Kristie Kuwa Posted December 31, 2024 Posted December 31, 2024 1 hour ago, Marla Singer said: If LJ becomes a hit, might she release a solo remix so I can finally stop skipping the second half? How can u skip the best part which is Beys line in the second half? 1
ScorpiosGroove Posted December 31, 2024 Posted December 31, 2024 1 hour ago, Lose My Breath said: It already had one *an actual one
Kalmanta Posted December 31, 2024 Posted December 31, 2024 https://www.instagram.com/p/DEPetuFtMbk/?igsh=MXpjcGt4dDljbnZ6 Shiona about her styling for the halftime show. 1
Nippy'sReceipts Posted December 31, 2024 Posted December 31, 2024 (edited) I've come to appreciate the I am side of IASF so much lately. Satellites and That's why you're beautiful are so gorgeous and Romantic. I think I'm getting more mature. It's slowly becoming one of my favorite albums and I used to always rank it as the worst. I've just realized IASF was her first experimentation with genre and going outside the box of r&b. SF was placed to soften the blow and provide the expected Beyonce bops for the fans. Edited December 31, 2024 by Nippy'sReceipts 6
sillycilla Posted December 31, 2024 Posted December 31, 2024 IASF era was everything and I used to be obsessed with disappear. She needs to bring halo and IIWAB back on tour. 3
Nippy'sReceipts Posted December 31, 2024 Posted December 31, 2024 (edited) 7 minutes ago, sillycilla said: IASF era was everything and I used to be obsessed with disappear. She needs to bring halo and IIWAB back on tour. It was such a change from Bday and maturation vocally. On Bday, she was being shaded for screaming and belting so much (I remember that was a critique of Deja Vu, GMB, and Ring the Alarm), and singing so high but she sang tenderly and softly and still sounded angelic snd beautiful in IASF and also had the belts on the Etta James covers. Such a perfect era and maturation for her. I feel the general public finally recognized her talent during IASF. DIL was distracted by her arrival as a sex symbol/it girl and relationship with Jay Z. B'day had mess about the Dreamgirls and other things like unnecessary Rihanna, Britney, and Janet comparisons. By IASF, she rose above all the blogs, gained all the respectability, and was a married woman by then so the obsession over her and Jay and when they'd marry ended by then. This era was so perfect from start to finish. Edited December 31, 2024 by Nippy'sReceipts
king_queen Posted December 31, 2024 Posted December 31, 2024 16 minutes ago, Nippy'sReceipts said: I've come to appreciate the I am side of IASF so much lately. Satellites and That's why you're beautiful are so gorgeous and Romantic. I think I'm getting more mature. It's slowly becoming one of my favorite albums and I used to always rank it as the worst. I've just realized IASF was her first experimentation with genre and going outside the box of r&b. SF was placed to soften the blow and provide the expected Beyonce bops for the fans. Mathew knew what he was doing 1
Bender34 Posted December 31, 2024 Posted December 31, 2024 7 hours ago, Burn said: I don't believe the following theory, but I've seen some Hive speculate that 'Echoville' is actually the name of her own streaming platform that she's planning to launch, which will include all her content including music videos, documentaries, FWT, RWT, the acts visuals etc. The people that say that are delusional and do nit realize how hard that would flop
Bender34 Posted December 31, 2024 Posted December 31, 2024 5 hours ago, Dear Reader said: Got gifted the Cowboy Carter vinyl for Christmas and the booklet is absolutely gorgeous. I love her artistic vision and her commitment so much It's what made me change my mind and want to get the art book. Which was then marked as sold out, even though it's on pre order and delayed.
sillycilla Posted December 31, 2024 Posted December 31, 2024 32 minutes ago, Nippy'sReceipts said: It was such a change from Bday and maturation vocally. On Bday, she was being shaded for screaming and belting so much (I remember that was a critique of Deja Vu, GMB, and Ring the Alarm), and singing so high but she sang tenderly and softly and still sounded angelic snd beautiful in IASF and also had the belts on the Etta James covers. Such a perfect era and maturation for her. I feel the general public finally recognized her talent during IASF. DIL was distracted by her arrival as a sex symbol/it girl and relationship with Jay Z. B'day had mess about the Dreamgirls and other things like unnecessary Rihanna, Britney, and Janet comparisons. By IASF, she rose above all the blogs, gained all the respectability, and was a married woman by then so the obsession over her and Jay and when they'd marry ended by then. This era was so perfect from start to finish. Personally, I never understood the dislike for IASF, were there a few mishaps and songs that should not have been included, yes, but overall this was pop perfection to me. And I agree that this era was also when she truly started to experiment with genres and showed a different side to her. I remember listening to Ave Maria and someone walked by and was like who's that singing?? And were impressed and I just thought it was a simple song, but the GP really ate it up and it was nice to see so many people appreciate and respect who she was as an artist. Also, her touring power really grew around this time. 2
sillycilla Posted December 31, 2024 Posted December 31, 2024 32 minutes ago, king_queen said: Mathew knew what he was doing EOT would have been the first single off of 4. But like everyone else I've come to appreciate RTW.
PrettyHurts Posted December 31, 2024 Posted December 31, 2024 Manifesting a new 1.14 teaser for midnight est 2
Pepo Posted December 31, 2024 Posted December 31, 2024 1 hour ago, Nippy'sReceipts said: I've come to appreciate the I am side of IASF so much lately. Satellites and That's why you're beautiful are so gorgeous and Romantic. I think I'm getting more mature. It's slowly becoming one of my favorite albums and I used to always rank it as the worst. I've just realized IASF was her first experimentation with genre and going outside the box of r&b. SF was placed to soften the blow and provide the expected Beyonce bops for the fans. Those two songs are exquisite. Interestingly enough, not only was TWYB a showcase of her versatility, as it represented her first ever Folk endeavor, but it was also a preview of CC. There would be no 16 Carriages or act ii altogether now, if it hadn't been for the I Am side Other than that, melodical Pop really suits Bey, and IASF is a proof of that. 1
Kristie Kuwa Posted January 1 Posted January 1 (edited) May Act3 demolish my existence in the best way possible in 2025 Edited January 1 by Kristie Kuwa 6
Burn Posted January 1 Posted January 1 Happy New Year Hive My first Bey song of 2025 was SWEET HONEY BUCKIIN' 6
Bender34 Posted January 1 Posted January 1 (edited) On 12/26/2024 at 8:22 AM, Bender34 said: Does miserablehive still hate Ashley and think she's a traitor, or do they love her again? Oop I saw people fighting on twitter today over Amari vs Ashley. What is the point, are y'all not tired? Edited January 1 by Bender34
Triton Posted January 1 Posted January 1 Will 1/14 just be a Cowboy Carter documentary bout the show and some bts to fulfill her 3 part contract?
lgaga1fan Posted January 1 Posted January 1 Not in here often but Bodyguard should have gotten a full single push over the summer 2 1
ScorpiosGroove Posted January 1 Posted January 1 2 minutes ago, lgaga1fan said: Not in here often but Bodyguard should have gotten a full single push over the summer accompanied by a (actual) music video and spot on the halftime show setlist 2
DR0GO Posted January 1 Posted January 1 If Matthew was still involved, what would've been the Reni and CC singles?
Iaintsorry Posted January 1 Posted January 1 20 minutes ago, DR0GO said: If Matthew was still involved, what would've been the Reni and CC singles? None. Both projects probably wouldn't even exist under Matthew's management. He was really good with marketing Beyoncé the pop star, but not Beyoncé the artist. You can tell she had to fire him to grow both her career and her craft. For example, I don't think the surprise releases of Self Titled or Lemonade would have happened if he had a say since they go against what is tried and trued which you can tell was always Matthew's approach, even nowadays when he talks about how he developed and marketed Destiny's Child/Beyoncé's early career. He always puts commerce first and the music second.
Nippy'sReceipts Posted January 1 Posted January 1 4 hours ago, Pepo said: Those two songs are exquisite. Interestingly enough, not only was TWYB a showcase of her versatility, as it represented her first ever Folk endeavor, but it was also a preview of CC. There would be no 16 Carriages or act ii altogether now, if it hadn't been for the I Am side Other than that, melodical Pop really suits Bey, and IASF is a proof of that. TWYB also segues perfectly into 1+1. 4
Devin Posted January 1 Posted January 1 2 hours ago, DR0GO said: If Matthew was still involved, what would've been the Reni and CC singles? bms, alien, cuff, heated, ahap, church girl 16C, texas, shb, most wanted, bodyguard, yaya
Nippy'sReceipts Posted January 1 Posted January 1 1 hour ago, Iaintsorry said: None. Both projects probably wouldn't even exist under Matthew's management. He was really good with marketing Beyoncé the pop star, but not Beyoncé the artist. You can tell she had to fire him to grow both her career and her craft. For example, I don't think the surprise releases of Self Titled or Lemonade would have happened if he had a say since they go against what is tried and trued which you can tell was always Matthew's approach, even nowadays when he talks about how he developed and marketed Destiny's Child/Beyoncé's early career. He always puts commerce first and the music second. I think Mathew would've been fine with Renaissance except for maybe the album cover. Mathews frame of reference is old school R&B and the Berry Gordy model of singles, singles, singles and a variety of televised performances. For the 2000s era and times, Mathew was the perfect manager. I do wish he stayed for 4 because that was ironically the most old school R&B album that would've benefited most from the above marketing. RTW Girls confused the audience as to the sonic direction 1 1
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