Ampersand13

I am so so so happy about this song's success. It was instant for me and still sounds so fresh after a lot of listens A smash with longevity

Would really love this to be a proper hit for her. It's so infectious and repeatable

Yes! I didn't realize this! Also one of my favorite movies of all time (all three really) Been listening to this (basically) on repeat with a few other releases sprinkled in. I'm obsessed with the first half + The Cure, Expectations and Cigarette Smoke (which is an all-timer for album closers WHEW lord) I don't dislike the other three just need more time with 'em. WWWM is great, I actually love Robert on it (I wouldn't be opposed to hearing a solo version though just for fun). Two part question, is it true that the vinyl has some elements cut out? And if so, is there a version that doesn't? I don't really care much, but if there's an option to have the full thing I'd love that. My turntable begged.mp3 me last night for a copy so obviously I must acquiesce.

WHAT CAN I DO? BUT THINK OF YOU? BUT THINK OF YOU!

Maggots for Brains SOTY contender in my opinion. However, I'm gonna need her to make an extended version where she does a final chorus after the down chorus with full instrumentation and the bridge vocals overlayed before hitting the stellar outro Anyway, really enjoying this album and happy she's seeing so much success.

What is going with Drink and a Little Love and why do I really like it

I'm really vibing I haven't finished listening yet (and I do agree that some songs certainly could have longer final choruses/outros) but haven't disliked anything

She was so right to put Silver Lake on blast. Queen.

Unfortunately, I don't have much to say. My biggest gripe is that their voices continue to disappear into the mix. It doesn't give the "live" factor they talk about, it just gives amateur. I really really want them to understand that part of what makes a live setting so special is that it's... live. Any attempt at recreating that atmosphere and experience is always going to pale in comparison to an actual show. There is no point in continuing to prioritize this goal. I'm begging them to wake up and realize there is artistry in the recording process, in using multiple takes, in fine tuning performance and harmonies (god their harmonies haven't been interesting since like Ten Years if we're being honest maybe ATOTB but most of that was straightforward 3rds even though they sounded amazing). Producers have access to so many tools to make a recording special. This crusade for liveness in the name of authenticity is painfully redundant and ultimately costing them. I don't mean to dogpile or be insensitive, I've seen them live more than any other artist, I've been a hardcore fan for years and years, I've supported them and will continue to do so because I love them but I'm praying they pick a new direction because they've run the pseudo-americana vibe into the ground and have so much more potential and talent than what their recent efforts demonstrate.

Deserved. Thank goodness. Talent, Acclaim, Beauty, Success.

YES! ARI!

Pure excellence needs no explanation only reputation Talk about a song that just builds and builds and delivers on a proper cathartic climax She will forever be one of my favorite Kelly songs (and songs in general) of all time.

This is so so cute. Taylor sounds wonderful on this too She and Jack make magic

I know I'm late to the video but AH! Gagged. She does not get enough credit for her videography in my opinion. Flawless execution. Really hoping this serves longevity. Radio will certainly help, but more than that I just think the song deserves it and I hope more and more people come on board

Since it is getting serviced to country radio, not that that says much for the song's sound, (remember when they sent New Year's Day to the format) I've been thinking about the sub-areas of the genre she's explored and I'd love something in the vein of Enchanted or State of Grace. Big, epic, dramatic, and could be sung in stadiums for decades. That or Timeless, something with an emphasis on an emotional narrative arc that doesn't sacrifice a nice full instrumental with movement. Though I wouldn't be surprised if we get something more akin to Never Grow Up or Don't You. Which I'd still enjoy but wouldn't prefer.