talentress

It's her best song especially this live performance.

No, in retrospect it will be a more interesting year alot of legacy artist are unable to get hits on name alone. And, less mainstream acts are finding new ways to break through.

As a wealth hoarder she can do much more. Before even beginning to talk about her platform. But, she is to busy legacy building to do so.

Why did she hire Caroline Polachek's Manager exactly?

And, it will probably be her most influential she really revived and repopularised differing strands of dance music all under one album.

snippet and aesthetic kind of gives Kylie Fever vibes.

They all went to the Brit School or some type of drama school. It gives them this schooled tribute act way of singing.

I thought the same like why is she hollering.

She needs to make maggots a single before it starts going viral on the tour.

Singles artist struggle to get people to listen to full album without hit singles. Album artist are not entirely dependent on single success to move album units.

Releasing a banger like Serena Joy and actually backing it's words up with tangible action is great. Even more impressive that it will inspire others and might become an annual event.

The 2020's just have no overarching sound or style which makes it hard for the public to latch on to the actual new music and interesting music out there i don't think much albums can capture the zeitgeist of the times anymore.

It's probably one of the most consistent she debuted fully formed as an album artist.

Train of Thought and Lovers Grief are on repeat.

She said it didn't fit the album theme so maybe not.

I kind of expected her to do more dance pop but this direction might be interesting.

It is a little distasteful to only appreciate these archival pieces through the promotion cycle of a film though.

The shock is pitchfork writers being unironically nostalgic for the worst Swift music they panned at the time. Sue Me sound like something even Taylor would leave off reputation.

I think most don't buy her unlikely popstar bit.

deja vu and bad idea right are some of her best MV's. She just gave up telling a story in her videos anymore.

I think it's too many cooks i think they were really carving out a niche in rnb on AAA with MNEK but now they kind of stagnated. The newer sound mixing in more pop songwriters sounds a bit forced.

The vocoder abuse just makes her sound underwater.

That horrendous decor must be stopped

I think Olivia Dean might get ROTY. Olivia Rodrigo should get PVA/AOTY.

It's not really close Crash sounds like random 80s pop reference tracks. MFF has a way more unique sound and concept.