narid

The fact this is linked to the notorious nazi death cult leader Peter Thiel, and her fans are trying to gaslight people and say "but this isn't AI." That's the lesser evil of this 'venture.' Thiel owns one of the largest AI based surveillance companies (Palantir), has been a global sponsor of the rise of the far right (had a heavy hand in propping up MAGA) as a way of destroying liberal democracy to create a vacuum to be filled by technofeudalism/fascism, and also handpicked and groomed JD Vance to become Trump's VP and successor as a way of effectively controlling a potential future president. As the saying goes, you are the company you keep!

And that's what rapists and sexual abusers deserve.

Guess you can't read! The OP is right there!

You, liddos and delusional Madonna haters in general for the past 3 months: It's crash out after crash out. Here's some actual facts: Music, Fashion, Film debuted at No. 3 on the US Billboard 200 with 78,000 total units (57,000 pure sales and 21,000 streaming units). Confessions II debuted at No. 1 on the US Billboard 200 with 134,000 total units (114,000 pure sales and 20,000 equivalent streaming/track units). Thanks for comparing a veteran female artists with a 45 year career against one of the hit girls of the moment, I guess.

What's the common denominator in all these threads? A Liddo OP. They can do all the mental gymnastics they wish to, and post another 100 threads, but claiming Madonna underperformed with CII will never be reality.

Stale, like those burguers you flip daily and your takes in general!

I'm sure this is that job you speak of. It would explain (part) of the bitterness and general misery in your posts. OT: Queen of Pop getting the usual seething.

Streaming will change massively with AI, and there will come a time where it will lose its prevalence because of AI completely flooding the market. We are sure to see a return to physical media to counter the exponential growth of AI and it's impact on the industry.

You quoting yourself twice saying incorrect information is unnecessary. We already got the lack of knowledge in your first post, because Warner themselves wrote that their strong performance in Quarter 3 was a due to Madonna's release, with physical vinyl and CD revenue growing by 17%, and explicitly calling out Madonna's premium variants as the catalyst. Stop embarrassing yourself.

She's back! Or has she ever left?

It's not okay, I don't **** with it

I don't know, but maybe placing an artist in comparison with their contemporaries and age group is not such a difficult concept to understand. Pretty logical actually.

I love everyone's positivity saying forties. Scientifically, it's definitely early to mid twenties.

The constant cries for attention! Why post this in SYG? Go post it in HQ.

You thinking that comparison helps make your faves numbers look any better, comparing Gaga 17 years into her career with Madonna 43 years into hers.

Except for the 105 songs before it!

The record received universal acclaim and did incredibly well commercially. No other female artist of her generation is pulling these numbers, so the usual comparing her numbers to the hit girls of the moment are just evidencing her relevance at 68 years old. When your faves release a dance record in their late sixties, and it does better, then you can talk.

Meaningless all of them. Each year they become more irrelevant, and in a couple of decades these awards will be a thing of the past.

The flop off. Boatmates for life!

AI managed to fix her nose, but kept the terrible acting.

Now accurately and without asterisks: 1960s - Patsy Cline - Showcase (21.2M) 1970s - Carole King - Tapestry (29.2M) 1980s - Madonna - Like A Virgin (41.8M) 1990s - Whitney Houston - The Bodyguard (57.4M) 2000s - Lady Gaga - The Fame/The Fame Monster (46.4M) Norah Jones - Come Away with Me (27M) 2010s - Adele - 21 (57.3M) 2020s - Olivia Rodrigo - Sour (24.3M)

Does she? Where is it?