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Posted
  On 12/31/2024 at 5:30 PM, Marla Singer said:

If LJ becomes a hit, might she release a solo remix so I can finally stop skipping the second half?

 

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How can u skip the best part which is Beys line in the second half?

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Posted
  On 12/31/2024 at 6:49 PM, Lose My Breath said:

It already had one 

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*an actual one :deadbanana:

Posted (edited)

I've come to appreciate the I am side of IASF  so much lately. Satellites and That's why you're beautiful are so gorgeous and Romantic. I think I'm getting more mature. It's slowly becoming one of my favorite albums and I used to always rank it as the worst. I've just realized IASF was her first experimentation with genre and going outside the box of r&b. SF was placed to soften the blow and provide the expected  Beyonce  bops for the fans. 

Edited by Nippy'sReceipts
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Posted

IASF era was everything and I used to be obsessed with disappear. She needs to bring halo and IIWAB back on tour. 

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Posted (edited)
  On 12/31/2024 at 10:25 PM, sillycilla said:

IASF era was everything and I used to be obsessed with disappear. She needs to bring halo and IIWAB back on tour. 

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It was such a change from Bday and maturation vocally. On Bday, she was being shaded  for screaming and belting so much (I remember that was a critique of Deja Vu, GMB, and Ring the Alarm),  and singing so high but she  sang tenderly and softly and still sounded angelic snd beautiful in IASF and also had the belts on the Etta James covers. Such a perfect era and maturation for her. I feel the general public finally recognized her talent during IASF. DIL was distracted by her arrival  as a sex symbol/it girl and relationship with Jay Z. B'day had mess about the Dreamgirls and other things like unnecessary Rihanna, Britney,  and Janet comparisons.  By IASF,  she rose above all the blogs, gained all the respectability, and was a married woman by then so the obsession over her and Jay and when they'd marry ended by then. This era was so perfect from start  to finish. 

Edited by Nippy'sReceipts
Posted
  On 12/31/2024 at 10:18 PM, Nippy'sReceipts said:

I've come to appreciate the I am side of IASF  so much lately. Satellites and That's why you're beautiful are so gorgeous and Romantic. I think I'm getting more mature. It's slowly becoming one of my favorite albums and I used to always rank it as the worst. I've just realized IASF was her first experimentation with genre and going outside the box of r&b. SF was placed to soften the blow and provide the expected  Beyonce  bops for the fans. 

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Mathew knew what he was doing :clap3: 

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Posted
  On 12/31/2024 at 2:57 PM, Burn said:

I don't believe the following theory, but I've seen some Hive speculate that 'Echoville' is actually the name of her own streaming platform that she's planning to launch, which will include all her content including music videos, documentaries, FWT, RWT, the acts visuals etc.

 

:laugh:

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The people that say that are delusional and do nit realize how hard that would flop 

Posted
  On 12/31/2024 at 5:09 PM, Dear Reader said:

Got gifted the Cowboy Carter vinyl for Christmas and the booklet is absolutely gorgeous. I love her artistic vision and her commitment so much :jonny5:

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It's what made me change my mind and want to get the art book. Which was then marked as sold out, even though it's on pre order and delayed. :gaycat7:

Posted
  On 12/31/2024 at 10:30 PM, Nippy'sReceipts said:

It was such a change from Bday and maturation vocally. On Bday, she was being shaded  for screaming and belting so much (I remember that was a critique of Deja Vu, GMB, and Ring the Alarm),  and singing so high but she  sang tenderly and softly and still sounded angelic snd beautiful in IASF and also had the belts on the Etta James covers. Such a perfect era and maturation for her. I feel the general public finally recognized her talent during IASF. DIL was distracted by her arrival  as a sex symbol/it girl and relationship with Jay Z. B'day had mess about the Dreamgirls and other things like unnecessary Rihanna, Britney,  and Janet comparisons.  By IASF,  she rose above all the blogs, gained all the respectability, and was a married woman by then so the obsession over her and Jay and when they'd marry ended by then. This era was so perfect from start  to finish. 

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Personally, I never understood the dislike for IASF, were there a few mishaps and songs that should not have been included, yes, but overall this was pop perfection to me. And I agree that this era was also when she truly started to experiment with genres and showed a different side to her. I remember listening to Ave Maria and someone walked by and was like who's that singing?? And were impressed and I just thought it was a simple song, but the GP really ate it up and it was nice to see so many people appreciate and respect who she was as an artist. Also, her touring power really grew around this time. 

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Posted
  On 12/31/2024 at 10:35 PM, king_queen said:

Mathew knew what he was doing :clap3: 

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EOT would have been the first single off of 4.  But like everyone else I've come to appreciate RTW.

Posted

Manifesting a new 1.14 teaser for midnight est

 

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Posted
  On 12/31/2024 at 10:18 PM, Nippy'sReceipts said:

I've come to appreciate the I am side of IASF  so much lately. Satellites and That's why you're beautiful are so gorgeous and Romantic. I think I'm getting more mature. It's slowly becoming one of my favorite albums and I used to always rank it as the worst. I've just realized IASF was her first experimentation with genre and going outside the box of r&b. SF was placed to soften the blow and provide the expected  Beyonce  bops for the fans. 

Expand  

Those two songs are exquisite.

 

Interestingly enough, not only was TWYB a showcase of her versatility, as it represented her first ever Folk endeavor, but it was also a preview of CC.

 

There would be no 16 Carriages or act ii altogether now, if it hadn't been for the I Am side :clap3:

Other than that, melodical Pop really suits Bey, and IASF is a proof of that.

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Posted (edited)

May Act3 demolish my existence in the best way possible in 2025

 

 

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Edited by Kristie Kuwa
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Posted

Happy New Year Hive

 

My first Bey song of 2025 was

 

SWEET :gayoncecat3: HONEY :gayoncecat3: BUCKIIN'

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Posted (edited)
  On 12/26/2024 at 2:22 PM, Bender34 said:

Does miserablehive still hate Ashley and think she's a traitor, or do they love her again?

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Oop I saw people fighting on twitter today over Amari vs Ashley.

What is the point, are y'all not tired?

Edited by Bender34
Posted

Will 1/14 just be a Cowboy Carter documentary bout the show and some bts to fulfill her 3 part contract? 

Posted

Not in here often but Bodyguard should have gotten a full single push over the summer

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Posted
  On 1/1/2025 at 1:23 AM, lgaga1fan said:

Not in here often but Bodyguard should have gotten a full single push over the summer

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accompanied by a (actual) music video and spot on the halftime show setlist 

 

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Posted

If Matthew was still involved, what would've been the Reni and CC singles? :gaycat2:

Posted
  On 1/1/2025 at 2:05 AM, DR0GO said:

If Matthew was still involved, what would've been the Reni and CC singles? :gaycat2:

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None. Both projects probably wouldn't even exist under Matthew's management. 
 

He was really good with marketing Beyoncé the pop star, but not Beyoncé the artist. You can tell she had to fire him to grow both her career and her craft. 
 

For example, I don't think the surprise releases of Self Titled or Lemonade would have happened if he had a say since they go against what is tried and trued which you can tell was always Matthew's approach, even nowadays when he talks about how he developed and marketed Destiny's Child/Beyoncé's early career. He always puts commerce first and the music second.

Posted
  On 12/31/2024 at 11:47 PM, Pepo said:

Those two songs are exquisite.

 

Interestingly enough, not only was TWYB a showcase of her versatility, as it represented her first ever Folk endeavor, but it was also a preview of CC.

 

There would be no 16 Carriages or act ii altogether now, if it hadn't been for the I Am side :clap3:

Other than that, melodical Pop really suits Bey, and IASF is a proof of that.

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TWYB also segues perfectly into 1+1. 

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Posted
  On 1/1/2025 at 2:05 AM, DR0GO said:

If Matthew was still involved, what would've been the Reni and CC singles? :gaycat2:

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bms, alien, cuff, heated, ahap, church girl

16C, texas, shb, most wanted, bodyguard, yaya

Posted
  On 1/1/2025 at 2:28 AM, Iaintsorry said:

None. Both projects probably wouldn't even exist under Matthew's management. 
 

He was really good with marketing Beyoncé the pop star, but not Beyoncé the artist. You can tell she had to fire him to grow both her career and her craft. 
 

For example, I don't think the surprise releases of Self Titled or Lemonade would have happened if he had a say since they go against what is tried and trued which you can tell was always Matthew's approach, even nowadays when he talks about how he developed and marketed Destiny's Child/Beyoncé's early career. He always puts commerce first and the music second.

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I think Mathew would've been fine with Renaissance except for maybe the album cover. Mathews frame of reference is old school R&B and the Berry Gordy model of singles, singles, singles and a variety of  televised performances. For the 2000s era and times, Mathew was the perfect manager.  I do wish he stayed for 4 because that was ironically the most old school R&B album that would've benefited most from the above marketing. RTW Girls confused the audience as to the sonic direction 

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