credits
1 Heart Wants What It Wants 
• Bebe Rexha, Bonnie McKee, Ido Zmishlany, Jussi Karvinen, Liana Banks, Ray Goren, Ryan Williamson & Sarah Solovay
2. Miracle Man
• Bebe Rexha, Chloe George, Cleo Tighe & Jussi Karvinen
3 Satellite (feat. Snoop Dogg)
• Bebe Rexha, Calvin Broadus, Dominic Perfetti, Joe Janiak, Maya Kurchner & Samantha DeRosa
4 When It Rains 
• Bebe Rexha, Chloe George, Cleo Tighe & Jussi Karvinen
5 Call On Me
• Bebe Rexha, Dave Gibson, Janee Bennett & Matthew Burns
6 I'm Good (Blue)
• Bebe Rexha, David Guetta, Gianfranco Randone, KAMILLE, Massimo Gabutti, Maurizio Lobina & Phil Plested
7 Visions (Don't Go)
• Bebe Rexha, Ben Kohn, Casey Smith, Pete Kelleher, Sean Douglas & Tom Barnes
8 I'm Not High, I'm In Love
• Bebe Rexha, Ido Zmishlany, Jesse St. John & Sarah Solovay
9 Blue Moon
• Bebe Rexha, Dominic Perfetti, Joe Janiak & Samantha DeRosa
10 Born Again
• Alex Bilowitz, Bebe Rexha, Jussi Karvinen, Michelle Buzz & Nick Monson
11 I Am
• Bebe Rexha, Brian Phillips, Joe Janiak, Maya Kurchner, Tim Pagnotta & Whitney Phillips
12 Seasons (feat. Dolly Parton)
• Bebe Rexha, Ido Zmishlany & Sarah Solovay

THIS SHOULD'VE BEEN THE SECOND SINGLEEEEEEEEEEEE

 

WHAT A TUNEE!!!! YES BEBE, JUSTICE FOR SACRIFICE!!!!

 

 

my new anthem

This might be her best album for me. I cant get Satellite out of my head and Snoops verse is fire. 

She should have went with Call On Me and then I Am should be the third single. I Am sounds like it could be another hit for her.

Heart wants what it wants is forgettable.  

I still don’t get why Heart Wants was a single

3 minutes ago, Edibles. said:

I still don’t get why Heart Wants was a single

 Stars and Call On Me were the obvious follow ups to I'm Good  Not sure what they were thinking. 

 

 

Call On Me is excellent, Sacrifice's little sister 

Her vocals on Call On Me are a bit weird during the chorus, too processed? Can't believe we're getting a third album  

58 minutes ago, DuffStan said:

Her vocals on Call On Me are a bit weird during the chorus, too processed? Can't believe we're getting a third album  

It kind of sounds like The Middle by Zedd and Maren Morris 💀

https://www.amazon.com/Bebe-Rexha/dp/B0BZQPV47H/
https://www.mediamarkt.hu/hu/product/_bebe-rexha-bebe-cd-1414295.html

Edited March 30, 20233 yr by Nefertiti0

A short premise before reading: although I have tried to use as objective a point of view as possible, remember that each of us perceives music in a different way, ergo, do not give much weight to individual words, and read it in a detached way 

'BEBE' is a different album than the previous 'Better Mistakes' for several reasons: the compactness of the structure exactly mirrors the different messages that Bebe wants to convey to her audience; the production follows a well-defined file rouge, differing on several levels, both in terms of lyricism and production. This album therefore assumes a "more reasoned" and pervasive structure than the previous one (but this doesn’t mean that ‘Better Mistakes’ was a bad album!).

'Miracle Man' has an evocative production that focuses attention on a warm and sensual environment, punctuated by the softness of Bebe's voice. "I need a miracle man who can make me believe in love again" is the refrain interspersed with several "Amen"(s). The softness of the voice is perceived more in the second verse, short and again thrown towards the refrain. Personally speaking, one of the favorite tracks of the entire album. The bridge is really cute and soft, then supported by punctual production.
'Satellite', as she showed during her Instagram live, is very nice, pop and fresh. The atmosphere created is really nice and definitely comes with a replay chance, thanks to the simple rhyming words offered by Snoop Dogg. The artistic decision to cut the song at the end could make you turn up your nose, but it will be habit. ‘I Am’ is a very rich piece of self-empowerment as Bebe describes herself as “everything”: "I am a woman, [...] I am a god, I dance with the devil [...]". A simple refrain supported by a "slightly more pop" production and its "uh-uh" (which occur several times throughout the piece). Not much to add, except its repetitiveness. ‘When It Rains’ is sure to be a fan favorite: opening with Bebe softly saying the song title, the song is literally bop, pop and immersive. The structure is very simple and the chorus might appear predictable, but really beautiful. 
‘Blue Moon’ is my absolute favorite: the production, the chorus, the lyricism and the vocals. Maybe someone will find it pretty similar to 'Heart Wants What It Wants'. The song opens with some musical instruments (flutes suggesting whistles) with a focus on stars and constellations (as the title suggests). It's a bop, with a wonderful production. "[...] a love like this only comes once in a Blue Moon, in a Blue Moon, I a Blue Mo-oo-oon [...]".
The production in 'I'm Not High, I'm In Love' is totally good: the crescendo before the chorus is fabulous: "I can't even eat, I can't even sleep, it's trueeee". Immediately after the first chorus, and therefore before the second (very short) verse, there is a part dedicated exclusively to the instruments.
'Born Again' is a slow ballad. The vocals on this track are absolutely great, accompanied by choral backing vocals along with the guitar production. It could be a skip within such an eventful album, but in my opinion there is a reflective moment that needs to be softer and more sparse.
'Visions (Don't Go)' will be another bop for the fans in my opinion. The opening part is exceptional: instruments, soft voice and small crescendos. "Baby please don't go" is well placed all over the refrain, but the nicest thing are the backing vocals that reduce the possible “leanness” of the song.
'Seasons' closes the album and is the most country piece on the album (as can also be expected from the featuring). It is a cute piece, soft and well-modulated. The simple structure accompanied by a light rhythm and gentle guitar really suggests a singular autumn atmosphere. Dolly Parton's voice fits well with Bebe's higher pitched voice (who offers plenty of vocals). It maybe will be described as a "skip" from someone, but the fact that the album was almost titled "Seasons" means something!
BEBE is such an improvement from the previous album and it deserves a lot of recognition!

1 hour ago, DuffStan said:

Her vocals on Call On Me are a bit weird during the chorus, too processed?

The demo was slightly better, but I love both versions!

where is girl gone wild

WE WERE ROBBED

Call On Me is a little basic, but a banger nonetheless

1 hour ago, sam.teas said:

A short premise before reading: although I have tried to use as objective a point of view as possible, remember that each of us perceives music in a different way, ergo, do not give much weight to individual words, and read it in a detached way 

  Hide contents

 

'BEBE' is a different album than the previous 'Better Mistakes' for several reasons: the compactness of the structure exactly mirrors the different messages that Bebe wants to convey to her audience; the production follows a well-defined file rouge, differing on several levels, both in terms of lyricism and production. This album therefore assumes a "more reasoned" and pervasive structure than the previous one (but this doesn’t mean that ‘Better Mistakes’ was a bad album!).

'Miracle Man' has an evocative production that focuses attention on a warm and sensual environment, punctuated by the softness of Bebe's voice. "I need a miracle man who can make me believe in love again" is the refrain interspersed with several "Amen"(s). The softness of the voice is perceived more in the second verse, short and again thrown towards the refrain. Personally speaking, one of the favorite tracks of the entire album. The bridge is really cute and soft, then supported by punctual production.
'Satellite', as she showed during her Instagram live, is very nice, pop and fresh. The atmosphere created is really nice and definitely comes with a replay chance, thanks to the simple rhyming words offered by Snoop Dogg. The artistic decision to cut the song at the end could make you turn up your nose, but it will be habit. ‘I Am’ is a very rich piece of self-empowerment as Bebe describes herself as “everything”: "I am a woman, [...] I am a god, I dance with the devil [...]". A simple refrain supported by a "slightly more pop" production and its "uh-uh" (which occur several times throughout the piece). Not much to add, except its repetitiveness. ‘When It Rains’ is sure to be a fan favorite: opening with Bebe softly saying the song title, the song is literally bop, pop and immersive. The structure is very simple and the chorus might appear predictable, but really beautiful. 
‘Blue Moon’ is my absolute favorite: the production, the chorus, the lyricism and the vocals. Maybe someone will find it pretty similar to 'Heart Wants What It Wants'. The song opens with some musical instruments (flutes suggesting whistles) with a focus on stars and constellations (as the title suggests). It's a bop, with a wonderful production. "[...] a love like this only comes once in a Blue Moon, in a Blue Moon, I a Blue Mo-oo-oon [...]".
The production in 'I'm Not High, I'm In Love' is totally good: the crescendo before the chorus is fabulous: "I can't even eat, I can't even sleep, it's trueeee". Immediately after the first chorus, and therefore before the second (very short) verse, there is a part dedicated exclusively to the instruments.
'Born Again' is a slow ballad. The vocals on this track are absolutely great, accompanied by choral backing vocals along with the guitar production. It could be a skip within such an eventful album, but in my opinion there is a reflective moment that needs to be softer and more sparse.
'Visions (Don't Go)' will be another bop for the fans in my opinion. The opening part is exceptional: instruments, soft voice and small crescendos. "Baby please don't go" is well placed all over the refrain, but the nicest thing are the backing vocals that reduce the possible “leanness” of the song.
'Seasons' closes the album and is the most country piece on the album (as can also be expected from the featuring). It is a cute piece, soft and well-modulated. The simple structure accompanied by a light rhythm and gentle guitar really suggests a singular autumn atmosphere. Dolly Parton's voice fits well with Bebe's higher pitched voice (who offers plenty of vocals). It maybe will be described as a "skip" from someone, but the fact that the album was almost titled "Seasons" means something!
BEBE is such an improvement from the previous album and it deserves a lot of recognition!

 

Lovely descriptions. Do you know if any song sounds sonically reminiscent of I don't wanna grow up?

How many uptempo, mid and ballads? Would you say Don’t Exist should have replaced Born Again or Seasons? 

She needs a hit single before the album or it will tank 

Just now, DawnAnti said:

She needs a hit single before the album or it will tank 

this mindset needs to stop

Oh Call On Me is great!

2 hours ago, Nefertiti0 said:

https://www.amazon.com/Bebe-Rexha/dp/B0BZQPV47H/
https://www.mediamarkt.hu/hu/product/_bebe-rexha-bebe-cd-1414295.html

are you Hungarian?  

 

Call On Me is amazing  

2 hours ago, sam.teas said:

A short premise before reading: although I have tried to use as objective a point of view as possible, remember that each of us perceives music in a different way, ergo, do not give much weight to individual words, and read it in a detached way 

  Reveal hidden contents

 

'BEBE' is a different album than the previous 'Better Mistakes' for several reasons: the compactness of the structure exactly mirrors the different messages that Bebe wants to convey to her audience; the production follows a well-defined file rouge, differing on several levels, both in terms of lyricism and production. This album therefore assumes a "more reasoned" and pervasive structure than the previous one (but this doesn’t mean that ‘Better Mistakes’ was a bad album!).

'Miracle Man' has an evocative production that focuses attention on a warm and sensual environment, punctuated by the softness of Bebe's voice. "I need a miracle man who can make me believe in love again" is the refrain interspersed with several "Amen"(s). The softness of the voice is perceived more in the second verse, short and again thrown towards the refrain. Personally speaking, one of the favorite tracks of the entire album. The bridge is really cute and soft, then supported by punctual production.
'Satellite', as she showed during her Instagram live, is very nice, pop and fresh. The atmosphere created is really nice and definitely comes with a replay chance, thanks to the simple rhyming words offered by Snoop Dogg. The artistic decision to cut the song at the end could make you turn up your nose, but it will be habit. ‘I Am’ is a very rich piece of self-empowerment as Bebe describes herself as “everything”: "I am a woman, [...] I am a god, I dance with the devil [...]". A simple refrain supported by a "slightly more pop" production and its "uh-uh" (which occur several times throughout the piece). Not much to add, except its repetitiveness. ‘When It Rains’ is sure to be a fan favorite: opening with Bebe softly saying the song title, the song is literally bop, pop and immersive. The structure is very simple and the chorus might appear predictable, but really beautiful. 
‘Blue Moon’ is my absolute favorite: the production, the chorus, the lyricism and the vocals. Maybe someone will find it pretty similar to 'Heart Wants What It Wants'. The song opens with some musical instruments (flutes suggesting whistles) with a focus on stars and constellations (as the title suggests). It's a bop, with a wonderful production. "[...] a love like this only comes once in a Blue Moon, in a Blue Moon, I a Blue Mo-oo-oon [...]".
The production in 'I'm Not High, I'm In Love' is totally good: the crescendo before the chorus is fabulous: "I can't even eat, I can't even sleep, it's trueeee". Immediately after the first chorus, and therefore before the second (very short) verse, there is a part dedicated exclusively to the instruments.
'Born Again' is a slow ballad. The vocals on this track are absolutely great, accompanied by choral backing vocals along with the guitar production. It could be a skip within such an eventful album, but in my opinion there is a reflective moment that needs to be softer and more sparse.
'Visions (Don't Go)' will be another bop for the fans in my opinion. The opening part is exceptional: instruments, soft voice and small crescendos. "Baby please don't go" is well placed all over the refrain, but the nicest thing are the backing vocals that reduce the possible “leanness” of the song.
'Seasons' closes the album and is the most country piece on the album (as can also be expected from the featuring). It is a cute piece, soft and well-modulated. The simple structure accompanied by a light rhythm and gentle guitar really suggests a singular autumn atmosphere. Dolly Parton's voice fits well with Bebe's higher pitched voice (who offers plenty of vocals). It maybe will be described as a "skip" from someone, but the fact that the album was almost titled "Seasons" means something!
BEBE is such an improvement from the previous album and it deserves a lot of recognition!

 

Ah! Thank you for taking the time to write some of your thoughts. Really appreciate it! Even more excited now!

 

Call on Me is a total bop  

1 hour ago, BlackJesus said:

this mindset needs to stop

Why Lol 

Call On Me is a bop  i need the pre-save link NOW!

Not I’m Good making this  I’m literally good 

''I Am'' needs to be released before the 28th. I'm angryyyy

Call On and is a SMASHHH!! I love these self empowerment, I don’t need NO man bops!!! I can’t wait for this album. Hope the signed cd’s go up for sale soon!!

2 hours ago, Delirious said:

Lovely descriptions. Do you know if any song sounds sonically reminiscent of I don't wanna grow up?

not that much actually