exfactor003

imo Cherish is a contender for the worst song of all-time, so I see where she is coming from in that regard.

BWET by far imo, but CONFESSIONS II is pretty good.

how hard is it to open Google and do the conversion?

2020 | 'Come Around Me' - Justin Bieber 2021 | 'Vibez' - ZAYN 2022 | 'Sticky' - Drake 2023 | 'Tapping Fingers' - Fever Ray 2024 | 'Jaded' - Spiritbox 2025 | 'CRYING IN CHANEL' - Drake

'Every Time' by Amanda Wilson is so Mariah-coded that for years there were lambs who swore that it was a Mariah-sung demo where she was half-heartedly trying to sound like someone else.

I mean, regarding your first point, not really. both of the peripheral projects have already fallen below Take Care on the Billboard Top 200. regarding your second point, no one is acting as if ICEMAN is lighting the European charts on fire, but there is a difference between performing 'spectacularly well' and bombing. we might as well agree to disagree, however. one thing that is for certain is that his alleged upcoming European tour dates will do phenomenally.

well, they weren't meant to be close, and anyone who suggests otherwise is misinformed. the other two projects (one of which is dance, the other slow r&b songs) were put out with the intent of getting out of his contract. if he had released singles for them (besides Which One, a ten month-old droplet as far as we knew), then it would be a bit of a different story. I suppose that there is still time.

the first that comes to mind is Fourth of July by Mariah.

not really. ICEMAN spent at least two weeks in the top ten in Austria, Denmark, Finland, Flanders, Germany, Hungary, Ireland, Lithuania, the Netherlands, Norway, Slovakia, Sweden, Switzerland, the United Kingdom, and Wallonie. in the cases of Denmark, the Netherlands, Norway, Slovakia, Sweden, Switzerland, and the United Kingdom, it hasn't yet left the top ten. maybe it hasn't lit the charts on fire, but 'bomb' obviously isn't the word.

Drake is for sure my number one. if I were to hazard a guess, the rest would be Brent Faiyaz, Kehlani, Madonna, and maybe Addison Rae.

haha, really? but Nevada is such an important motif throughout their work.

if this is based on concert revenue, then New Jersey and New York are for sure inaccurate.

don't get me started on these singles: ... edit: for some reason I can't get them to embed, but the ones that I have in mind are Far Away (https://youtu.be/_p8bAB0o-dY?si=kWuhcJe9JvPNAcLw) and Wayne (https://youtu.be/HLEYR1N_OPs?si=VkDoXbbM9o__t1N6)

imo this is one of her worst singles lol, but she was basically the second person who I ever stanned as a kid.

one quick look at her tweets would suggest that this part is highly unlikely.

etiquette school especially.

Say Somethin' for me, with FOJ not far behind.

another ten shows added for May 2027! CÉLINE DION PARIS 2026 | Official Website new dates: Saturday, May 8, 2027 Wednesday, May 12, 2027 Friday, May 14, 2027 Saturday, May 15, 2027 Wednesday, May 19, 2027 Friday, May 21, 2027 Saturday, May 22, 2027 Wednesday, May 26, 2027 Friday, May 28, 2027 Saturday, May 29, 2027

one of these.

my all-time fave would be:

I'm surprised that 'drop dead' is used in the op as an example of a mature-sounding song. to me, almost everything about it is as juvenile as could be.

name another non-famous person whose most recent U.S. tour sold over 1.2 million tickets (with an average price of just under $250, at that)?

I'm streaming Janet Jackson's song by that title instead.

gotta be Mariah, as I've seen her 15 (?) times in seven different cities.

not sure if this is relevant to the op because I could barely understand what I was reading, but I'm going to go with no because 'selling out' suggests that her music wasn't the epitome of painfully basic from the get-go (imo).