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sway

ATRL Member
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  1. Lmfao how ******* dense do you have to be to be so ignorant when the artist herself is literally saying this. It's not even speculation from fans.
  2. Production isn't the only thing that makes a song and multiple artists can influence a song. Lyrically, this is a Lorde daughter, but production wise it does sound like We Can't Stop, she even said she got the same guy doing the adlibs on We Can't Stop for Ain't in LA.
  3. Girl, truly shut the **** up already. Always on these threads providing the most unintelligent bullshit nothingburger replies.
  4. I'm glad she mentioned that "We live in cities you'll never see on screen" line because I've always thought "Ain't in LA" was a Lorde daughter lyrically. Lorde has continuously shaped the trends for so many years now. She's like a Fiona in how subtle and slow burn her influence has stretched within the music industry. And both of them have released music very sporadically while also having long stretches of inactivity between album cycles.
  5. Yes and piece of advice to those who carry the number or write the number and carry it with them: Don't. The chances of displacing it are high. Better to store it in a safe or a secure place where you know it will be there at all times. Memorize it. People can't get into your brain, but they can go into your notebook, your electronic notes, etc. if they manage to hack or steal your belongings. Save yourself the headache and prevent your life being stolen from you. And that goes for other important information that is susceptible to fraud.
  6. He wants to be a delicate feminine damsel in distress so bad, lmfao.
  7. Basically an oversaturation of female artists trying hard to serve ***** to cater to the audience. Don't have anything against it but it is starting to get somewhat overexposed. I'm also not saying every artist should be some introverted bookworm songwriter, but it feels like a trend that hasn't diversified as much.
  8. It hits that sweet spot for me. Yes - I know that the whole "cuntslop" thing female pop stars are doing is getting a bit oversaturated but she's always been like this so it works for her. This song feels sexy and grand. It has that Doja Cat element that I like from Doja that she does so well on songs like Streets, Agora Hills and Rules. Ain't in LA captured something really special, and I think this song is continuing that run for me.
  9. Estoy Enamorado, Seducción, Piel Morena, No Me Enseñaste, and Amor a la Mexicana are some of my favs from Thalía. I also liked her cover of Alaska y Dinarama's A Quién le Importa? Arrasando is basically a history lesson packed into a pop song and it's done so well. She's got great hits, even in English, but I like her Spanish stuff better.
  10. sway replied to Mr. Loco's topic in Base
    Belanova is far and wide better than Juanes. Juanes is just Mana with a Manu Chao wig. Belanova had a unique aesthetic to them and their first album is still one of the greatest Mexican pop albums to exist. Belanova was doing the electro pop style of Dulce Beat months before Madonna dropped Confessions and that is NOT to discredit Madonna for her reinventions but just to show how ahead of the curve Belanova was too. They are very underrated nowadays with the whole corridos tumbados wave that have infiltrated Mexican radio. Gone are the days of the balladeers and great pop musicians that dominated Mexican charts.
  11. Perhaps the corniest **** ever… every time she manages to somehow set the bar lower for herself and her burger ass antics
  12. If you play it without audio, it could pass as an antidepressant commercial… OT: I actually don't think it's that bad. The ones that are pure **** and devoid of actual creativity are the tour montage videos. Like why make one if you're not even going to put in the work to be artistic and give the song its own cinematic universe that it can live in? Just a cheap cash grab.

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