We'll keep MDNA. Every girl needs to have at least one flop album, and the tour more than made up for it. We're going to make Girl Gone Wild the first single and I'm Addicted the second single. The Superbowl setlist: Vogue, Music, Girl Gone Wild, Party Rock Anthem, Express Yourself mixed with Born This Way. Special guests: LMFAO, Lady Gaga She never performs with Drake, instead agreeing to make a short visual he can play at concerts. We scrap a lot of the work on Rebel Heart and reserve it for later, only picking at it for Madame X. Before Madame X can really be worked on, however, we need to address M's health issues, because she was very clearly not healthy at this time. Get the knee looked at, I believe her hip as well, and make sure she is on the right medication and not overdoing it. Madame X becomes an eclectic mix of songs that span material dating back to Hard Candy: Animal, Lela Pala Tute, Across the Sky, Queen, Best Night, Beautiful Scars, Borrowed Time, etc. Mirwais only handles part of the production, with Stuart Price handling the rest. Also, I would try to convince her to write with Patrick Leonard and Joe Henry again, who, I feel, would have given the lyrically heavier but melodically weaker songs on Madame X more presence and flow. The auto-tune effect is only used sparingly (à la Paradise [Not for Me]). The first single is Crave, second is Medellín, third is Future. Gun Control's video doesn't actually show gun violence, but heavily alludes to it (the best horror is the kind we don't see), and Madonna makes a public donation to anti-gun advocacy groups. The album artwork is solely the image of her with the bandana. There is no deluxe edition; Madame X should feel like an artistic statement more than a pop album. Madonna only has shared control over what is posted to her Instagram profile, which should be primarily used to promote her work. We keep most of the theater performance for the Madame X Tour, but we station it around the world so she isn't hurting herself with all this unnecessary extra rehearsal and travel. She performs a set of five shows in New York, Los Angeles, London, and Paris. She has at least a one-week rest period in between each station. Also, the director? Her brother Christopher. And she's on time within a maximum of one hour of the scheduled showtime. The performance with Maluma doesn't happen, nor does the VMA performance. We're aiming for more high-brow appeal, more avant-garde than MTV. This is fully her Björk era that will be dissected for decades to come.