TomTom

100%. The difference is that Kesha was always meant to be a star, regardless of him. She had offers from several major labels before she had worked on a single song with Luke. He was merely able to legally prevent her from signing with anyone else but him. Her talent and versatility always exceeded the specific brand and sound he was creating for her. …and who often also end up ultimately suing him similar to Kesha (J Kash, Ammo). Oh WOW! Now that's interesting!

Not until @Bussea mentioned it a few days ago.

This is my second most favorite song of all time .

This thread

HOT

Yes, it's doing just as well or marginally worse than the T*ts Out Tour depending on the venue.

Taste! OOP!

Oh, Acclaimsha! https://www.timesunion.com/music/article/kesha-freedom-tour-review-2026-spac-22391461.php

+ Victimless Crime, sadly deleted from Youtube

Yes Kesha, yes impact recognition! Edit: Suffer! @halcyonday

25k capacity venue, not many tickets left.

TTT (The TomTom Times) has you covered!

Um-

Wow, this is incredible! Thank you!

Oh, period! Dallas ObserverKesha's Freedom Tour rang loud and proud at Dos Equis Pav...Pop music's most enduring warrior brought the party with a song about a Dallas strip club, old favorites and a new sense of artistic freedom.

Bop!

I agree, this version gives it such a melancholic and heartfelt vibe that the original version doesn't have. Interestingly, I feel like the song fits better into the soundscape of the 2020s than the 2010s. Back then, it always felt a bit like an outlier on Cannibal because the soft, mellow production was different from the bombastic, maximalist nature of the other Cannibal tracks. It wasn't a huge fan favorite either because the other tracks represented the sound of that time period better. But nowadays, it sounds weirdly current and like something that could be played on the radio without sounding dated. I listened to it more times since she performed it than at any point during the last 15 years.