Besties I went to SMTOWN show yesterday, I have the time of my life, everyone were amazing, I'm such an SM male artist ***** 

 

 

Our cultural impact!  

3 hours ago, Zack said:

Uhh no. It's so obvious that Drama's 1st verse is designed to evoke a kaleidoscopic dynamism, characterized by erratic movement and an assertion of dominance. The phrase "Ziggy, ziggy, zag" portends a capricious and unpredictable trajectory, conjuring an aura of unconventional and unbounded artistry.

 

Meanwhile, the following lyric..."I go biggie, biggie, bad, it's true", underscores a sentiment of unwavering conviction, highlighting an audacious propensity for grandeur and unrelenting intensity. Drama is pure and unabashed art, wrapped in the veneer of theatrical bravado and illuminates aespa's ethos of self-empowerment and boundary-defying ingenuity.

 

We will NOT be shading its lyrical exceptionalism today. Or any day.

 

 

I agree tho!

 

 

 

11 minutes ago, Cheers said:

Our cultural impact!  

"All that moisture being sucked up by this area"!

 

Those red velvet SM Town performances are some of the saddest things I've ever seen. 
 

A complete botch job by SM

 

 

What are we doing here?

41 minutes ago, Cheers said:

Our cultural impact!  

He spends more time doing tiktok dances challenges than doing the weather

 

 

HYBE actually contacted him to actually say ENHYPEN and ENGENES and also working with them on TikTok and Youtube.  

 

EDIT: It's not the first time Glorilla did the same

https://www.youtube.com/shorts/-3f25A-khMA

Edited May 11, 20251 yr by Xalric

2 minutes ago, Xalric said:

He spends more time doing tiktok dances challenges than doing the weather

 

 

HYBE actually contacted him to actually say ENHYPEN and ENGENES and also working with them on TikTok and Youtube.  

 

Ahhh taking time out of full time for the Kings. The cultural impact

 

Our agenda is working. Which one of you will approve his timecard? @Darkling @elevate @fais_2311

3 hours ago, Dialamba said:

When SM buys gnarly, remasters ala next level then gives it to aespa

I can actually see JYP doing this for NMIXX. 

 

They deserved the luck cause they have the talent. 

8 hours ago, hallucinate said:

a true klassique

 

 

 

I still can't get over how gorgeous this song is... 

 

5 minutes ago, youresotoxic said:

 

I still can't get over how gorgeous this song is... 

 

I was just listening this. 

Giving the recent events with RV, it makes it so much more emotional. 

 

Wait, why is this giving JYP setting up NMIXX on purpose a bit 

 

 

20 hours ago, Odette Violet said:

the payola  

still no Apple Music Global entry despite being so high on Spotify

Gigi devoured omg

 

 

33 minutes ago, Pikachu said:

still no Apple Music Global entry despite being so high on Spotify

Payola 2x  

 

 

Don't get me wrong I still love my girls Sophia and Lara, you know the vocalists of the group

 

 

I'm just going to be an akgae unless they will be able to release listenable songs  

Kpop songs pretty much only chart within Apple Music's top 100 when they're doing well in Japan. Nothing new. 

Anyways Katseye Billboard debut incoming 

 

 

Hitgs with another two-stage music show.  And we're not talking Simply K-pop here.

 

EDIT: And pyro!

 

EDIT2: Wth, a Burvey interview?  Maybe this actually is Simply K-pop!

 

Edited May 11, 20251 yr by harrythevifan

the obsession with aespa's lyrics

 

they're still the most acclaimed 4th gen girl group with newjeans

8 hours ago, Zack said:

Uhh no. It's so obvious that Drama's 1st verse is designed to evoke a kaleidoscopic dynamism, characterized by erratic movement and an assertion of dominance. The phrase "Ziggy, ziggy, zag" portends a capricious and unpredictable trajectory, conjuring an aura of unconventional and unbounded artistry.

 

Meanwhile, the following lyric..."I go biggie, biggie, bad, it's true", underscores a sentiment of unwavering conviction, highlighting an audacious propensity for grandeur and unrelenting intensity. Drama is pure and unabashed art, wrapped in the veneer of theatrical bravado and illuminates aespa's ethos of self-empowerment and boundary-defying ingenuity.

 

We will NOT be shading its lyrical exceptionalism today. Or any day.

 

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