remonkrk009

Midnight Sun Can't Tame Her She Did It Again I Would Like Hot & Sexy WOW Ain't My Fault Pretty Ugly Stateside Eurosummer Never Forget You Blue Moon Lush Life Symphony Midnight Sun

So... who's coming soon?

So i just received an e-mail that my vinyl has been delivered at home...

TMZHarry Styles Team Reviewing Stage Setup, Following Fan Co...Harry Styles' team is reviewing parts of the stage setup for his "Together, Together" tour ... after some fans complained about restricted views from certain sections in the stadium.

I experienced this myself tonight at N2 of the Together Together Tour and honestly, as someone who goes to concerts a lot, this was by far the worst standing concert experience I've ever had. I had VIP Front GA Right tickets and the difference between our side and Front GA Left was actually insane. Harry constantly went to the left side catwalk, while he maybe came to Front GA Right like 4 times during the entire show, and even then he stayed for maybe 20 seconds max each time. Those moments were fun of course, but it genuinely felt like our side of the stadium barely existed and he just ran by. I had already seen some videos from N1, so thankfully I could mentally prepare a bit and position myself in a way where I could still see something most of the time. But even then, almost half the concert was spent trying to figure out where Harry even was with the rest of the fans around us. You're constantly scanning the stadium hoping to spot him somewhere. A lot of the time, this was my view from VIP Front GA Right. I did enjoy the concert because Harry is a true artist and performer, but it still feels strange that you're doing a huge stadium tour and not really going all out production-wise. No B-stage, no fire/fireworks, no confetti, no disco balls even though they would fit the theme of the new album perfectly, etc. It genuinely feels like this show wasn't thought through conceptually enough for a stadium setting. And you could absolutely feel the energy dropping on our side every single time he went back to the left catwalk AGAIN instead of the right side. It honestly started becoming frustrating after a while. Plus it don't really feel like a VIP ticket if the view is obstructed for a lot of times and basically 50% of the pit was VIP, so it wasn't like you could get barricade easily. But at times, the view was very nice and i got to make videos like this one:

And here's another variant... how many do we have already? goddamn https://www.barnesandnoble.com/w/daughter-from-hell-gracie-abrams/1150151788?irclickid=1mU2fE0MRxyZU5FX-SxlYVCuUkuULBT2STVb2M0&sharedid=dealsonvinyl.com&irpid=10078&irgwc=1&afsrc=1

On her website it says 'This limited edition 20-track edition contains the original Midnight Sun album plus 10 additional reimagined versions.' and the tracklisting is on the website as well, so i don't think she will.

New peak on Spotify Global, USA and UK! Global: #68 USA: #76 UK: #27

I mean love Zara, but after sitting with Midnight Sun: Girls Trip for a few days, I think my main issue is that the project feels disconnected from Zara's core identity. What made the MS era exciting in the first place was how defined her aesthetic felt. The glossy, hot, slightly campy, very European pop sound, the visuals, the dolphins, the tongue-in-cheek sex appeal, it all felt cohesive and very her. And that's exactly what gets diluted on this album. Comparing this to the Brat remix album, Charli invited big names like Ariana Grande, Billie Eilish, and Lorde, but they all had to step into HER world. The production, the attitude, the sonic palette, everything stayed unmistakably Charli. That's what made it feel so curated and intentional. Zara kind of does the opposite here. Instead of pulling the girls into her universe, she adapts to theirs. Girls Trip just sounds like a playlist of features rather than a cohesive Zara Larsson project. At times it genuinely feels like she's the feature on her own album, which is kind of wild considering how strong her artistic identity has been this era. "Hot & Sexy" with Tyla is actually the best example of what DOES work. I've seen people call it boring, but I disagree. It's the one track that fully commits to Zara's established sound. And then you have songs like "Crush" with Eli. I actually like the track, but the production doesn't really elevate Zara's vision, which ends up feeling more like a detour than an evolution. And let's not forget about Saturns Return cause... that was a choice. And that's kind of the running theme: instead of amplifying Zara, these collaborations dilute her. A collab album was a great idea on paper, especially for an era this visually and sonically defined. Zara is at her best when she's leading the energy, the aesthetic, the vibe. But she didn't just invite the girlies over to her world… she moved into their worlds. And I don't think that's where Zara shines. This project just showed me how perfect the OG MS is.

Crush (new Zara vocals in bridge) Zara - First verse and chorus (original) Eli - Second verse (new) Zara - Second chorus (with added Eli call and response) Zara and Eli - Bridge (new) Zara and Eli - Breakdown (Talking on the phone bit) Zara - Second chorus (with added Eli call and response) Eli - New added outro ("Hey Zara, wanna go on a date sometime?") Eurosummer (no new Zara vocals) We know already Hot & Sexy (new Zara vocals in bridge, no double double entendre at the end anymore, just about being hot & sexy) Zara - Pre-chorus (original) Zara and Tyla - First chorus (back and forth) Zara - First verse (original) Zara and Tyla - Second chorus (back and forth) Tiffany - Breakdown (original, shortened) Tyla - Second verse (new, "+27, i'm a call away" instead of "Puss Puss 97 on the numberplate") Zara and Tyla - Third chorus (back and forth) Tiffany - Breakdown (original, shortened) Zara - Bridge (new) Tyla - Outro (new) The Ambition (new Zara vocals) Zara - First verse and pre-chorus (new, "worldwide #1, want another one") Zara - First chorus (kinda original, but different melody) Beat breakdown Madison - Second verse (new) Zara & Madison - Second chorus (new) Zara - Bridge + outro (new) Saturns Return (my least favorite, no new Zara vocals) Zara - First verse and chorus (original, only pads playing, less production than original) Helena Gao - Second verse and chorus Last 3,5 minutes: Zara's adlib on repeat, only pads with reverb and Helena Gao talking over it in Chinese... borefest

A lot of us have been questioning how song structures have evolved, what's considered old and what's new, so I've laid it all out for you. Midnight Sun (no new Zara vocals) Zara - First verse and chorus (original) Pink - Second verse and chorus (new) Zara & Pink - Midnight sun adlib Zara & Pink - Outro ("Feeling so high" singing back to back) Blue Moon Zara - First chorus lower register (added new back and forth lyrics) Zara - First verse (new with DeBarge sample) Zara - Chorus (same as new first one, with added harmonies) Kehlani - Second verse (new) Zara - Chorus (same as new first one, Kehlani ad-libs) Pretty Ugly (no new Zara vocals) Zara - Acapella chorus intro (original) JT - First verse (new) Zara - Chorus (original) Zara - second verse (original) JT - Verse (new) Zara - Chorus (original) Breakdown/Bridge - "Like this" and "Alibi part" mixed Zara - Chorus (original) Girls Girl Zara - First verse (new) Zara - Chorus (new, only part coming back is the 'I wanna be a girls girl' part) Beat breakdown Emilia - Second verse (new) Zara - Chorus (new, only part coming back is the 'I wanna be a girls girl' part) Beat breakdown (one big belty ad-lib from Zara, which was also in the original i think) Zara - Outro ad-libs (new)

"A worldwide #1, want another one" The Ambition