REALiTi

TOTGA is N/A on every metric outside of Spotify. As if we needed further proof of how fraudulent this "viral" throwback song is. We're to believe it's somehow top five on global Spotify yet outside the top 30 on the actual charts? We've see her tour ticket sales, movie box office gross and performance of her latest singles to know no REAL person is showing up for Katy Perry outside of Litmus' streaming farm bots.

Madonna's Danceteria is winning Dance Pop, it's a category they can award Confessions II while paying it dust everywhere and she has the benefit of the Mayhem producers credited on the track. It'd track as a trend of them awarding the gayest songs in said category. I don't see her getting any Grammy nominations. TDD and Runway where both such no events. As much as Requiem was incredible, it also flew under the radar as an AM exclusive event. I wish they treated her like some other artists where she could just submit an album track like Vanish Into You and win SOTY/ROTY two years after said album was released.

I guess there just isn't that many throwback playlists to put her music on. You can't expect Katy Perry to be put on playlists such as Today's Top Hits.

Except she isn't. #24 Lady Gaga (+2) #28 Katy Perry (-3) OT: Very surprised by this, I would have expected "Katymania" to at least send her inside the top 20 global artists chart but then again, TOTGA isn't even top 30 on the global charts worldwide. Only so much you can do with botted autoplays on throwback music said artist doesn't even own anymore.

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I can't wait to see the fumes and usual tired excuses when the song eventually becomes the most streamed song of all time on the platform. Oh DWAS you eternal smash and OGH ender.

Crazy how much of a NON event this throwback song is on EVERY other metric that isn't botted Spotify autoplay by Litmus. The song has yet to peak inside the top 20 on the Billboard Global 200 and is about to fall below Die With A Smile. The Katys walking around thinking it's the biggest global "solo" hit of the year and there's 30 other songs bigger than it globally this week. Billboard Global 200 #31 TOTGA (-4) #33 DWAS

Others couldn't do it solo either hence why Gaga is the one who holds the record.

Lady Gaga has just overtook Billie Eilish to claim the most streamed song of all time by a lead female artist on Spotify and 12th overall. From shaky starts to shattering Spotify records. Are you surprised?

Oh well. Onto the next label that's willing to sign her.

The Emmys do hate her - ensuring she wasn't credited for TIHTY, awarding her projects when she isn't a recipient and only giving her SuperBowl halftime one Emmy for Outstanding Lighting Design. Watch them give it to South Park and win the Best Choreography category.

Runway - 236k Watch It Burn + Bandaids - 140k 143 (album) - 148k

Also Spotify updated the main Halloween playlist five days ago and Bloody Mary, Abracadabra and The Emmys Dance are all still there. Gagaween indeed.

#17. Bloody Mary — 3,361,283 / new peak #64. Abracadabra — 2,034,729 (+110) #96. The Dead Dance — 1,752,986 (+69) How is this underwhelming? Bloody Mary reached a new daily peak and Abracadabra went back to 2M. Anything similar this year would be a dream.

The new Spotify algorithm hates her. Those week on week gains are only because her streams completely collapsed for no reason last week. Paparazzi's viral sound has 7M+ Tik Tok videos yet it isn't on any playlist and is only new barely charting. Training Season has 2.4M videos yet is about to enter top 20 globally due to the algorithm favouring everyone's older songs and is currently #1 on the Viral Hits playlist. Don't even get me started on the blatant auto play around that non-factor 2013 album track that's outstreaming all her discography sans DWAS... No wonder she's back in her #spon, pharma and unethical billionaire era she knows LG8's lead will have Joanne level playlist and streams.

N/A - https://kworb.net/ww/ N/A - https://kworb.net/youtube/ The nerve of you coming after Bloody Mary a song that managed to chart almost double the amount of weeks as Katy Perry's combined weeks on the Billboard Hot 100 since 2020.

Meanwhile TOTGA on every other metric - AM Global: N/A iTunes Global: N/A YouTube: N/A Radio: N/A Billboard Hot 100: N/A The company that bought the rights to her good for a throwback Dr. Luke catalogue could have at least spread out the glaring autoplay payola.

They did, just below more relevant artists in the year 2026 such as Charli xcx and beabadoobee.

No wonder her five stans are so concerned with the smash grammy winning #1 collabs of certain artists because they know nobody wants to collab with her even the ones that get paid to do so.

Very suspicious especially having her Spotify streams suddenly increasing the exact moment of her current sexual abuse scandal. Seems like a PR tactic by her lawyers funded by her bestie Jeff Bezos.

And the Spotify charts being "broken" for a week straight during The Dead Dance's release week.

I used the look but in it's gif form.

I know Runway isn't the strongest song, but the Spotify performance isn't adding up. She's racing back to 100M monthly listeners, gained 500k listeners yesterday alone, the song is still rising on AM, iTunes + Shazam globally, had the biggest day on Tik Tok this week YET the song stays losing streams on Spotify. I refuse to believe that Material Lover song is about to outstream every Gaga track when it's non existence on other platforms/metrics. Not to mention the very odd sudden rise of a certain pop girls throwback discography amidst an image scandal. What is ex Spotify Global Services Head Troy Carter up to these days? We need a full investigation into the Spotify HQ.

Apple Music: #84 Estonia (NE) #91 Poland (NE) #94 Austria (NE) #98 Malta (NE) #102 Germany (NE) #149 Ireland (NE) #160 Switzerland (NE) #168 United Kingdom (NE) #170 Sweden (NE) #194 United States (NE) The Dead Dance is being pushed more this year on AM hence it's big jumps. However last year, Bloody Mary wasn't top 100 on Global AM yet pulled 2.4M on Spotify and was the fourth biggest Halloween track there. Spotify just happens to be her main platform.