-
Carly Rae Jepsen - 'Day and Night'
This is such a breezy listen, it does not bother me at all to go through the entirety of it Day standouts: Versailles, Good Fine Alright, Just A Little Walk on the Moon Night standouts: Never Let A Good Thing Die, Amalfi Coast, Near or Far
-
MILEY - 'Bass Persuades'
The production and the instrumentation on Redlights are wonderful
-
Tove Lo - 'ESTRUS'
The album really picks up from the bad one on, it's one little gem after another. BUT as a whole it's kind of a nondescript album, there's an ongoing vibe of dark electropop flourishes, but it all feels a bit minor in the scope of her discography. Not sure what she was going for exactly like, for example, if i could i would is the blandest song she's ever made? And it's right at the start??? There are some odd choices here. But some of y'all are dramatic, it's still a good album.
-
MILEY - 'Bass Persuades'
Good album, but Something Beautiful remains her opus. Different Religion and REDLIGHTS are fantastic though, the album should have followed those sounds more.
-
2006 MAKES THE WOMAN: PART ONE | Due August 20th
C'mon, we need to lash her a little
-
Ellie Goulding - 'I Know Too Much'
Destiny is finally home, we cheered
-
Eartheater - 'Heavenly Body: If I'm The Bottle You're The Message'
Brilliant album. Malka Moma, Paradise Rains, Glowing Guts, the ending of Favorite, Nova... all give me goosebumps
-
2020s: your album of the decade so far?
Hard to settle on just one, but it's between these
-
Ellie Goulding - 'I Know Too Much'
Such a mixed bag of an album. She really fooled me with the gorgeous artwork and Black Prada Dress The main problem for me is that many of these tracks just don't have that Ellie DNA in the songwriting that usually infuses her work. Even in less peculiar albums like Higher Than Heaven, an Ellie Goulding melody is always present and recognizable. Here, not so much. Always Think of You and Misremember You should be slam-dunks for her since the acoustic sound is a well-known part of her identity, but they both sound like different degrees of Taylor Swift, melodically. The former especially really reminds me of Wildest Dreams They are not bad songs, not at all, but so far from Ellie. But the latter's lyrics are really affecting at least. For Your Entertainment flows well, but it does sound like a Damiano David song nnn so weird! Loser is straight up trash, so disappointing. She should be above this type of TikTokified fake R&B sound. What's actually good: the singles, Jealousy, Nobody Dances and, above all, I Know Too Much! I know she's capable of interesting acoustic leaning songs that have affecting melodies and captivating fingerpicking. I recognize Ellie in these songs, and at the same time they feel like a progression/reiteration of various types of sounds she has explored before. Destiny remains superior to all of these songs though, it goes without saying
-
Jessie Ware: The Discography Rate
Wherever there's GOATie Waresus, I am there too
-
2006 MAKES THE WOMAN: PART ONE | Due August 20th
Another top 10 full of singles? Zzz
-
Jorja Smith - 'What Are The Odds'
This is so boring. Somehow, her debut remains her most accomplished album :(
-
Brandon Flowers - 'THRASHER'
He just sounds so effortless with this sound, I loved every song
-
2006 MAKES THE WOMAN: PART ONE | Due August 20th
Omg I had forgotten about this somehow, one album to go and I'm readyyyy The thought of going through a Jessica Simpson album yayyyy
-
Carly Rae Jepsen - 'Day and Night'
Day absolutely washes Night so far On Wires > After All > Don't Leave Me on the Dancefloor > Motivation