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sway

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  1. Training Season by a long shot. It's my least favourite of the 3 RO singles. However, someone made a 2000s mix (basically mixing the instrumental of "Say It Right" by Nelly Furtado with the song) and I stopped streaming the original since I discovered it a couple weeks after the song dropped.
  2. I don't know if it's been mentioned but does the intro sound kind of like the intro for "Sober II (Melodrama)" by Lorde? Anyways, I actually love this song and I think SCTW was a really solid album. Purple lace bra is probably my favourite song from her. I like the way she subverts the idea of a traditional housewife on this song and turns it into a girl boss anthem without sounding corny and uncool.
  3. Agree but it is not just South America but ALL of Latin America. It already happened with Bukele in El Salvador and Laura Fernández in Costa Rica. I fear it's only going to get worse from here. OT: Brasil needs all the help they can get. The Bolsonaros have way too much influence on the country's future and they shouldn't be in any position of power.
  4. I mean, wasn't Rihanna also making music about being horny, Kesha was making music about partying and Adele was making ballads? Same template, different pop star. Maybe you're just not into the new pop girls because you're still hung up on the nostalgia from the older pop stars. PinkPantheress, Tinashe, Chappell, ADÉLA, they're all making that kind of pop that you reference, but you're so into TTH slop that you can't see how great pop still is.
  5. I guess you can say she was being a shy girl and not a nasty girl so she didn't match her freak
  6. I think it's funny that three songs with U.S. locations are charting in the top ten of the UK charts — Cleveland (no. 3), Choosin' Texas (no. 5. peak no. 1) , and Boston (no. 7, peak no. 3).
  7. About ******* time Bitchfork got some taste. Yes, her previous scores from them have not been that bad but I felt that Nightride, BB/Ang3l, and 333 should've easily had a BNM distinction by now. I thought she would suffer the 7.7 curse with Popstar but a 9.0 is even better than I anticipated. 14 years in the making. She's getting some of her best reviews from publications that have usually been tepid with her and coming off two hits back to back prior to dropping this and a whole industry eating her nachos repeatedly. Truly a full-fledged popstar. So proud that she never surrendered her creative vision to a bunch of suits in a room.
  8. Texas Chainsaw Massacre. I grew up in Texas so 7 year old me was definitely traumatized. Not films but Scary Stories to Tell in the Dark (the three books) were read to the class when I was 9 and that scared me a lot too.
  9. Billie's discography… OT: Songs that have parenthesis and the use of them is just to add the adlibs to them. If it's meant to indicate something different from the song of the same name like (Interlude) or (Reprise) then it's fine. I just feel it messes up with the consistency of the song titles on the album. Also despise artists that capitalize articles and prepositions when they don't need to… a song titled "Horses and Divorces" should be titled like that not "Horses And Divorces". Yeah, they're non-issues but it really annoys me.
  10. One of the best songs of 2013, without a doubt.
  11. Lmfao how ******* dense do you have to be to be so ignorant when the artist herself is literally saying this. It's not even speculation from fans.
  12. Production isn't the only thing that makes a song and multiple artists can influence a song. Lyrically, this is a Lorde daughter, but production wise it does sound like We Can't Stop, she even said she got the same guy doing the adlibs on We Can't Stop for Ain't in LA.
  13. Meanwhile Adéla almost 6 months ago…
  14. Girl, truly shut the **** up already. Always on these threads providing the most unintelligent bullshit nothingburger replies.
  15. I'm glad she mentioned that "We live in cities you'll never see on screen" line because I've always thought "Ain't in LA" was a Lorde daughter lyrically. Lorde has continuously shaped the trends for so many years now. She's like a Fiona in how subtle and slow burn her influence has stretched within the music industry. And both of them have released music very sporadically while also having long stretches of inactivity between album cycles.

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