Can anyone explain how can you have a #1 song (DWAS with Bruno Mars) on Spotify
and FAIL to debut a single song from the album on the very same platform
with HIGH playlisting and close 100m Monthly Listeners

 

like not even 2.5m of are tuning in for the album everyday?
Like what is the technical explanation for this?
any Maths/Algo Expert sisters here?

No troll posts please, you will be blocked from this thread
This thread is for educational purpose only

 

she can keep the trad pop vibes, nobodys here for that

Her audience is likely drawn to her authenticity, selecting what they enjoy from a multi-faceted artist who is not only a singer and actress but also a mother. Unlike many in the industry, she doesn't rely on offering an overwhelming number of variants or manipulating playlists to artificially boost exposure.

 

If you enjoy Gaga's ballads, she has hits that will make you smile. If you prefer her jazz, she has that too.

 

Do you have to appreciate both styles simultaneously? Not necessarily.

3 minutes ago, Mrnoniee said:

No troll posts please, you will be blocked from this thread

Bruno Mars is streaming elixir. It's that simple.

Technically, she's over.

The album is 80% jazz covers, maybe that?

I don't get why people are acting like it being a surprise-released jazz and showtunes cover album has nothing to do with this. Like are you honestly expecting that covers of 100 year old jazz songs are going to be fighting Sabrina, The Weeknd, and (ironically) Gaga herself on the Spotify charts?

 

Like is this how desperate y'all are for a quick kiki?

 

After Joanne's devastating performance, miss Gaga and her management team decided (very cleverly imo) that her next projects would always be accompanied by a very high profile collaboration. They did it with Tony, Ariana (imagine how Chromatica would perform without this song), and they did the same with Bruno Mars (without him, we can see that her newest album will debut outside the top15, which is shocking, especially during this week that the movie gets released and having a #1 on Spotify at the same time). I mean even Love for Sale debuted at #8, but the GP is not here for solo Lady Gaga music. 

 

1 minute ago, Pavement Princess said:

Technically, she's over.

Technically, she has the biggest song in the world right now 

Maybe because that album is a C2C after a facelift? We know she can sing jazz, we know she can sing.. but enough, she's made her point in 2014.

 

Oh the meltdowns. I love how DWAS has completely hammered your mental well-being the past 2 months

 

On which planet is anyone making jazz cover albums for commercial success? Its like yall switch off your brains when it comes to any chance to drag her

1 hour ago, sunbathinganimal said:

clock that creature 

1 minute ago, Vroom Vroom said:

Technically, she has the biggest song in the world right now 

Only Ga can be both over AND under. Versatile queen!

On 9/21/2024 at 3:49 PM, Mrnoniee said:

Ya'll such losers here.
What joy do you guys get from all this?
Don't you guys have jobs or something?

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OT: all of us (including me) are literally nobody to her. 
She will still be RICHER than ALL OF US COMBINED after this album

 

This you? Hypocrite loser

1 hour ago, alex_katycat said:

After Joanne's devastating performance, miss Gaga and her management team decided (very cleverly imo) that her next projects would always be accompanied by a very high profile collaboration. They did it with Tony, Ariana (imagine how Chromatica would perform without this song), and they did the same with Bruno Mars (without him, we can see that her newest album will debut outside the top15, which is shocking, especially during this week that the movie gets released and having a #1 on Spotify at the same time). I mean even Love for Sale debuted at #8, but the GP is not here for solo Lady Gaga music. 

 

is the GP ready for Solo Katy music?  Please answer!!!

an album nobody asked for, for a film nobody asked for, starring a character nobody wanted her to play

 

doesn't sound like rocket science to me 

I somehow don't understand the logic that everything has to be a mega success just because a well-known artist is behind it. Neither the GP nor her fans wanted the jazz album. It's as simple as that. I myself think it's cool that she gives us side projects like her jazz albums alongside her pop albums and I don't care how side projects chart. We should be happy that we're getting more music than just the main albums.

Bruno is carrying about 90% of the streams for DWAS. Had it been a Gaga solo song it would be serving Stupid love.

 

No.

that being said happy mistake is excellent and deserved more 

6 minutes ago, Miichael said:

I don't get why people are acting like it being a surprise-released jazz and showtunes cover album has nothing to do with this. Like are you honestly expecting that covers of 100 year old jazz songs are going to be fighting Sabrina, The Weeknd, and (ironically) Gaga herself on the Spotify charts?

 

Like is this how desperate y'all are for a quick kiki?

 

I appreciate you trying to explain but not a very good explanation.
I was hoping for a more technical answer.

You have 11m people listening to a new song (released a month ago) 
and then you have not even HALF a million people tuning in for songs released a week ago?

How does this work?

Suprirse release literally MAKES people listen to the project more so...
 

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One good explanation: The project it is associated with has bombed, 
but then DWAS should bomb too, no?

4 minutes ago, Ratviolo said:

This you? Hypocrite loser