Rabid Manlet

Unironically my favorite moment in the album. So haunting and evocative, you could practically imagine her stepmom's ghost twirling in the dark with her. Queen of bridges and pop, fr. 👑

My Cousin is My Savior in your case, it seems.

And to think mother (apparently) freestyled this whole song too? Her mind.

Although it's a bit... hyperbolic to compare Confessions II to a 3,000-year old classic, I can't bring myself to disagree with this take. You are never bored for a single second during these two experiences. (I watched The Odyssey in IMAX last night.)

I adore it. The way it sounds almost sinister... and how the saxophone perfectly complements the malice in the lyrics. It tickles my brain in the best way.

Such a great piece of songwriting. To sing "I'll wait for your love" towards a vicious public (subliminally) and then have them take it to #1. Oh Ariana, your mind...

Well tbf those complaints were all over Reddit too, and motha seems to like that app.

I just know Madonna's team has been ki-kiing at all the "wHErE is tHe prOmo" and "whERE IS the mUSIC vIDEo" breakdowns over this past month. I told y'all to let them cook.

Yup, and they ended up sounding better to me. Not saying they should import the film mixes into the album (lol) but if Bring Your Love (Afterhours Mix) could match the sound quality of the film, then I don't see why the other tracks couldn't. (Obviously, the discourse around sound quality is mostly subjective but there are aspects of music mixing that are objective. Instrument separation and dynamic range are straight up done better in the film.)

That's good, I guess - it won't ruin your experience of the album. But on headphones, the chorus of Danceteria sounds just a bit tinnier than the film version to me. The synth sounds are more buried in the mix and the bass doesn't hit as hard, idk.

The mixing on Bring Your Love (Stuart's After Hours Mix) is immaculate compared to the other tracks released so far, including the previews that were released on YouTube recently. I hate to say it (and to pile on to the endless complaints about song mixes recently 💀) but Stuart clearly isn't the problem with the muddiness on BYL (with Sabrina) and Love Sensation. And I'm not claiming that mother is to blame, either. But if you compare the sound of Good for the Soul, One Step Away, BYL, and Danceteria in the film to the previews she uploaded to YouTube, they're just so much more pristine and professional-sounding.

It's incredible just how much better this era's rollout has been than anything she's done since 2008. It's what her branding and legacy deserve. Now more than ever, I can see how much Interscope dropped the ball with her during those years she was signed with them.

She has never belted like that live (I would love to be proven wrong on this) but she tore it up. The pipes are piping.

I see someone got a hold of the screenplay

I have a theory that the "wobliness" she's had since the Celebration Tour is down to the heels she insists on wearing. Her moves were shockingly fluid in the One Step Away (table) section, I couldn't believe a 67 y.o. was serving that level of cvnt while pulling it off. Maybe it's easier for her to pull off choreography sitting or laying down? Then again, she did say at Tribeca that the choreo "nearly broke her body" so what do I really know...? 😭