36 minutes ago, TheVelvetRope said:

The way the music video is miles better and has more replay value with half of the budget or the effort behind World War...

ugh another CHOP

 

it sounds like they were struggling to build the song around that chorus (which is not even strong melodically), verse is boring, none existing bridge, grating production. Yike her team is unbelievably useless

#9 on NMF UK  

2 minutes ago, OrgVisual said:

#9 on NMF UK  

not #9  

Will it have radio deal? Dont even think about TTH. 
 

#5 NMF AU & NZ. Woman's world was #4

Edited August 8, 20242 yr by Mirrorcle

It's completely fine, it's just there.  I don't know what else to say.  Maybe it'll get good airplay on the radio.

#8 for new friday in Poland (spotify)  we're in the trenches nnn

 

expecting 300-500k first day

Edited August 8, 20242 yr by halcyonday

Wasn't too sure about it on the first full listen tbh 

 

Have now listened to it on repeat a few times and definitely love it. This should have been the lead, it's a shame she blew all the hype on Woman's World, but this may have potential to out chart THAT song and be a top 50 hit 

Huge BOP

 

 

 

Edited August 8, 20242 yr by MusicIsMyMaster

 I'm in LOVE unfortunately, oh jeez, Katy you could have gone with this so easily instead of that song. 
 

 

I did not expect the verses to be GOOD, im pleasantly surprised….will get many streams from moi, thanxxx

11 minutes ago, LovaticSwiftie said:

Please, don't come for me KatyCats, but…

 
Ugh, I really wanted to like this, but this won't do anything for her either. 
 

NRO was such a huge step in the right direction sonically, but this feels so… weird. I don't even know how to describe it.
Katy is so much more capable of than a light, dance beat, which feels cheap.
It feels like they didn't even try, but I hope they'll prove me wrong with the rest of the album. 
 

I need her to go back to full on big pop bangers with heavy instrumentals. I don't know how to really describe this, but this feels so uninspired and lifeless. 

Never Really Over really was her comeback. She just didn't do any promotion for it and then let it die, to put all her eggs into Small Talk. 

Which is the stupidest decision of her career. Smile not being a successful era was mostly because she allowed the hype to die down. 
 

But this song and video is literally a Rita Ora b-side. It's not going to do anything. 

not it already getting worse spotify playlists placements than a new Anne Marie song jjjfjfjfjfjfjf

Ok I'm just going to say it: I think her voice is underrated. Idk how she performs live, but she sounds unreal in this record. Too bad the lyrics and production are generic. If she got with someone like Sia or Justin Parker to make something minimally heartfelt I bet it'd be a hit. Her voice is just so expressive

I LOVE YOU FOR

I LOVE YOU

FOR LIFE

LIFETIMES
 

the beat 

okay gurl. 

let's SPAM the OFFICIAL LIFETIMES GIF!!!! lmao

Just now, chriswouldman said:

okay gurl. 

get those 10 sales mama  

I was really expecting her to serve another Walking on Air type of strong song but this goes nowhere. Looks like they had the chorus and didn't know how to do the verses so they just made the chorus repeat forever… 

Baby you and me

 

For infinity

 

My eternity (my eternity)

 

The video lacks her polish and you could tell it was filmed on her vacation. 
 

Thank god she dropped the cheesiness. 
 

I don't think this will do anything for her. This kind of stuff was trending a few years ago but it's kind of dated now. 

BABY YOU AND ME

 

This late mess

Very repetitive, hearing the chorus all the time in tiktok is making me feel sick of it already, aged like milk in 30 minutes

Boring and generic