MonstahNL

I have never understood the rivalry, if there even is one to begin with. Gaga and Beyoncé are two of the most complete performers and pop-stars of our generation, and have shown love, admiration and respect for each other on multiple occassions. Not to mention the fact that they created one of the most iconic female collaborations of the 2000s.

Streaming elixir alright.

These threads are so tiring. Are Beyoncé's streaming numbers horrible? Yes. Is she a present day icon collecting sold-out tours and award accolades? Also yes.

SYG and NHB during 2010-2013 were something else entirely. Golden age.

And to think the US is one of her worst markets. The verdict is out your honor, MAYHEM is a hit album

The drama of it all. It has been pretty steady, sis. Let's hope it can climb its way back into the top 200 again.

Extremely impressive, and to read that Gaga has managed to do this three seperate times in three different decades no less. Truly a hit maker. 👏🏼

I know some of you have moved on already, but Gagita really popped off on the Devil Wears Prada soundtrack. I hope popularity picks up, because I know damn well they deserve it.

I love that they're pushing all three songs in various ways. They are all unique and appeal to a different demographic, which might in turn bring a broader group to the entire soundtrack.

I've returned from my trip to New Zealand and these songs are now absolutely on track to go Diamond on my Spotify.

The crystal clear voice, the emotion oozing out. Miss Gagita gave us a ballad alright!

The quality and production of the studio version blew me out of the water. So gaga! 👏🏼

10's, 10's, 10's across the board!All three songs are so different, but each one screams Gaga. Shape of a Woman is my favourite upon first listen.

Can somebody tell me if Glamorous Life will be eligible for BOS because of the fact Runway has already been played throughout the movie, making GL the first "new" song during the credits. Or does it not work like that?

The music video is incredible!

It's very clear that Gaga is incredibly respected by her peers within the music and film industry.

This truly feels like a feverdream. The amount of stan wars I joined where Gaga was being slammed for not having good ballads.

Everybody wants to wake up to the news I just woke up to. The red carpet look is such a serve, and that snippet of Glamorous Life is gorgeous!

MAYHEM is aging so incredibly nicely for me that I might actually start ranking it after The Fame Monster as her second best studio album. Abracadabra, Vanish Into You and LoveDrug are hymns of the highest order.

An unprecedented type of chokehold.

While DWAS was a juggernaut of a smash, it didn't hurt MAYHEM or its singles in my opinion. Gaga and her team made a judgement error by focussing on The Dead Dance instead of Garden of Eden, Vanish Into You and How Bad Do You Want Me. All those songs got organic traction by the fans and general public at various stages of the era with real potential of success if they received proper single treatment.

The more I watch and listen to the performance the more this creeps up on me as well. Don't get me wrong, she has paid her dues and earned her credits many times over, but I just wish we were going to be taken by surprise in a good way.

I wasn't wowed by the performance of the song, but the studio version might totally change that. I can't wait for it to appear on streaming platforms and give it a proper listen. As much as I wished for this COADF volume 2 to be solo, the chemistry between them on stage was cute!

Gaga is always held to higher standards than her peers. A regular day on ATRL, pass on by folks.

This track and its video were truly ahead of its time. Gaga took a massive risk, and I'm very happy it finally got its flowers all these years later.