enchanted0

Every project she's released since Songs for You has been great and this is no exception.

No Gaga yes ratings

there's no way you didn't know this please be for real. the usual pressed ones and insecure swifties (by clicking their "reviews")

Everything gets overreacted to and blown way out of proportion and at this point it's really hard to filter out the genuine criticism from pure hatred (and desperate attempts to get clicks). She already passed that point with TTPD, and this is no different. There's just no way those four songs alone warrant a red score.

jeon do yeon better snatch then

wait, I didn't dig THAT deep into the Oscar race, but I already knew Julianne Moore was basically locked for Best Actress and apparently she sings the original song in the movie too? yep it's over.

still I feel like she could have done so much better with it. it's a song for ******* Toy Story. she should've delivered a once in a lifetime level song.. I would say it's still frontrunner for BOS but if she loses I honestly wouldn't blame anyone or anything..

As someone's said I would be soooo here for a full Jack produced album with no synth sound. If it's her Sling I would gladly take it In my ideal scenario, like I've always said, she should work with Adam Granduciel(= The War on Drugs). He has everything that works for her music: singer-songwriter vocal delivery, full-band production and really clean sound. Interestingly Sam Fender somehow managed to snatched him

Is it possible for her doing more than 14M+? Spotify does say it's "most streamed song" not "biggest debut"..

yeah she was kinda mean for Cleveland! like whatever you say online, I'm still the one making the songs and there's literally nothing you can do about it.

perfectly said

I know it's been said many times, but Pink Clouding is exactly the sound I expected when she first announced 1989. The actual album obviously wasn't that, and it was still great. Doesn't mean I'm LOVING Pink Clouding though, that's a whole different thing.

No, absolutely not. Here's the thing: with OG Showgirl I thought CANCELLED! was a chop from the start. Cleveland! isn't that. These overly dramatic reactions to Cleveland just show how ridiculous y'all have gotten about Taylor's music these days, which is kinda literally what the song is about.

IMO the deluxe tracks aren't excellent enough for everyone to like them but for me, they actually made me feel more reassured than IKIIKY did.

Whether she releases a few tracks to clear the waters or not is entirely her choice and the fact that she decided to do it isn't surprising at all. Trying to shift the discourse is just very Taylor. And I don't necessarily disagree with the rest of your post. My point still stands 1) her decision to release the Showgirl deluxe is not surprising, and 2) there's no contradiction or backtracking in her deciding to release it.