Incandescent Glow

If you really want to avoid double counting while still taking into consideration streams for the albums (which I think is definitely mandatory in this day and age, a pure sales-only chart wouldn't mean anything), then you'd have to: take the streams of the least streamed track on an album -> multiply those streams by the number of tracks -> count that as SEA units for the album remove the streams from the least streamed track on an album from the other tracks -> the remaining streams count towards the units for the songs Of course, that's far from perfect too so I don't think that would work. An album as a whole can be immensely popular and still have 1 song that people in general don't like. That's forcing the trait but imagine a 10 track album has 9 songs with 1B streams and 1 song with 100M. I don't think it makes sense to only count 100M*10=1B streams total for the album. I just simply don't think there's a way to avoid the double counting without putting an extremely convoluted rule in place.

Girl release them already, we're waiting!

Evermore is the only one in her catalogue so far that isn't pretty much guaranteed a Diamond certification, out of 12 albums. However Showgirl is nowhere near her 2nd biggest album. It's likely gonna end as her 3rd least successful actually (which is crazy to say about an album that's likely gonna end up Diamond ). OT: to answer the OP, what I see is an album that moved 3M units in under a year even if you remove its first week. How many albums have done that or better lately?

Well I mean, I don't hate Cleveland!, I will play it from time to time because I think it's fun. But there's truly not a soul that can look at that writing and not say it's some of her worst ever. Cancelled is also terrible. You Need To Calm Down was also a miss. She had many great songs in her catalogue coming for antagonists: Blank Space, Look What You Made Me Do, Mad Woman... But they've been pretty poor lately. The only one that's genuinely great in the last 5 years was But Daddy I Love Him. I am definitely not against "**** the haters"-song (quite the contrary, I think they have a lot to offer), but miss Swift is gonna have to fix her pen for them, cause these songs are the most laughable ones when they are missing the mark.

And when has doing nothing ever improved quality of life? We're talking about students (below 18 yo!!!) in schools that have rats, or don't have drinking water, that have rooftops collapsing on them protesting for better conditions... and the response is cops literally sending grenades leading to a teenage boy losing his teeth, teenage girls being strong-armed, and just overall insane violence... all while attributing all the problematic behaviors to the left party which had nothing to do with the movements to begin with. Y'all love to call every of the girls we stan here of MAGA or whatever but y'all are parroting the exact same talking points as any far right party. EDIT: and also as a side-note for everyone against protesting, when students also protested for the same type of problems in 1990, that led to today's equivalent of more than a billion euros used to renovated schools and hire teachers and other type of staff. I hope the current protests will lead to a similar outcome because the education system in France just keeps getting worse year after year and something should be done.

The problem with critics is that they have to churn out their album reviews in so little time. I completely understand the root of this problem and I have no idea on how it could be fixed though. But yeah, having such a pressure to build a thoughtful critic in such a short time will naturally lead to external opinions influencing yours. I mean, wasn't it for Rihanna's ANTI that a critic revealed they basically had the entire review written down before the album was released and all that was left to do was basically insert song titles? That's how dire things are. If every publications were not allowed to release a critic within like a week or so, I'm sure the overall quality of every critical piece would be far better and far more fair, no matter which way. And obviously don't put stans or haters of an artist in charge of the review (we see you Rob Sheffield and whoever wrote for Paste magazine's TTPD review).

There's a few tracks that have been improved with the TV though: Out Of The Woods, This Love, I Know Places and Wonderland. But also I've always been of the side that doesn't care if a re-recording didn't sound good because the OG didn't disappear so I could just listen to that if i didn't like the new one. Style TV might be atrocious but I just listen to Style OG and move on with my day.

Excellent stability. Looking like it's shaping up to be a (big) hit. And funnily enough, increasing pretty much everywhere but the Anglosphere. Oh Tayglobal.

Well now that is a point I will definitely not argue with. I share the exact same sentiment that pure pop just doesn't let her core talent shine as much.

First, I gotta say that it's just wrong to argue that she didn't chase commercial success when she released folklore. This album has 10 vinyl variants, which is the most of any of her albums outside of Showgirl with 11. She was releasing signed CDs for multiple weeks to keep the #1 on BB200. cardigan received tons of remixes (let alone willow for evermore) to get to #1. Regardless of the genre of her music, she's always chased commercial success. I also don't think she's ever compromised the sound she made for success. At the absolute peak of her popularity, she made and released TTPD which is much more of a mellow, sad, nostalgic and lore-heavy album (which makes it basically the most "for the fans" album of her entire catalogue) instead of releasing something that is a lot more bright and uptempo like Showgirl which would have been a much easier way to capitalize on her popularity. She just makes what she wants to make. And despite all the success of Eras/TTPD, for all its flaws, Showgirl was somehow still a response to the critical reception of TTPD that was judged too slow, too sad, too dramatic and too long and made a much brighter and shorter album. The critical reception of Showgirl being mostly centered around songwriting, and with most of 2026 being her talking about songwriting, it appears clear to me that she took that criticism to heart and is gonna course correct. Of course there's the possibility that she can fumble the bag. There's always that possibility. But to me as long as she takes the creation of TS13 seriously (which we know she will lbr), I have nothing to worry about. And even if like you try to argue, commercial success is the only thing motivating her, then she knows she has to please the fans with TS13 because otherwise the repercussion for the rest of her career could be bad, it's TS13 after all, every fan has huge expectations for it. You're saying that people keep streaming her music regardless, but the only songs this era that received traction are Ophelia, Opalite and Patient Zero (so far), which imo are all good to great pop songs. But most of the album tracks have been tanking (for her standards ofc) and that's a clear difference from the rest of her discography where the most beloved tracks are more often than not the album tracks. Showgirl only has Ruin The Friendship in that category. So there's also clear commercial indication that this album really isn't pleasing the fans like the previous ones.

Well because not only Showgirl is just one album, but also because she has already bounced back tremendously well after a low in terms of songwriting (Lover -> folklore). And there's absolutely no logic behind the line of thinking "judging by her recent material" because otherwise, once an artist releases a bad album, it's over for them, which is not reality. I know this website's favorite sport is to undermine Taylor's monumental gift in the songwriting department, but I don't, so I am perfectly confident in TS13's potential to be excellent.

There's 6 good songs on it between the standard and deluxe, but no career highlight. And there are 5 of the worst songs in her catalogue. So a very disappointing album for someone as talented as Taylor. Ultimately, it's fine that she just released a head-empty album. She would have at some point anyway, like any artist. I'm just glad she got it out of her system before TS13.

The fact all the TVs are at least 4X Platinum when the OGs are at least 9X Platinum.

When I read this thread, I wonder if some people actually realizes that there's no physicals?

Very happy about the music video. The dialogue doesn't even bother me this time. It really looks amazing. Her best directed work.