3 minutes ago, Devin said:

I wish she performed Schoolin Life > RDY fr.

RDY with the bridge should’ve been in the opening since she was showing off in that segment anyway, and Schoolin Life would’ve been perfect for the Anointed section

41 minutes ago, ScorpiosGroove said:

maybe an unpopular opinion but y’all know idgaf, that Run The World thread made me remember just how much she loved that messy ass song and really stood behind it (and still does for whatever reason). it doesn’t feel like she loves her current music as much, or at least not in the same way 

 

i can get her not performing Lemonade songs due to the messages and period they are attached to, but i really don’t think she’ll perform many (or any) Ren songs in half a decade either (but she’ll continue spamming us with random skips from 4 or Dil )

 

coupled with the lack of promo & 0 performances outside of a tour really make it feel like she’s not as connected to her output like she used to be which makes me question why she does the whole experimental / out of the box thing she does (which i love and hope she never stops) but damn if you love 4 THAT much why aren’t you just making music like that ? (not something i want at all just, just an observation) 

Hmmm I really think she loves LOVES Break My Soul and Formation and they won't leave the show. Specially Break My Soul, it's an odd choice for a lead single and I think it's because she really likes it.

2 minutes ago, Draper. said:

Hmmm I really think she loves LOVES Break My Soul and Formation and they won't leave the show. Specially Break My Soul, it's an odd choice for a lead single and I think it's because she really likes it.

but the The Dream said it was an older song she already forgot about, sure he hinted at the song having a deeper meaning for her so she must like it, but if she loved it THAT much would she forget about it in the first place ? 

44 minutes ago, ScorpiosGroove said:

maybe an unpopular opinion but y’all know idgaf, that Run The World thread made me remember just how much she loved that messy ass song and really stood behind it (and still does for whatever reason). it doesn’t feel like she loves her current music as much, or at least not in the same way 

 

i can get her not performing Lemonade songs due to the messages and period they are attached to, but i really don’t think she’ll perform many (or any) Ren songs in half a decade either (but she’ll continue spamming us with random skips from 4 or Dil )

 

coupled with the lack of promo & 0 performances outside of a tour really make it feel like she’s not as connected to her output like she used to be which makes me question why she does the whole experimental / out of the box thing she does (which i love and hope she never stops) but damn if you love 4 THAT much why aren’t you just making music like that ? (not something i want at all just, just an observation) 

You actually may be onto something. Between everything you just said and the fact that she has said her favourite songs on her past 2 albums are the very conventional R&B songs of Plastic Off The Sofa & All Night you got me thinking… Is Bey now making music for  pushing creative boundaries and achieving acclaim purposes rather than the music she genuinely enjoys from herself and other artists? 

 

Do not get me wrong, Lemonade & RENAISSANCE absolutely **** on the rest of her discography in my opinion, but I wouldn’t be shocked if deep down Bey doesn’t actually feel the same from a personal standpoint. She might think “yeah those are my BEST albums and I pushed the limits to outdo myself” but she doesn’t think “those are my FAVOURITE albums I’ve put out”. It would kinda be opposite of what happens to most artists, they trade in the music they genuinely enjoy making for cheap commercial hits, while for Bey she’s trading in the safe-er R&B/Pop music she enjoys for more experimental boundary pushing music. 

57 minutes ago, ScorpiosGroove said:

it doesn’t feel like she loves her current music as much,

And yet this is her first album where she performed every song on tour iirc

6 minutes ago, Machete said:

Is Bey now making music for  pushing creative boundaries and achieving acclaim purposes rather than the music she genuinely enjoys from herself and other artists? 

This doesn’t make sense because an album full of All Night and POTS would be acclaimed beyond the heavens

43 minutes ago, cloudbusting said:

While End Of Time having two of the biggest moments of the show (Energy and Memories)

Suddenly I'm concerned about the live album. Like I was fully expecting it December 1st but... Maybe she releases it with the streaming release or never at all. 

I hope Cozy, Heated, Energy, AHAP, Move and PH survives. 

 

this is so disgusting and also false. If anything Bey has been leaning more and more towards Rap. The ghetto just can’t leave some people

14 minutes ago, Blue Rose said:

And yet this is her first album where she performed every song on tour iirc

it is, but i feel like that’s mostly to make us happy and bc she kinda shot herself in the foot by making the album 100% gapless 

 

like you just CAN’T not perform it entirely and in order

3 minutes ago, ScorpiosGroove said:

she kinda shot herself in the foot by making the album 100% gapless 

to be fair, no one forced her to not only do that but also make the NO SKIPS shirt 

 

she did it to herself i fear

 

22 minutes ago, Machete said:

You actually may be onto something. Between everything you just said and the fact that she has said her favourite songs on her past 2 albums are the very conventional R&B songs of Plastic Off The Sofa & All Night you got me thinking… Is Bey now making music for  pushing creative boundaries and achieving acclaim purposes rather than the music she genuinely enjoys from herself and other artists? 

MTE, especially her picking POTS as her favorite song when it’s the most basic and safe one of the album for her standards gave it away for me 

 

but then again she supposedly loves All Night yet gave it a forgettable performance during FWT and never brought it back, loves POTS/VG but kinda phoned in their performances and so on 

 

your second part is exactly why all of this will never bother me, but i do wonder what her current music would sound like if she only kept the parts that she personally loves the most, not what she thinks is the most creative / genre pushing one

 

her not doing what a lot of older divas do, aka becoming desperate and churning out basic crap but instead going for super versatile and very left field works is something highly respectable tho, Miss Good Puss really exudes big puss energy when it comes to choosing what art she puts out, we have no choice but to stan 

2 minutes ago, cloudbusting said:

to be fair, no one forced her to not only do that but also make the NO SKIPS shirt 

 

she did it to herself i fear

 

and that’s why it was such a joy to see her suffer through thique & all up every time she played them, you wanted the artsy genre pusher crown mama, now wear it 

 

6 hours ago, chosensparkles said:

not LiveNation having to revise the numbers... why? what was wrong with her reported numbers of the EU leg?

 

Friends Arena — $10.8M to $9.8M (-$1M)
King Baudouin Stadium — $7.193M to $6.529M (-$0.664M)
Principality Stadium — $7.426M to $6.967M (-$0.459M)
Stadium of Light — $6.727M to $6.217M (-$0.510M)
BT Murrayfield — $8.485M to $7.872M (-$0.613M)
Stade de France — $10.081M to $9.402M (-$0.679M)
Tottenham Hotspur Stadium — $42.109M to $38.986M (-$3.123M)
Estadi Olympic — $7.395M to $6.694M (-$0.701M)
Orange Vélodrome — $7.769M to $7.070M (-$0.699M)
RheinEnergieStadion — $5.952M to $5.437M (-$0.515M)
Johan Cruyff Arena — $14.221M to $12.817M (-$1.404M)
Volksparkstadion — $6.305M to $5.757M (-$0.548M)
Deutsche Bank Park — $6.595M to $5.852M (-$0.743M)
PGE Narodowy — $13.269M to $12.378M (-$0.891M)

Total revised: $12.549M

 

still extremely successful

someone explained earlier that the revision is an adjustment based on the Euro-Dollar conversion.

 

maybe the 1-2 punch of originally being one show shy of $600 million and then the conversion dragging it down even further will push Ms. Capitalist Puss to extend the tour under the same name

 

36 minutes ago, kimberly said:

someone explained earlier that the revision is an adjustment based on the Euro-Dollar conversion.

 

but they never do that...

At least you all have had a schoolin life performance you can look up on YouTube. I have never gotten disappear or jealous.

 

 

I do agree, it’s been apparent for a while that Beyoncé’s personal music taste differs from fans. That’s why we get all of these confusing single pushes. That’s why she tried to make church girl happen. It’s why we randomly got a rather die young performance no one asked for lol

5 minutes ago, sillycilla said:

I do agree, it’s been apparent for a while that Beyoncé’s personal music taste differs from fans. That’s why we get all of these confusing single pushes. That’s why she tried to make church girl happen. It’s why we randomly got a rather die young performance no one asked for lol

Every time someone mentions Church Girl I get reminded of “When this beat drops I want you to lose your damn minds” and than stands there like she’s about to sing Halo 

You have the hardworking virgo Beyonce who wants to push and elevate her craft every single time, which is why we get these amazing songs just so she can prove to herself that she can always do better

 

But you also have the soft, sweet loving Beyonce who just wants to sing about her man, how amazing it is to be in love to have children, to live love laugh. That’s what she’s been trying to tell us since Sasha Fierce!

 

Or maybe she just has undiagnosed multiple personality disorder

 

Queen Madonna just used Break My Soul (Queens Remix) on her new tour

 

She probably makes a ton of music for herself and her family. 

Big Freedia performing BMS with Madonna before performing it with Beyoncé