on the element of surprise and that's why her music isn't seeing longevity? I'm not just talking about surprise releases.

I was watching an album reaction and they loved Cowboy Carter but they said she tried too hard on Sweet Honey Buckin' with all the changes happening mid-song. They felt it ruined the pace of the album and it made no sense.

When I listen to her new music my brain is waiting for a surprise lyric or production change. It's like a dopamine rush. I'm starting to give deranged Swiftie trying to solve a puzzle/hidden message. I think she should go back to the basics with Act III. Unexpected features and samples don't work long-term. Combining a million songs into one isn't working after the first few listens. Surprise remixes have all flopped besides AHAP. This is why the gworls love Donk. It's production is simple. It's lyrics are simple. But the song is undoubtedly a Beyonce song and a nice vibe with a lot of replay value. It doesn't need twists and tricks to keep you engaged. Her voice does all the carrying.

Self-titled is probably the only album with surprise elements that doesn't feel like a caricature of itself.

8 minutes ago, Redporus said:

act iii on the horizon.

The journalist interviewing her is the one releasing the clips on her TikTok.

5 minutes ago, Fleahive said:

Does anyone else think she relies way too much on the element of surprise and that's why her music isn't seeing longevity? I'm not just talking about surprise releases.

I was watching an album reaction and they loved Cowboy Carter but they said she tried too hard on Sweet Honey Buckin' with all the changes happening mid-song. They felt it ruined the pace of the album and it made no sense.

When I listen to her new music my brain is waiting for a surprise lyric or production change. It's like a dopamine rush. I'm starting to give deranged Swiftie trying to solve a puzzle/hidden message. I think she should go back to the basics with Act III. Unexpected features and samples don't work long-term. Combining a million songs into one isn't working after the first few listens. Surprise remixes have all flopped besides AHAP. This is why the gworls love Donk. It's production is simple. It's lyrics are simple. But the song is undoubtedly a Beyonce song and a nice vibe with a lot of replay value. It doesn't need twists and tricks to keep you engaged. Her voice does all the carrying.

Self-titled is probably the only album with surprise elements that doesn't feel like a caricature of itself.

What is this take? Yes, she knows that boring music keep people engaged. She already did I am... Sasha Fierce. But if you find anything she's done post-Self Titled to be "a caricature of itself" you might as well stan someone else.

48 minutes ago, Redporus said:

act iii on the horizon.

This is nothing new. She sways wherever her bag blows

1 hour ago, Redporus said:

act iii on the horizon.

Crying it really is Conman Carter

2 hours ago, Shone Ai said:

like if that song is any indication of where her creative juices are rn she can keep the album a little longer, no need to rush things

treacherous

What's up with these old ass videos "resurfacing"? Are people bored or is this a calculated effort to discredit her?

These clips "resurfacing" yeah it's getting weird. Time to close ranks I'm tired of dragging her don't do my mom like that. They're trying to get my girl and I won't have it

HQzdzeS.gif

45 minutes ago, RedOne said:

What's up with these old ass videos "resurfacing"? Are people bored or is this a calculated effort to discredit her?

17 minutes ago, SashaDevachelli said:

These clips "resurfacing" yeah it's getting weird. Time to close ranks I'm tired of dragging her don't do my mom like that. They're trying to get my girl and I won't have it

HQzdzeS.gif

It's Barbz trying to create another hate train. All of these "resurfaced" clips have been public for years and just about everyone has seen them lol.

3 hours ago, Fleahive said:

Does anyone else think she relies way too much on the element of surprise and that's why her music isn't seeing longevity? I'm not just talking about surprise releases.

I was watching an album reaction and they loved Cowboy Carter but they said she tried too hard on Sweet Honey Buckin' with all the changes happening mid-song. They felt it ruined the pace of the album and it made no sense.

When I listen to her new music my brain is waiting for a surprise lyric or production change. It's like a dopamine rush. I'm starting to give deranged Swiftie trying to solve a puzzle/hidden message. I think she should go back to the basics with Act III. Unexpected features and samples don't work long-term. Combining a million songs into one isn't working after the first few listens. Surprise remixes have all flopped besides AHAP. This is why the gworls love Donk. It's production is simple. It's lyrics are simple. But the song is undoubtedly a Beyoncé song and a nice vibe with a lot of replay value. It doesn't need twists and tricks to keep you engaged. Her voice does all the carrying.

Self-titled is probably the only album with surprise elements that doesn't feel like a caricature of itself.

While I don't agree with most of this goop, I do think it's possible she will pivot sonically for act iii, since she basically already did TWO genre-bending albums. To do a third album in that direction might be too predictable for her standards.

So all those samples, rock features or historical endorsements/references that fans theorised she would do as she did predominantly with CC and a portion of REN might not happen at all.

Its also very possible that after this 5-year NO VISUALS stint she might cave and change things up from the pattern set with the past 2 eras and actually give us some.

Edited by Redporus

That video isn't a gotcha. Her interest in the genre came from Daddy Lessons and being treated poorly at the CMAs. She pretty much said as much herself.

The only people who would see that video and think she's a fraud are people who already hate her.

22 minutes ago, ShouldersSideways said:

That video isn't a gotcha. Her interest in the genre came from Daddy Lessons and being treated poorly at the CMAs. She pretty much said as much herself.

The only people who would see that video and think she's a fraud are people who already hate her.

Well, the majority of the GP are dumbasses, and they will catch this and the other weird one with her sitting in that gay director's lap as fuel for another #SheKnows campaign.

HQzdzeS.gif

4 hours ago, Fleahive said:

Does anyone else think she relies way too much on the element of surprise and that's why her music isn't seeing longevity? I'm not just talking about surprise releases.

I was watching an album reaction and they loved Cowboy Carter but they said she tried too hard on Sweet Honey Buckin' with all the changes happening mid-song. They felt it ruined the pace of the album and it made no sense.

When I listen to her new music my brain is waiting for a surprise lyric or production change. It's like a dopamine rush. I'm starting to give deranged Swiftie trying to solve a puzzle/hidden message. I think she should go back to the basics with Act III. Unexpected features and samples don't work long-term. Combining a million songs into one isn't working after the first few listens. Surprise remixes have all flopped besides AHAP. This is why the gworls love Donk. It's production is simple. It's lyrics are simple. But the song is undoubtedly a Beyonce song and a nice vibe with a lot of replay value. It doesn't need twists and tricks to keep you engaged. Her voice does all the carrying.

Self-titled is probably the only album with surprise elements that doesn't feel like a caricature of itself.

girl shutup

1 hour ago, ShouldersSideways said:

That video isn't a gotcha. Her interest in the genre came from Daddy Lessons and being treated poorly at the CMAs. She pretty much said as much herself.

The only people who would see that video and think she's a fraud are people who already hate her.

Whew, someone with working brain cells. Love this

To add to this, beyonce expressed her love of country music before Daddy lessons cause she loved miranda lambert and Jewel among others.

1 hour ago, ShouldersSideways said:

That video isn't a gotcha. Her interest in the genre came from Daddy Lessons and being treated poorly at the CMAs. She pretty much said as much herself.

The only people who would see that video and think she's a fraud are people who already hate her.

right, "been country" didn't mean "I always made/listened to country music", it's about her texas roots/southern culture and now she is exploring that side in her music. She knows Country music is seen more as a part of the south's culture and wanted to remind people she is part of that culture (I mean, half her career people were calling her slow only because she had a thick southern accent)

Edited by QueenB

3 hours ago, RedOne said:

What's up with these old ass videos "resurfacing"? Are people bored or is this a calculated effort to discredit her?

barbz

lunesta del reycists having the nerve to say Beyoncé cosplayed country culture as if miss Elizabeth Grant didnt cosplay poor for her entire career.kukai

7 hours ago, Draper. said:

What is this take? Yes, she knows that boring music keep people engaged. She already did I am... Sasha Fierce.

?????????????????

2 hours ago, yonsé said:

barbz

Okay, but it's actually hilarious that they're spending so much time digging through the archives, and so far they have:

A young Beyonce sitting in a (possibly gay) man's lap and

Beyonce in the early 00s saying she didn't listen to country growing up, as if that's a gotcha regarding her album released in 2024.

It's one thing to be miserable, but to be miserable and a failure? Truly emulating Onika J. Trump

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