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The New Releases 💿

Lady Gaga

This is part 1 of the Lady Gaga discussion.

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The letterboxd reviews are mixed at worst from a very elitist site. That was to be expected and we need to wait for reviews from actual critics

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All the top comments on the original Joker on letterboxd are 1 and 2 stars. No one takes letterboxd seriously

I still don't get why some of you would be trigger with a supporting actress nomination :deadbanana2: It's a nomination for acting, not music! Nobody cares whether it is leading role or not. Just take it and call it a day :skull: 

we need critics to support the movie, who cares about letterboxd users. They can stay unrecognized. 

3 minutes ago, DockDock said:

lets thread that first review:eli: ( from ruben nepales)

yup, control the narrative this early :gaygacat3:

Yeah I think for the moment I'm just taking the twitter reactions from journalists / reviewers at face value and not letterbox

 

ASIB has a 3.6 on letterboxd and Gucci a 2.9...let's see.

 

Queer has a 73 on Metacritic with pretty pretty bad reviews on letterbox.

 

 

 

recording breaking 22-minute standing ovation is on lock, Gaga will sing an acapella version of Applause to continue the ovations

 

6de725a829a66292f13a393522911fe2.gif

3 minutes ago, Lil Mxnster said:

I still don't get why some of you would be trigger with a supporting actress nomination :deadbanana2: It's a nomination for acting, not music! Nobody cares whether it is leading role or not. Just take it and call it a day :skull: 

I just dont think she will go for supporting, shes top billed, also out of female actors in the movie, she will be the one with the most screen time and the one that will most fit the name of 'lead actress' 

Just now, OreGuy said:

we need critics to support the movie, who cares about letterboxd users. They can stay unrecognized. 

I wouldn't get my hopes up. Shell probably do a phenomenal job in the movie, but let's not forget the first Joker has very mixed reviews from critics.

 

The film still went on to make +$1B at the box office and Phoenix won the oscar so FAD can still WIN.

 

 

Translated from a Chinese film critic's review. Spoilers alert! 
Rating: 2.5/5

Spoiler

If the first film explored the birth of the Joker, the second film delves into his downfall. It attempts to resolve the dual identities of Arthur and Joker—indeed, the title Folie à Deux is more reflective of the struggle, the dance, the inseparable bond, and the love-hate relationship between these two personas. The narrative picks up where the first film left off, following Arthur's life after incarceration. His encounter with Lady Gaga's character, Lee, sparks a romantic connection that temporarily revives his bleak existence. However, as the film transitions into its second act with three prolonged courtroom scenes aimed at wrapping up the case from the first film, the initially measured pace becomes increasingly drawn out. At this point, the director seems to lose focus—who is Arthur truly defending? Is his motive to exonerate or reduce the sentence for Arthur, or is it to satisfy the public's expectation of Joker as the symbol of rebellion against authority?

What's more disappointing is that Lady Gaga's character and storyline almost become mere accessories to Arthur in this section. She approaches Joker with her own intentions, but when she realizes Arthur's decision to shed his Joker persona, the psychological void she experiences causes her some hesitation. This could have been a dramatically powerful turning point, but because the director himself struggles to clarify the tangled relationship between Arthur's two identities, Harley Quinn's character and stance become increasingly vague and underdeveloped.

There are numerous musical segments intended to express the emotions between Arthur and Lee, or rather Joker and Harley Quinn. However, the film is not a full-fledged musical from start to finish. Gaga's vocal performance is undeniably strong, and the musical scenes are impactful, though they evoke a slight sense of confusion and awkwardness, momentarily transporting the viewer back to A Star Is Born.

3 minutes ago, Young In Love said:

recording breaking 22-minute standing ovation is on lock, Gaga will sing an acapella version of Applause to continue the ovations

 

6de725a829a66292f13a393522911fe2.gif

raise it to 60 minutes. We need the existing big liddo accounts to spread lies and press for the movie.

14 minutes ago, jesus del rey said:

We are never beating the supporting actress allegations aren't we :deadbanana4:

Why are y'all so terrified of being a supporting actress? Don't expect her acting career to only be leads, that is not how this works...

 

shade.thumb.gif.c3a9e6028084c13891acfc00

3 minutes ago, BadTaste said:

Translated from a Chinese film critic's review. Spoilers alert! 
Rating: 2.5/5

  Hide contents

If the first film explored the birth of the Joker, the second film delves into his downfall. It attempts to resolve the dual identities of Arthur and Joker—indeed, the title Folie à Deux is more reflective of the struggle, the dance, the inseparable bond, and the love-hate relationship between these two personas. The narrative picks up where the first film left off, following Arthur's life after incarceration. His encounter with Lady Gaga's character, Lee, sparks a romantic connection that temporarily revives his bleak existence. However, as the film transitions into its second act with three prolonged courtroom scenes aimed at wrapping up the case from the first film, the initially measured pace becomes increasingly drawn out. At this point, the director seems to lose focus—who is Arthur truly defending? Is his motive to exonerate or reduce the sentence for Arthur, or is it to satisfy the public's expectation of Joker as the symbol of rebellion against authority?

What's more disappointing is that Lady Gaga's character and storyline almost become mere accessories to Arthur in this section. She approaches Joker with her own intentions, but when she realizes Arthur's decision to shed his Joker persona, the psychological void she experiences causes her some hesitation. This could have been a dramatically powerful turning point, but because the director himself struggles to clarify the tangled relationship between Arthur's two identities, Harley Quinn's character and stance become increasingly vague and underdeveloped.

There are numerous musical segments intended to express the emotions between Arthur and Lee, or rather Joker and Harley Quinn. However, the film is not a full-fledged musical from start to finish. Gaga's vocal performance is undeniably strong, and the musical scenes are impactful, though they evoke a slight sense of confusion and awkwardness, momentarily transporting the viewer back to A Star Is Born.

 

the gaga praise again, i see a patern. critics are on Todd's neck actually.

Who cares about shitterbox, let's wait for the actual critics before we meltdown.

 

6de725a829a66292f13a393522911fe2.gif

 

Spoiler

btw just watched the first joker movie for the first time in preparation for this and it was a convoluted pretentious mess, so honestly, I think I'll be here for a fun time, not a quality time on this one tbh

 

6de725a829a66292f13a393522911fe2.gif

 

 

another one review! has some spoilers. 
 

Spoiler

 

 


 

 

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