Godly

What's really impressive is that she manages to pull these massive pure copies despite being known for radio friendly bops when usually the type of acts to sell so well are the ones who curate their image to pass off as authentic, relatable songwriters, which grants them access to a loyal fanbase that buys and consumes albums front-to-back but usually translates in less impactful singles with the GP. Sabrina to me seems to be the only popstar alongside Ariana to hit the sweet spot that makes them equally appealing to both sides, and if I have to point to a specific reason why I think her persona being so refreshing in the current pop landscape played a big factor in getting her there

It's atrocious and dated af. I still can't believe she squandered the massive, unprecedented hype she had in early 2023 by sitting on her ass for six months and then have the audacity to dust off this DOA nuclear bomb from some 2017 demos archive. The fact it was supposed to be a lead single is so ****** up, the lack of self-awareness from her & her team is astounding I don't get why fans give Benny such a hard time when at least he gave us the likes of Bluest Flame and Ojos Tristes, meanwhile Selena's solo releases post-Revalación have all been trash. And since it's getting lashed in here for some reason, Love On is actually the only decent one among them, a whole bop outside of the occasional dodgy vocals... honestly someone like Sabrina would've made a meal out of that track. Oh well it was an IG reels smash at least

Her one & only 10/10 song this decade, I still hold out hope it gets discovered and becomes a longevity smash because it sounds like one. If only she toured it might have had the necessary exposure to blow up already

If this is strictly about music I think you're conflating COVID with TikTok, it's the impact of the latter that has changed all the rules

For all its success I don't think it's even reached 15% of the impact Waka Waka had. If we had Spotify back then we'd be talking 20M+ daily streams for weeks on end, it was a gargantuan global smash

Always according to the CM tool, these appear to be the 10 most streamed songs with female features, all versions combined: Señorita - 651M Closer - 509M Don't Let Me Down - 481M Somebody That I Used to Know - 456M Unholy - 448M See You Again - 385M We Don't Talk Anymore - 370M One of the Girls - 363M Empire State of Mind - 347M Calm Down - 346M

Taylor is still the most-streamed woman by far always according to ChartMasters, her streams must be more spread out This is with YouTube views factored in, the only Mariah songs with 100M+ audio streams on YouTube Music are AIWFCIY (307M), Obsessed (145M) and Always Be My Baby (116M)

Girl no one is lying, just check the link I posted where everything is laid out You're talking about the total plays of a song that include both Youtube views and YT Music audio streams, two different forms of consumption, each valid but different. It's explained in the CM page:

Most of its daily streams come from the album version of the song # Pic Song Streams Daily 1 Lady Gaga - Die With A Smile 435,432,551 97,577 2 Lady Gaga - Die With A Smile 318,778,755 295,783

Those are the music video views added up with the YT Music audio streams, this ranking only accounts for the latter

As reported by ChartMasters, these are the most streamed songs by female artists or groups on the global platform, currently estimated to have around 125 million paid subscribers. # Pic Song Streams Daily 1 Tones & I - Dance Monkey 635,995,949 168,365 2 Billie Eilish - lovely 534,373,906 195,326 3 Billie Eilish - BIRDS OF A FEATHER 490,528,897 343,013 4 Billie Eilish - bad guy 473,152,536 131,365 5 Rihanna - Love On The Brain 452,781,580 307,594 6 Cardi B - WAP (feat. Megan Thee Stallion) 452,056,072 75,843 7 Lady Gaga - Die With A Smile 435,432,551 97,577 8 Dua Lipa - Levitating 425,926,282 137,926 9 Ariana Grande - 7 rings 407,319,577 176,324 10 Mon Laferte - Tu Falta De Querer 403,311,597 184,851 11 Lady Gaga - Always Remember Us This Way 401,537,426 140,286 12 Adele - Easy On Me 394,209,780 114,630 13 NewJeans - Hype Boy 393,889,954 125,741 14 Lana Del Rey - Summertime Sadness 388,241,923 215,784 15 WILLOW - Wait a Minute! 382,516,536 149,322 16 Miley Cyrus - Flowers 370,605,297 166,146 17 NewJeans - OMG 363,338,447 118,381 18 Selena Gomez - Love You Like A Love Song 358,112,659 209,767 19 ROSÉ - APT. 353,790,892 266,875 20 Lady Gaga - Shallow 348,251,258 94,235 21 Dua Lipa - Levitating (feat. DaBaby) 346,915,949 130,608 22 Blackpink - Pretty Savage 346,886,200 61,188 23 Adele - Set Fire to the Rain 346,517,816 163,645 24 Halsey - Without Me 336,161,905 156,924 25 Katy Perry - Dark Horse 334,818,322 187,968 It's lead credits only as there's no way to filter out songs with female features on their page; various songs have more than one version with 100M+ streams (the only ones tracked by CM), so the following are those that with their combined tally would have enough to enter the list or move upward in the ranking: Levitating - 887M Die with a Smile - 754M Set Fire to the Rain - 613M Love on the Brain - 579M APT. - 545M Unstoppable - 485M Espresso - 478M Cheap Thrills - 444M Love Me like You Do - 422M Blank Space - 402M Love in the Dark - 372M S&M - 364M Pink Venom - 350M Someone like You - 346M

Because fans stream it on Youtube, as you said?

Not reading any further Not surprising that this level of lunacy and delusion comes courtesy of thee resident Johnny Depp supporting clown on this forum, tho I see you chose to walk out the thread in shame after getting clocked, good call

Source

OP updated! No new entries this year, but lots of movements nonetheless: Mariah, Taylor, Beyoncé, Rihanna, Nicki, Selena and Ariana all chart at least one song in this year's Hot 100 YEC. For some added trivia, here's how things would look like if I were to exclude years where an artist only charted a song that had already entered the YEC of a previous year, which is usually the result of a truncated chart-run, and only counted "unique" entries: 1. Mariah (19) 2. Madonna (18) 3. Rihanna/Taylor (15) 5. Beyoncé/Pink (14) 7. Janet (13) 8. Nicki (12) 9. Cher/Dionne/Kelly/Selena (11) 13. Ariana/Whitney (9)

Levitating Don't Start Now Physical Be the One One Kiss Electricity IDGAF Dance the Night New Rules No Lie Houdini Prisoner Cold Heart Break My Heart

I would've NEVER expected this but the non-vault song I've found myself gravitating the most towards is Shake It Off. I couldn't stand it at the time and actively avoided it but whew, that last minute or so is so euphoric and hits in all the right places for me right now Also great to discover that Bad Blood, especially remixed, still goes off extremely hard despite the bad rep it gets from fans

Except every other attempt to seize upon the potential and virality of an Afrobeats song by remixing it with an American singer proves you wrong. The Bieber remix of "Essence" has less streams than the original (129M vs 206M) and the same goes for Camila Cabello's remix of "KU LO SA" (277M vs 33M). The Ed Sheeran remix of "Peru," while bigger than the original (284M vs 99M), hardly made the song explode in popularity, and all of his numerous other collabs in the same genre flopped. The new Travis Scott remix of "Water" is most definitely poised to come and go as well. Since this is all direct proof that adding a recognizable name to a viral song doesn't mean it's automatically going to make said song several times more successful, the only reasonable explanation for the blockbuster success of "Calm Down" is that people dig what Selena brings to the song specifically. That doesn't detract from this being Rema's song first and foremost so all props to him, but also credit where credit's due.

I was okay with it going recurrent cause I just assumed if Drake's album bomb wasn't going to push it out of the top 25, then Bad Bunny or Taylor's would but actually I think it would've ended up surviving those, so yeah it's really a shame, also because it was really close to hanging on and Drake's tracks proved to be really frontloaded. I'm not usually against recurrency rules but there is no chart system that should allow going #10-OUT under any circumstances if a song is stable on all the main components, or at least it should be allowed to re-enter the following week as all those album tracks inevitably fall off I get what you're saying but I seriously doubt there's plenty of songs from before 2007 that even lasted 40+ weeks on the entire chart, let alone in the top 10. Songs nowadays tend to have much longer chart-runs in general It was certified 7x Platinum four months ago in Canada so it's probably not going to take long, but certifications are not automatic so it's not a given that they'll update it as soon as it'll reach it. In any case, "It Ain't Me" was certified 9x Platinum there more than 2 years ago so it's likely that was her first song to technically reach Diamond status. RIAA (unfairly) doesn't credit Selena on the certification unfortunately, but at the rate it's going I guess in 2-3 years it might be Diamond eligible. A lot comes down to how well it holds up on streaming in the next years. And it's definitely going to get a major boost like all the biggest hits of the year come NYE. At that point it will still have enough points to chart in the top 25 on top of gaining in performance from the previous week in every metric and, since those are the requirements for a re-entry, maybe Billboard will let it chart again. The rules are pretty iffy though, and I think there's a chance they only grant the opportunity to re-enter to hits that got kicked out by Christmas songs only and in that case Calm Down would be out for good.

It surpasses "Bad Guy" as it spends its 43rd week in the Top 10 of the Canadian Hot 100, and is now only behind "Heat Waves" and "Blinding Lights" overall, which have charted for 45 and 56 weeks respectively within the region. The song is also 13 weeks away from tying "Levitating" as the longest-charting female song in the Top 100, period. Elsewhere, "Calm Down" is also the song with most weeks ever spent in the Top 10 of France and Switzerland (45 and 54 respectively) and the longest-charting song in Pop radio history in the U.S., with 55 weeks and counting. Below the full (as of yet) chart-run of this record-breaking smash

Nope > Get Out > Us I find Get Out to be the one that offers the least to chew on, it's great but very straightforward and bare-bones compared to the other two

What a weird scene to conjure up. You don't know her, snap out of it

These scams are still much more common and successful than you'd think no matter how absurd they sound, especially the ones targeting old people

Okay queen, faith restored I just thought it was weird to start an era when another Interscope pop girl is right in the middle of hers, especially if that person is Olivia who shares Selena's entire team. And if this was kicking off an album rollout then that would have pretty much killed any hope for a feature on 1989TV and would've made a #1 album very unlikely, and that seems to be the label's priority As it stands, I can see Single Soon being anywhere from a minor hit to a surprising smash, depending on what the reception is and if the stars align and it goes viral on social media, which I feel it could given what I heard of the song and its breakup theme. Following that, I've been thinking we might get a Taylor/Selena link-up at the VMA's: it would be a perfect 2015'd throwback to promote the re-recording, they're both winning at least one award that night so reason for both to show up, and that's where Taylor announced Midnights last year so considering the timing she might reveal the tracklist that night. And to that point, I feel like it's now or never for a collab, so while I'm not that confident she's on the album, I'm at least hopeful Finally, I'd say lead single maybe around March next year and the album sometime in Q2? It will probably come down to when she'll be on set for Only Murders, which I'm assuming gets at least another season Also, I guess this is where any dream for Grammys glory for Calm Down comes to an end since the only way to meet eligibility seems to be releasing a live version and it doesn't look like anything is in the works? And even if they're aware, I wouldn't put it past Selena to just let Rema release a live recording of his own solo version, cause that would also be a way to make the song eligible even if it was already submitted last year