storminthedark

4.5m posts on Tiktok and it's back to 1m+ streams before being added to TTH. It's the next single but his team are useless so we'll see.

She's headlining Glastonbury next year

2/5 from The Independent. https://www.the-independent.com/arts-entertainment/music/reviews/taylor-swift-review-patient-zero-babylon-b3056352.html

Are there any details on who shot these photographs? Beth Garrabrant? Taylor's creative direction is one of the main gripes I've had with her more recent albums but if there was one positive about the Showgirl era, it was that the album shoot was generally pretty good. This is incredibly uninspired comparatively.

king keeps winning

We're already in civil war territory but the first "agent" shot is going to speed run that into active combat. the hypocrisy sickens me. The sunk cost fallacy is too great. Renee's murder was shocking across the aisle but as soon as her death was justified and explained away they fell in line. Any other killing to them is fine now.

I hope you're as okay as you can be right now This is crazy. Stay safe.

It's pretty clear by the interviews he's done this is about the live experience and acts as a transition from Harry's House. This was the last track written for it and the most experimental. Not sure what's a bizarre misfire about it as nothing indicates his 'power to mint new hits' has been affected lmao. People said the exact same thing about Lights Up and yet Fine Line is his most beloved album. Sign of the Times was a risk when it was released and now it's one of his most streamed songs.

He's about to sell out 6+ nights at Wembley and 30 nights at MSG. I think he'll be just fine.

They're so predictable and boring

The UK numbers are huge. 13.2m unfiltered is great. Idc what happens now since no one appreciated Lights Up on release and look what happened

I won't stray from it I don't know these spaces Time won't wait on me I wanna know what safe is

I'm already satisfied with it exceeding 10m. This is a risky, 5 minute track and it's nowhere near as commercial as As It Was was. Any song would've had a tough time matching AIW's phenomenon but both songs are great in their own ways. From how he's spoken in interviews for this release, it's not about chart value, it's about the live experience.

It always astounds me when any stans (not just Swifties) act as if their favorite artist's successes are their own and reduce art into a binary category of good or bad based on numbers, just because they want to feel part of something bigger than themselves. Even more embarrassing when it's largely fuelled by resentment over the fact they were in a relationship over a decade ago and Harry has only grown more since then unlike some of her other ex-partners. Grow up

As per usual. They hate the fact Harry is successful independent of any of Taylor's influence and he's one of the biggest pop boys we have. Saying 11m is bad for this song is crazy work.

The video was so cunty. I need him to always work with Aube Perrie

The reason I mentioned those cities specifically is because he made part of the album in Berlin and lived there, loves Tokyo, and owns 3+ houses across Italy and speaks Italian. I'm sure Paris will be involved as it's a mainstay but those cities are personally relevant for him.

No Berlin, Tokyo or any shows in Italy yet. He's obviously extending it into 2027.

He's booked enough shows to break the Wembley record

These fan videos are so cute

The reactions so far have all said it sounds different from him but have been very positive He always pushes himself

Listening parties happening tomorrow in select record stores

Can't wait!