2:34

 

 

2:43

 

 

2:14

 

 

2:30

 

 

2:16

 

(in the choruses)

Oh wow the ones I’m familiar with are all done very effectively.
 

It might be a bit basic but I think Greedy is the best. It just lifts the song so much. Imperfect for you is the most interesting though. 

Greedy. That four count and her ad lib is like a gay call to arms 

They are all so smooth and perfect

 

the one in tattooed heart 

Just now, LastGreatBloodline said:

imperfect for you doesnt have a key change tho. It only "borrows" one chord from another key 

It functions as a swift change when she sings "imperfect for you," no?

IFY doesn't have a key change [2]

15 minutes ago, ultraviolence.xx said:

IFY doesn't have a key change [2]

It has multiple, very brief ones.

2 minutes ago, suburbannature said:

It has multiple, very brief ones.

no, it's just a chord full of accidentals. the central key doesn't ever change.

3 minutes ago, ultraviolence.xx said:

no, it's just a chord full of accidentals. the central key doesn't ever change.

I guess maybe it is more of dissonance, but it does seem to briefly function as a modulation then reversion. I could be wrong.

POV?  It feels like a key change towards the end

Tattooed Heart is my fave song among these, but I love how she goes off at the end on Greedy. So that one.

Greedy ofc. 

47 minutes ago, ultraviolence.xx said:

IFY doesn't have a key change [2]

Just literally when she says the title of the song. That’s all.

Yeah it's definitely Greedy

50 minutes ago, Raphy23 said:

Just literally when she says the title of the song. That’s all.

that's not a key change