nuclear

I need SNL book and confirm like yesterday I am hoping we can get couple Award show performances this era as well. I can't wait for the tour. Hopefully it will be her own show and not part of some festival when she comeback to NYC. The fact that her dancer were huffing and puffing cause they were so out breath and tired and she was going as hard as them and was totally relax and unaffected, is crazy. Performance wise this is just the beginning for mother

Coming for Mariah wigs

I said what I said and …?

They will eventually lose everything again because they have no spine. Now we got blue wave, we need to work on eventually replacing a lot of Democrats in congress to actually progressive with back bones that will not only fight back but get things done.

How is wanting her to book bigger venues because she can fill them now, and use some of that bigger budget to upscale the production, a bad thing? You're acting like I'm asking for Beyoncé-level production. All I'm asking for is a full live band and an upgrade to the production and stage. And by upgrade, I don't mean building an entirely new stage. Just rework what she already has and elevate the production within whatever the budget allows. There are plenty of artists at her level putting on bigger productions and doing well. Tinashe's past tours have been relatively minimalistic, not necessarily because that was purely a creative choice, but because she had to work within certain limitations. I've always enjoyed her shows because of her talent, and I'll continue to support her regardless. But she has a lot more eyes on her now, and if there are things she can do to attract an even bigger audience without putting herself in a financially irresponsible position, I think she should. She's an elite performer, and I think her production should reflect that. It's a worthy investment. I understand that touring is expensive, but there's demand for her this time around. This isn't just an opportunity to turn a profit from touring; it's also an opportunity to expand her reach, attract new audiences, and take things to another level. I don't understand why every time I make a comment like this, people immediately jump to "She's not an MPG," "She'll never be this or that," or "She's a different type of artist." I genuinely don't think some of you realize how limited your perspective of her potential is.

I think melatonin could work as a skit, but it is just a performance. I think them crashing a jimmy interview and turning the studio into a club with dancers, celebrities, and invite one or couple legendary ballroom houses/performers and some a killer choreography sequences could work. I guess something like that or better another time.

I was hoping for interview as well( and a skit), maybe they will bring her back. I wonder if she will perform NWDA &/or melatonin or Too easy/ crash out. Either way excited.

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No it bb act 3 stage. It's cute for what it's being use for currently but this stage won't work with the stages she trying to book. You will be delusional to think this is enough for bigger shows and festivals dates (now she is a main act). Some of you guys like to miss the point on purpose so yall can be yes man. The biggest issues for festivals and concerts internationally was the stage and the production. She got praised for performances ability, for many especially Asian markets the stage and overall production quality was a negative. She still put a great show and most people enjoyed it. I don't know her budget but bigger festivals slot means more money, which means a bigger budget. I hope.

Live performances literally saved Zara, Adela, Chapel, Slayyyter careers. It seems next year she will be on some of the biggest stages and main festivals stages. She better bring it. She clearly doesn't have a clue how to perform melatonin live. She needs to figure it out or hire the right person to creative direct and choreograph. Melatonin deserves iconic performances.

I see the current stage as skeletons/ shell for the upcoming tour. Hope they invest in more lights (various lights), lasers, pyro, bigger smoke screens, live bands, props, costumes etc and fill up the space and create something worthy's of headliners. Her being upgraded on primavera sounds is a great indication for the future festivals and shows she is currently negotiating for Europe. I hope the production matches. I hope she doesn't get any idea about keeping the current production/stage as is. I am wondering if she is planning to do Glastonbury as well.

I know I'll probably get dragged for this, but I have to speak my mind. I know she initially planned to do Act III, and then Popstar happened (although I personally think Popstar came after she felt overlooked by the Grammys and her peers, especially after the NBB dust-up). Popstar was probably supposed to come out earlier in the year, but it got pushed back, and the tour followed suit. My issue is that I'm not feeling the "A Night with Popstar" stage or production. It's giving Act III tour rather than TSMGO tour . She's still giving very much BB/ANG3L era. Honestly, it feels more like the act III tour were supposed get but with popstar ( if it makes sense) I really hope she completely reconstructs the stage and production. Even the choreography and overall vibes still feel too BB/ANG3L-era. She said she wanted to be the focal point of the performances rather than just being another part of them, but somehow, she still blends into the production and not in a good way. We need Superlove (the original, full version), SR4U (which should NEVER leave the setlist), Know Better, Party Favors (with the full choreography), The Chase, Small Reminders, and Naturally on that setlist. If this is the Popstar era, then let it FEEL like the Popstar era.

My good sis contract has been upgraded. I know that right