MAXIMO

I was so mad when this was snubbed for Original Song, such a gorgeous song. I'm glad Jessie won an oscar tonight, let me pretend it's for this.

With 7 wins in the GF, she must be the youngest to achieve that amount too.

Apart from the EGOT, that can be achieved in questionable ways. He's 1/3 from the Triple Crown of Acting, with the Tony being the hardest to get.

It seems that people don't go to concerts to appreciate and enjoy a great performer in action, it's more about what is trendy or more popular, sheep mentality, they don't even watch the concerts anymore, just stay there and film it with their phones, to show off other people they were there, that's not necesary means it's the best. Beyoncé is more talented, but both are overrated to certain extent, but in case of Beyoncé is way more justifiable the praise because you can watch her talents as a performer right in front of you, but in case of Taylor her talents are more secluded, it has spread more like a rumor that it's yet to be proven.

Producer of the Year, Non-Classical Jack Antonoff

Producer Of The Year, Classical Elaine Martone

Best Engineered Album, Classical Contemporary American Composers David Frost & Charlie Post, engineers; Silas Brown, mastering engineer (Riccardo Muti & Chicago Symphony Orchestra)

Best Bluegrass Album City of Gold – Molly Tuttle & Golden Highway

Best Contemporary Instrumental Album As We Speak – Béla Fleck, Zakir Hussain, Edgar Meyer featuring Rakesh Chaurasia

Best Jazz Instrumental Album The Winds of Change – Billy Childs

Best Jazz Performance "Tight" – Samara Joy

Best Progressive R&B Album SOS – SZA

Best R&B Performance "ICU" – Coco Jones

Best Contemporary Classical Composition Montgomery: Rounds – Jessie Montgomery, composer (Awadagin Pratt, A Far Cry & Roomful of Teeth)

Best Classical Compendium Passion for Bach and Coltrane Alex Brown, Harlem Quartet, Imani Winds, Edward Perez, Neal Smith & A.B. Spellman; Silas Brown & Mark Dover, producers