31 minutes ago, Asscatchem said:

Jennie x Usher superbowl 2024, planting the seeds for connections and networking

 

then BLACKPINK superbowl 2025

I still visit this from time to time
 

 

 

6 minutes ago, Save-Me-Oprah said:

 

 

50 minutes ago, Sorecer said:

I can’t believe In my TL stray dogs stans and dives are fighting comparing how many camera flashes there were in Paris 

 

the pits of pits 

[ Status: Completed ]

less than 3 hours for the worlds anthem  as a league player, this is a HUGE deal and I hope GodJeans turn it out!! 

27 minutes ago, IvyTower said:

Manon needs to show she wants it still. You can tell some girls are doing everything they can to stay in. 

I think the reality hit after first mission so she did really great on second round Her facial expressions were on point for fearless concept It’s giving Wonyoung 

pretty x3

 

 

do the South Korean GP use albums or  is it just fanbase driven nowadays. 

 

I see treasure sold 1.8 million with their latest and just wondering where is it coming from 

I am very Yeji biased in Itzy for MANY reasons but miss Chaeryeong has been absolutely SMOKING the last few months and I do not know why

 

 

 

 

 

 

still obsessed with this song and dance. they all looked STUNNING 

 

these were perfect  10/10 songs, outfits, and videos

really glad we got these last year

LSFM digital comeback/pre-release single in October, according to iMBC News

 

[独家] Le Seraphim在十月底发布新歌......“无情”热潮仍在继续 (naver.com) 

 

 

Edited October 4, 20232 yr by PerfectSacrifice

Keep the replies cute because this isn’t meant to incite arguments but I miss the vocal blending they used to do of Taeyeon and Jessica for their choruses. Forever1 and villain do a great job of overcoming that fault though. Anyone know which girls voices they used to blend into one for their choruses? Taeyeon, Jessica and Seohyun and Tiffany? Maybe Sunny?

kinda just noticed SM can't handle giving their girl groups two comebacks a year each (and NONE to the soloists). like they just go back and forth with the amount of comebacks

but their boy groups and male soloists get 10 different comebacks a year 

 

2021:

Aespa (March & October)

Red Velvet (August) understandable though

 

2022:

Aespa (July)

Red Velvet (March & November)

 

2023:

Aespa (May & November)

Red Velvet (November)

2 hours ago, Witnessed ET said:

Spill! It truly was a moment, if only she was allowed to embrace her femininity from the beginning of Twice…her popularity would have been so much higher 

 

Yeah, JYP insists to have a short haired member in every one of his gg it seems, thank you JeonGoddess for your sacrifice 

 

Bimonthly reminder that this is the best piece of music in history

 

 

2 minutes ago, youresotoxic said:

 

Of course he had to release something during next week GG loaded comebacks 

The report 

why I’m even being in this war when I literally just worry about my faves and ignore the rest including those users 

only one song? 

9 minutes ago, IvyTower said:

Keep the replies cute because this isn’t meant to incite arguments but I miss the vocal blending they used to do of Taeyeon and Jessica for their choruses. Forever1 and villain do a great job of overcoming that fault though. Anyone know which girls voices they used to blend into one for their choruses? Taeyeon, Jessica and Seohyun and Tiffany? Maybe Sunny?

not an answer but taengsic vocals were really unbeatable 

Edited October 4, 20232 yr by Century

interested to see what they serve up since the members have writing/composition credits for once; it’s giving make or break comeback I fear 

16 minutes ago, youresotoxic said:

kinda just noticed SM can't handle giving their girl groups two comebacks a year each (and NONE to the soloists). like they just go back and forth with the amount of comebacks

but their boy groups and male soloists get 10 different comebacks a year 

 

2021:

Aespa (March & October)

Red Velvet (August) understandable though

 

2022:

Aespa (July)

Red Velvet (March & November)

 

2023:

Aespa (May & November)

Red Velvet (November)

Aespa needed to do promotions of a single album in February of 2022 with illusion, salty and sweet, and girls as a triple title track, to let girls natural sink so we could use the triple title track excuse and break out of the kwangya concept after.  A mini album repackage with a softer concept of the single album with Thirsty as the title and ICU, Life’s Too Short as bsides and their nonalbum singles in March/april for Coachella. Spicy in June as their first album with only the best of the leftover songs and solo tracks. Japanese debut in the second half of the year and a mini album first half of 2023 with a world tour. 

Edited October 4, 20232 yr by IvyTower