narid

The record received universal acclaim and did incredibly well commercially. No other female artist of her generation is pulling these numbers, so the usual comparing her numbers to the hit girls of the moment are just evidencing her relevance at 68 years old. When your faves release a dance record in their late sixties, and it does better, then you can talk.

Meaningless all of them. Each year they become more irrelevant, and in a couple of decades these awards will be a thing of the past.

The flop off. Boatmates for life!

AI managed to fix her nose, but kept the terrible acting.

Now accurately and without asterisks: 1960s - Patsy Cline - Showcase (21.2M) 1970s - Carole King - Tapestry (29.2M) 1980s - Madonna - Like A Virgin (41.8M) 1990s - Whitney Houston - The Bodyguard (57.4M) 2000s - Lady Gaga - The Fame/The Fame Monster (46.4M) Norah Jones - Come Away with Me (27M) 2010s - Adele - 21 (57.3M) 2020s - Olivia Rodrigo - Sour (24.3M)

Does she? Where is it?

Not surprised one bit.

Don't know them, and never heard of that podcast. A quick search showed me they did an episode on Taylor's wedding. That tells me all I need to know about their music taste and knowledge.

Madonna did what she had to do and left, and at least got some good reaction, headlines, and plenty of memes with the Ronaldos. The takeaway from this is that a World Cup Half Time will never work like the Super Bowl. The pitch can be barely touched to avoid damage to the grass, so there's no chance they can deliver a big production like the SBHT.

Of course it is twitter vibes. How could the 106th most streamed song from 2025 right now be considered a hit?

Oh absolutely! She always delivers. She should have had the full 11 mins.

Well, if that was it, let's just take credit she was the first artist on the Fifa Half-Time Show ever, and keep it at that.

You saying this when you did the exact same thing comparing the collabs of a 50 year old female pop artist with a 20 year old.