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Parachutes

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  1. It's less about frequency and more so about quality. What good are very frequent releases if they're poorly made or uninspired?
  2. And all these self-initiated lashings right before she embarks on an Oscar campaign well done Taylor
  3. This was such a misfire It's like she's completely out of touch and making herself into a joke. The way her artistic reputation has been so damaged in only a couple of years. To go from how she was received in 2020-2023 to now
  4. They may have a solid debut but longevity isn't guaranteed
  5. It's fine if her love life isn't that inspiring music wise, if she's still happy. Her music doesn't have to be determinant for her what she does in her relationships, even if the inverse is largely true. But then there are other sources of inspiration. You can try to challenge yourself by looking elsewhere (other art and literature, friends/family, history) for ideas and stories. That's what she did for (much of) folklore/evermore, to massive success
  6. It'd benefit her to slow down. Her fans aren't going anywhere and will eagerly listen to something she puts out in 3-4 years, if she breaks her now yearly release schedule. It's not hard to imagine that most artists would run out of things to say after releasing so much content in the span of a couple years. Take time to get inspired, refine and hone in your ideas. Collaborate with new people who can push you into different direction. Consume other interesting art; that can be a source of inspiration even if her personal life isn't (which is fine, but then try to look elsewhere). I think at this point, it's more beneficial to her legacy to try to push the needle and really focus on quality vs getting more hits, which she has plenty of (even then, I think she'd be surprised at how much interest people would have in the former. Showgirl has the worst longevity of any of her albums in a while because people don't think it offers anything that interesting.) Just really confused by her doubling down on this era when even she seems aware of it being her most panned release. Let's just move on
  7. That said, Choosin Texas your time is up
  8. For her sake I hope this is good I would've waited longer to start a completely new era (if that's what this is) and if it's another dud then the backlash will be Swift
  9. The backtracking as if his record isn't widely known for well over a decade Anddddd Chris Brown has a meltdown over the backlash
  10. Ossoff likely to win by a healthy margin but will that energy translate to the GA Gov's race?
  11. Yet Raymond James Stadium and AT&T Stadium have no issues with Kanye, a self-proclaimed Nazi, headlining at their venues on his current tour. Ironic
  12. Maybe this will be released alongside the physicals shipping to push for #1 Nvm it's just a viral tiktok audio a fan made
  13. Agreed, I guess I can see why they would want continuity but Country Album was more inclusive than Contemporary Country. I don't think retrofitting previous winners into the new category really makes sense or is necessary. It's different than Dance/Electronic Album (for example) which has the exact same criteria just with an updated name
  14. You are correct. For example, Kacey Musgraves' wins in 2014 and 2019 are now both listed as Contemporary Country Album, no longer Country Album. Same with Chris Stapleton's wins in 2022, 2018, and 2016. The category's page shows that this is a universal change for all Country Album winners, not just Beyoncé. Contemporary Country is a "replacement" for the old category, while Traditional is entirely "new." Doesn't change the fact that the category being split up in the first place was pretty obviously a response to Bey winning. But, this specific maneuver is not targeted towards her specifically.

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