sway
ATRL Member
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I guess you can say she was being a shy girl and not a nasty girl so she didn't match her freak
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About ******* time Bitchfork got some taste. Yes, her previous scores from them have not been that bad but I felt that Nightride, BB/Ang3l, and 333 should've easily had a BNM distinction by now. I thought she would suffer the 7.7 curse with Popstar but a 9.0 is even better than I anticipated. 14 years in the making. She's getting some of her best reviews from publications that have usually been tepid with her and coming off two hits back to back prior to dropping this and a whole industry eating her nachos repeatedly. Truly a full-fledged popstar. So proud that she never surrendered her creative vision to a bunch of suits in a room.
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Texas Chainsaw Massacre. I grew up in Texas so 7 year old me was definitely traumatized. Not films but Scary Stories to Tell in the Dark (the three books) were read to the class when I was 9 and that scared me a lot too.
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Billie's discography… OT: Songs that have parenthesis and the use of them is just to add the adlibs to them. If it's meant to indicate something different from the song of the same name like (Interlude) or (Reprise) then it's fine. I just feel it messes up with the consistency of the song titles on the album. Also despise artists that capitalize articles and prepositions when they don't need to… a song titled "Horses and Divorces" should be titled like that not "Horses And Divorces". Yeah, they're non-issues but it really annoys me.
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One of the best songs of 2013, without a doubt.
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Lmfao how ******* dense do you have to be to be so ignorant when the artist herself is literally saying this. It's not even speculation from fans.
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Production isn't the only thing that makes a song and multiple artists can influence a song. Lyrically, this is a Lorde daughter, but production wise it does sound like We Can't Stop, she even said she got the same guy doing the adlibs on We Can't Stop for Ain't in LA.
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Meanwhile Adéla almost 6 months ago…
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Girl, truly shut the **** up already. Always on these threads providing the most unintelligent bullshit nothingburger replies.
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I'm glad she mentioned that "We live in cities you'll never see on screen" line because I've always thought "Ain't in LA" was a Lorde daughter lyrically. Lorde has continuously shaped the trends for so many years now. She's like a Fiona in how subtle and slow burn her influence has stretched within the music industry. And both of them have released music very sporadically while also having long stretches of inactivity between album cycles.
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Yes and piece of advice to those who carry the number or write the number and carry it with them: Don't. The chances of displacing it are high. Better to store it in a safe or a secure place where you know it will be there at all times. Memorize it. People can't get into your brain, but they can go into your notebook, your electronic notes, etc. if they manage to hack or steal your belongings. Save yourself the headache and prevent your life being stolen from you. And that goes for other important information that is susceptible to fraud.
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He wants to be a delicate feminine damsel in distress so bad, lmfao.
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Basically an oversaturation of female artists trying hard to serve ***** to cater to the audience. Don't have anything against it but it is starting to get somewhat overexposed. I'm also not saying every artist should be some introverted bookworm songwriter, but it feels like a trend that hasn't diversified as much.
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It hits that sweet spot for me. Yes - I know that the whole "cuntslop" thing female pop stars are doing is getting a bit oversaturated but she's always been like this so it works for her. This song feels sexy and grand. It has that Doja Cat element that I like from Doja that she does so well on songs like Streets, Agora Hills and Rules. Ain't in LA captured something really special, and I think this song is continuing that run for me.
