Maybe she's still sleeping and that's why she hasn't posted 

 

1 minute ago, Spicy Pisces said:

 

 

Quote

As for critics' reactions to Gaga's performance, David Rooney (Hollywood Reporter) raves that she's a "compelling live-wire presence, splitting the difference between affinity and obsession." Owen Gleiberman (Variety) calls her a "great actor" who was "drastically underused." And Peter Bradshaw(The Guardian) claims Gaga "delivers a diva charge" and wonders if her version of Harley Quinn might "return in an adventure of her own?"

 

    

I just saw the movie. Most people groaned while the musical numbers were happening.

The movie was legit bad, although the acting from everyone was amazing. This was the first time that I was watching Gaga playing herself at times tho, ngl (AHS Hotel not included).

 

All in all, I don't regret watching it but I don't think I'll ever watch it again.

The way all of her top hits are doing 100k more daily streams compared to last month (except Bad Romance which gave it to its good sis Judas for a 200k increase) 

13 minutes ago, Moloko Plus said:

I don't understand the concept of paying for a movie ticket and walking out of the theatre mid-showing

 

Like if I pay $20 for a movie ticket I'm not going anywhere till those credits roll… even if it's the most dumpster fire movie

A classic example of the sunk cost fallacy. The $20 has already been spent and you are not getting that money back no matter what, so walking out of the movie and spending your time doing something else worthwhile is better than forcing yourself to finish a movie you hate.

Literally nobody was audibly groaning during the musical numbers at my showing I've never really known that to happen for any movie

Just noticed they recategorized Harlequin as Jazz on Apple

I saw the movie last night and i really liked (maybe not the ending)

I can understand the reviews and public reaction but Gaga was AMAZING and i'm soooo proud of her 

 

NOW IS TIME FOR LG7 

1 minute ago, Miichael said:

Literally nobody was audibly groaning during the musical numbers at my showing I've never really known that to happen for any movie

There wasn't enough people at my showing to hear any audible groaning.

 

Where has the rhetoric come from saying her fan base is smaller now? Everyone is simply waiting for the pop record 

Harlequin sounds SO GOOD after the movie

9 minutes ago, Almodusa said:

Just noticed they recategorized Harlequin as Jazz on Apple

The fact they even tried passing that off as pop  

25 minutes ago, hausofbryan said:

Maybe she's still sleeping and that's why she hasn't posted 

 

She's meditating guys

 

3 minutes ago, DarkGa said:

Where has the rhetoric come from saying her fan base is smaller now? Everyone is simply waiting for the pop record 

Because Harlequin debuted with less than L4S despite having two originals & US liddos weren't buying DWAS (21k first week)

 

She's probably in a worse off position than going into Chromatica (coming from ASIB), but perhaps better than Joanne (coming from ARTPOP).

 

I think she has a little playing catchup to do since she's been out of the pop scene for 4+ years but she can easily gain that back with the right single choices.

I just watched JFÀD. My expectations were so incredibly low that, honestly, I wasn't disappointed at all  In fact, I didn't find it boring, I didn't yawn or fall asleep, and I enjoyed every scene with my eyes wide open. The pacing and editing were even better than the first film. I found the production design, performances and plot to be more risky, human and psychological, despite some flaws. While I understand why comic fans and those who dislike musicals might hate it, I was pleasantly surprised by the social commentary and the mental health topics through the film and I wouldn't mind watching it again. The song selection could have been better, with fewer but more complete performances. The musical numbers for The Joker and Oh, When The Saints, for instance, were standouts for their staging and their symbolism with the story 

 

Score: 67 

Edited October 4, 20241 yr by Lil Mxnster

1 minute ago, Lil Mxnster said:

I just watched JFÀD. My expectations were so incredibly low that, honestly, I wasn't disappointed at all  In fact, I didn't find it boring, I didn't yawn or fall asleep, and I enjoyed every scene with my eyes wide open. The pacing and editing were even better than the first film. I found the production design, performances, and plot to be more risky, human and psychological, despite some flaws. While I understand why comic fans and those who dislike musicals might hate it, I was pleasantly surprised and wouldn't mind watching it again. The song selection could have been better, with fewer but more complete performances. The musical numbers for The Joker and Oh, When The Saints, for instance, were standouts for their staging and their symbolism with the story 

 

Score: 67 

You just couldn't give the sis the 70  Even her stans are lowering her Metacritic score  

7 minutes ago, Chaos Angel said:

Because Harlequin debuted with less than L4S despite having two originals & US liddos weren't buying DWAS (21k first week)

 

She's probably in a worse off position than going into Chromatica (coming from ASIB), but perhaps better than Joanne (coming from ARTPOP).

 

I think she has a little playing catchup to do since she's been out of the pop scene for 4+ years but she can easily gain that back with the right single choices.

DWAS had a nice debut though and so even did SL in 2020. I really think her fans are just over the jazz. It's fine though since now the entire JFAD era disappointed, we can just move on shortly.  

Edited October 4, 20241 yr by hausofbryan

9 minutes ago, hausofbryan said:

The fact they even tried passing that off as pop  

Jazz still makes no sense tbh. Nearly half the songs (6) have no significant jazz influence at all, including both of the original tracks. Pop was the right choice since it's much more broad. 

Edited October 4, 20241 yr by TedLasso

1 minute ago, TedLasso said:

Jazz still makes no sense tbh. Nearly half the songs (6) have no significant jazz influence at all, including both of the original tracks. Pop was the right choice since it's much more broad. 

It's way more jazz IMO than pop. Even jazz / traditional pop or something would be ok. I don't think pop fits, since literally the only song fitting that description is HM.

Also just noticed HQ still doesn't have the full album art on Apple Music, which is weird since all her other latest releases do (Joker Soundtrack, LFS, DOC)

9 minutes ago, Lil Mxnster said:

I just watched JFÀD. My expectations were so incredibly low that, honestly, I wasn't disappointed at all  In fact, I didn't find it boring, I didn't yawn or fall asleep, and I enjoyed every scene with my eyes wide open. The pacing and editing were even better than the first film. I found the production design, performances and plot to be more risky, human and psychological, despite some flaws. While I understand why comic fans and those who dislike musicals might hate it, I was pleasantly surprised by the social commentary and the mental health topics through the film and I wouldn't mind watching it again. The song selection could have been better, with fewer but more complete performances. The musical numbers for The Joker and Oh, When The Saints, for instance, were standouts for their staging and their symbolism with the story 

 

Score: 67 

Yeah people were laughing sometimes at mine! Nobody left or yawned or booed lol I don't get those comments tbh.

 

I really enjoyed the movie 😊🙌🏼

 

 

The GAG if she doesn't post about the film and ends up announcing the lead instead